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  • £34.95

    Lady of the Lake - Christopher Bond

    A remote Carmarthenshire lake shrouded in Welsh legend has been named as one of the 1,000 must-see sights across the globe by an influential travel bible. Llyn y Fan Fach, 12km southeast of Llandovery in the Brecon Beacons, is the only spot in Wales to make the list, which was put together by Lonely Planet. "This isolated drop of blue, beneath a cirque of raw Welsh hills, is enchanting - and enchanted," Lonely Planet's 1,000 Ultimate Sights tells readers. The story goes that in the 13th Century, a farmer grazing cattle on the nearby slopes spotted the most beautiful woman he'd ever seen. She was a fairy maiden, who agreed to marry him on one proviso - he must not hit her more than twice. In time, the inevitable happened - three strikes, and the otherworldly wife disappeared back into the lake, taking her magic cows with her. This work, for flugel horn and brass band, is reflective in nature, portraying the dismay of the man in losing his wife for his own selfishness. The work was written for and premiered by Rob Nesbitt & City of Cardiff (Melingriffith) Band, at the 2019 Welsh Open Entertainment Contest in Porthcawl, Wales.

    Estimated dispatch 5-10 working days
  • £90.00

    Hobbits (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £90.00

    Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £83.00

    Gandalf (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 6.30

    Estimated dispatch 7-14 working days

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  • £60.00

    From the Shores of the Mighty Pacific (Cornet Solo with Brass Band - Score and Parts) - Clarke, Herbert L. - Wilkinson, Keith M.

    Cornet Solo with Brass BandHerbert L. Clarke (1867 - 1945) is regarded by many as one of the finest cornet players of all time, noted not only for his amazing technique but also for his warm, lyrical tone. He has left a multitude of cornet solos as well as collections of studies which are still very widely used. He was a member of The Sousa Band briefly in 1893 and then from 1898 to 1917 where he was not only the distinguished cornet soloist but also became assistant director.From The Shores Of The Mighty Pacific is an all-time favourite rondo-caprice cornet solo and was first published in 1912. A brass band arrangement was requested by Chris Lichtler, principal cornet of Brass Band of the Western Reserve, musical director Dr. Keith M. Wilkinson. Chris has performed it many times with BBWR and it was recorded by them on the CD, Without Reserve!.

    Estimated dispatch 7-14 working days

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  • £69.99

    Valley of the Pinios (Brass Band - Score and Parts) - Houben, Kevin

    Lying on high, calcareous sandstone rocks are the monumental monasteries of Meteora, a region in north central Greece which look down over the valley of the Pinios River. This region inspired Kevin Houben to compose Valley of the Pinios. You can almost hear the wind swirl around the chalk rocks. The sacred atmosphere of the monasteries, the prayers, the solitude, the grandness of the valley and the splendour of nature are all reflected in this inspirational composition.Duration: 7:00

    Estimated dispatch 7-14 working days

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  • £82.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £24.95

    SNARING OF THE SUN, The (Brass Band Extra Score) - Roberts, Stephen

    2015 National Championships Finals Testpiece - Second Section - Extra Score. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days
  • £99.95

    SNARING OF THE SUN, The (Brass Band Set) - Roberts, Stephen

    2015 National Championships Finals Testpiece - Second Section. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days