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£68.99Music from Tombstone - Bruce Broughton
Released in cinemas in 1993, Tombstone is an American western written by Kevin Jarre and directed by George Cosmatos. Starring Kurt Russell and Val Kilmer, it was narrated by Robert Mitchum and is based on events relating to the Gunfight at the OK Corral, and the subsequent Wyatt Earp Vendetta, both of which took place in Tombstone, Arizona.The theme is crime, political corruption and law enforcement in the American west during the 1880s. The score was by Bruce Broughton, and this selection features music from the opening and closing credits.
Estimated dispatch 5-14 working days
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£60.00Tangents (Score and Parts) - Stephen Bulla
Formed around a musical interpretation of the title, the motifs employed are derived from melodies and counterpoint that, with development, join into unisons but then separate. The music, which in places is reminiscent of the film music of Bernard Hermann, often takes the separating lines and transforms them into dramatic, often grotesque new material. Throughout, however, the original motif continues to make its presence felt, finally resolving into a massive unison scored for full band as the concluding note.
Estimated dispatch 7-9 working days
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£32.00The Beacons (Score only) - Ray Steadman-Allen
For centuries hilltop beacon fires blazed across the land signals of important happenings or warnings of invasion. This music tells no specific story but the titles of the four thematically related sections are a guide to the idea: The Beacons; Far Horizons; The Invaders; Celebration. The first movement has something of the character of the march and the fanfare; spirited and tightly driving, it promises most of the thematic material of the work. The second is largelt tranquil and is thinly scores with solo passages. The third has the most dramatic potential; its energy and conflict subsides to a lament and a tolling bell before a vigorous rounding off. Appropriately, the fourth movement is in a merry-making mood, and the jubilant music concludes with fragment statements of the main themes. The Beacons was first performed by IMI Yorkshire Imperial Band (James Scott) at the 'Concert of the Century', celebrating the Centenary of the British Bandsman, at the Free Trade Hall, Manchester, on 5 September 1987. Duration: 12:30
Estimated dispatch 7-9 working days
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£60.00Montage (Score only) - Peter Graham
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00
Estimated dispatch 7-9 working days
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£40.00Prisms (Score only) - Peter Graham
Dating from 1986 Prisms (Symphonic Study No. 2 for Brass band) was extensively revised in 1988 to form the preent work. Though not programmatic as such, the work has its roots in traditional brass band music, being strongly melodic and adopting a broad ternary form. The main themes call all be traced to the fourth-based first subject, these offshoots drawing a parallel with light refraction - Prisms. As well as the lyrical sections, much of the music is highly rhythmic, with a busy percussion section, and accesible and enjoyable to all. Duration: 13:00
Estimated dispatch 7-9 working days
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£40.00The Seasons (Score only) - Philip Wilby
Composer Philip Wilby writes... "The music of this little suite of pieces traces the year's change; from a cold, late autumn to an indoor winter; though a spring waltz to a final open-air march. My aim was to provide music which is both enjoyable to rehearse and perform but not forbiddingly difficult to play". The work's popularity among brass bands the world over suggests that he hit the nail on the head - audiences love it, too!
Estimated dispatch 7-9 working days
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£44.95Powerhouse (Brass Band - Score and Parts) - Downie, Kenneth
Spirit divine, come as of old. So begins the song by Brindley Boon, and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power, Wonder-working power and the very old chorus Send a new touch of power on my soul, Lord.The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.
Estimated dispatch 7-14 working days
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£34.95Life in the Sun (Brass Band - Score and Parts) - Wiffin, Rob
This bright and attractive concert overture was written while the comp0ser was living in Spain and enjoying life in the sun - a rare experience for an Englishman! It is intended to be an effervescent and cheerful piece, enjoyable both to play and to listen to. There are no great technical challenges in the music but it is essential that the performers play with a firm grasp of the rhythmic nature of the piece.It opens with a bold fanfare, giving the first statement of a theme that is to be used throughout. Once the broad opening is over the music has a feeling of energy and joy that drives all the way through the piece. The style is light and jazz-inflected and owes much to the compositional idiom of Goff Richards, the guru of entertaining band music.Duration: 5.00
Estimated dispatch 7-14 working days
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£28.95Caribbean Calypso (Brass Band - Score and Parts) - Wiffin, Rob
This vivacious calypso seeks to capture the vital rhythm and spirit of Caribbean dance music. It was written just after a visit to the Caribbean island of St. Lucia. Calypso music was everywhere and its beat was highly infectious. The composer catches the essence of calypso in the music and the sense of fun comes through to both the players and listeners.Duration: 3.00
Estimated dispatch 7-14 working days
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£94.90Sacred Night (Brass Band - Score and Parts) - Lovland, Rolf - Torskangerpoll, Idar
Secret Garden and Rolf Lovland have for many years given us unforgettable music. This is the title track from their first Christmas released in 2020.It's a warm and beautiful piece with a typical folk-music vibe. The instrumentation varies from the chamber-musical in the first verse to the tutti sounding refrains. This is music for those who want new Christmas music alongside the more traditional numbers on their Christmas concerts.Duration: 4.00
Estimated dispatch 7-14 working days
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