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  • £89.99

    Around a Village - Menno Haantjes

    The idyllic village Beetsterzwaag, in the east of Friesland, and its surroundings are depicted in this suite. The first part describes the main street with its liveliness. The second part brings us to the nearby church of St. Hippolytus-Olterterp while the final section describes the children playing in the woods of Sparjebird. Het idyllisch in de Friese bossen gelegen dorp Beetsterzwaag en haar omgeving staat model in deze landelijke suite. Het eerste deel beschrijft de hoofdstraat met al haar levendigheid. Het tweede deel brengt ons in het naburige St. Hippolytus-kerkje van Olterterp terwijl het slotdeel de spelende kinderen beschrijft in het speelbosSparjebird.

    Estimated dispatch 5-14 working days

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  • £59.99

    Yellow Mountains - Jacob de Haan

    In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

    Estimated dispatch 5-14 working days
  • £35.87

    March - Helping Hands (Rob Bushnell) Brass Band

    Helping Hands was written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). The piece is loosely programmatic in nature: The introductio is fanfare-like, announcing the date of the next Whit Friday Contests and the bands' anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. The second section (bars 35 to 52) sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section (bars 53 to 69) represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day. The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece. March-card sized parts included, with alternatives for horns in F and lower brass in bass clef. To view a rolling score video of the piece please visit www.youtube.com/watch?v=diqDoe0XpcA PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 3.50 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Drums

    In Stock: Estimated dispatch 1-3 working days
  • £79.95

    Lost Village of Imber, The - Christopher Bond

    The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains. Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order. The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness - a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects - the anvil of the blacksmith; the cowbell of the cattle and the bells of the church. The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life. In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks - sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community - both the centrepiece and pinnacle of a very real story. The work was commissioned by Bratton Silver Band in celebration of the band's 160th Anniversary, with funding from the Arts Council National Lottery Project Grants Fund and the Brass Bands England Norman Jones Trust Fund.

    Estimated dispatch 5-10 working days
  • £99.99

    Compostela - Thierry Deleruyelle

    "Four roads lead to Santiago", so begins the Book of the Pilgrim. Written in the 12th century, the Codex Calixtinus opened the way for pilgrimage from most cities in Europe and North Africa to Santiago de Compostela, in Spain. Compostela - The Way of St James describes the pilgrims' journey. After a slow introduction, a brilliant theme announces the start of the journey. The arrival in Spain is indicated by incantatory chants and majestic chords. Finally, the music softens as the pilgrims venerate St James.

    Estimated dispatch 5-14 working days

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  • £79.95

    The Lost Village of Imber (Brass Band - Score and Parts) - Bond, Christopher

    The Lost Village of Imber was commissioned by Bratton Silver Band in 2019 in celebration of 160 years of the band; 1859-2019. Structured in three movements, the complete work was premiered by Cory Band at Wiltshire Music Centre in February 2020.The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains.Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order.The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness, a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects, the anvil of the blacksmith; the cowbell of the cattle and the bells of the church.The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life.In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks, sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community, both the centrepiece and pinnacle of a very real story.Duration: 13.30

    Estimated dispatch 7-14 working days
  • £37.95

    InTears of Grief (Score and Parts) - J.S. Bach arr. Eric Ball

    Well-known chorale from St Matthew Passion arranged by a master. Duration: 6:30

    Estimated dispatch 7-9 working days
  • £37.95

    Two Bach Chorales (Score and Parts) - J.S. Bach arr. Eric Ball

    Two chorales from St Matthew Passion arranged by the celebrated arranger of his day: Was Mein Gott will and Wer bat dich so. Duration: 6:00

    Estimated dispatch 7-9 working days
  • £34.95

    Lady of the Lake - Christopher Bond

    A remote Carmarthenshire lake shrouded in Welsh legend has been named as one of the 1,000 must-see sights across the globe by an influential travel bible. Llyn y Fan Fach, 12km southeast of Llandovery in the Brecon Beacons, is the only spot in Wales to make the list, which was put together by Lonely Planet. "This isolated drop of blue, beneath a cirque of raw Welsh hills, is enchanting - and enchanted," Lonely Planet's 1,000 Ultimate Sights tells readers. The story goes that in the 13th Century, a farmer grazing cattle on the nearby slopes spotted the most beautiful woman he'd ever seen. She was a fairy maiden, who agreed to marry him on one proviso - he must not hit her more than twice. In time, the inevitable happened - three strikes, and the otherworldly wife disappeared back into the lake, taking her magic cows with her. This work, for flugel horn and brass band, is reflective in nature, portraying the dismay of the man in losing his wife for his own selfishness. The work was written for and premiered by Rob Nesbitt & City of Cardiff (Melingriffith) Band, at the 2019 Welsh Open Entertainment Contest in Porthcawl, Wales.

    Estimated dispatch 5-10 working days
  • £40.00

    Millennium Bridge - Nigel Hess

    Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and on to St. Paul's Cathedral with its bells ringing out over the great city. This piece is the first movement of Nigel Hess's New London Pictures, which represents elements of London in the 21st Century.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 4 minutes.

    In Stock: Estimated dispatch 1-3 working days