Results
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£34.95CLAPP! (Brass Band) - McGhee, Paul
Clapp! was originally written in 2006 whilst studying at the Royal Welsh College of Music and Drama and was written for two players at one piano. The music uses rhythmic phasing with each rhythm assigned its own tone cluster - as each shift in rhythm occurs the harmonic structure is altered too. Melodic passages are created through the shifts in rhythm and harmony, but these only occur within the given rhythmic parameters. The music can very much be viewed as a study in momentum, with its unrelenting pulse driving us through the music.The Brass Band version of 'Clapp!!!!' was written for Manger Musikklag and Torstein Aagaard-Nilsen, receiving its premiere at the 2010 BrassWind Festival in Bergen, Norway.Duration: 3:30
Estimated dispatch 7-14 working days
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£89.95TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£44.95
TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£48.95Brillante - Peter Graham
Brillante was commissioned by Peter Wilson for the British Bandsman Centenary Concert in 1987 and was first performed as a duet by Robert and Nicholas Childs. Later reworked as a solo with brass band accompaniment, it has become popular the world over - an accessible mix of sentiment and virtuosity! This new edition (2018) includes the original duet parts, the solo version, and incorporates a few small changes in phrasing to align with the concert band version also published by Winwood Music.
Estimated dispatch 7-9 working days
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£37.95Piece Heroique (Score and Parts) - Cesar Franck arr. Tony Rickard
Cesar Franck was appointed as organist at the newly built Paris church of Saint Clotilde in 1858, though he wrote remarkably little music for the instrument. Piece Heroique was one of the Trois Pieces pour Grand Orgue written in 1878 for the inauguration of the new Cavaille-Coll organ at the Trocadero in Paris. It's stately grandeur and stirring finale make an ideal concert item, and this skillful arrangement (which includes an optional organ part for added colour) retains the character of the original, while transferring it to the sonority of the brass band. If you're looking for the next Elsa's Procession, then here it is - an ideal concert ending when you need a grandstand finish! Duration: 9:00
Estimated dispatch 7-9 working days
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£44.00Songs for B.L. (Score only) - Elgar Howarth
Songs for B.L. was commissioned by BBC North for the 1995 BBC Festival of Brass and first performed by the Eikanger/Bjorsvik Musiklag Band in February that year. It was selected as the championship section test-piece for the 1995 National Brass Band Championships of Great Britain. The piece is in seven sections: Romanza; First Scherzo; Ballad; March; Second Scherzo; Romanza reprise; Coda. It is romantic but charged with highly chromatic harmony, and makes much use of chamber music textures. The work is dedicated to the composer's wife, Mary. 'The meaning of the title,' says the composer, 'is a secret, and will remain so'.
Estimated dispatch 7-9 working days
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£56.00Songs for B.L. (Parts only) - Elgar Howarth
Songs for B.L. was commissioned by BBC North for the 1995 BBC Festival of Brass and first performed by the Eikanger/Bjorsvik Musiklag Band in February that year. It was selected as the championship section test-piece for the 1995 National Brass Band Championships of Great Britain. The piece is in seven sections: Romanza; First Scherzo; Ballad; March; Second Scherzo; Romanza reprise; Coda. It is romantic but charged with highly chromatic harmony, and makes much use of chamber music textures. The work is dedicated to the composer's wife, Mary. 'The meaning of the title,' says the composer, 'is a secret, and will remain so'.
Estimated dispatch 7-9 working days
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£63.34Sleigh Ride Suite (Brass Band) Leopold Mozart arr. Alex McGee
Today Leopold Mozart (1719-1787) is known almost exclusively as the stern father of Wolfgang, but he was a prominent and successful musician in his own time. The Sleigh Ride, composed just before Wolfgang was born, certainly shows that Mozart the elder had as good a sense of humour as his more famous son. Wolfgang must, in fact, have known and enjoyed his father's piece - he included a short Sleigh Ride in his German Dances, K.605, in 1791. Leopold's more complicated piece is a programmatic serenade, with short titles for each section: a musical picture of a cold evening's ride to a party. The score calls for sleigh bells, rattle, a whip, and triangle. The action begins with a short overture (Intrada), followed by the Sleigh Ride itself, a lively duple-meter dance accompanied by jangling sleigh bells and punctuated by the cracking of a whip. There is then a nice bit of musical pantomime - The Young Lady Shivers With Cold. The sleigh finally arrives at the party, a ball with a small dance orchestra. The Ball Begins, not surprisingly, with a courtly menuet, and the End of the Ball is a spirited Kehraus, a lively rondo-form dance. This transcription faithfully seeks to convey the light touch of the Age of Enlightenment to the modern brass band and provides ensembles with new material for their annual Christmas concerts. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=tgrBe1u8Xag Duration: Approx. 11.45 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£31.66March from 'The Love for Three Oranges (Brass Band) Prokofiev arr. Wilkinson
This thrilling brass band arrangement of the March from 'The Love for Three Oranges' by Prokofiev has been skillfully arranged by Keith M. Wilkinson. This setting captures the essence of the original orchestral work, while showcasing the power and brilliance of the brass band. In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi, L'amore delle tre melarance, adding some additional surrealism to the text. Given Prokofiev's poor English, and Americans unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself. The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella. To view a rolling score video of the work please visit www.youtube.com/watch?v=I136sf8hxlU Duration: Approx. 2.10 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£35.62Coronation March from 'Le ProphAte' (Brass Band) Meyerbeer arr. Rob Bushnell
The Coronation March by the German composer Giacomo Meyerbeer comes from Act 4, Scene 2 of his grand opera, Le Prophete (The Prophet). Set in the 16th century, it is based on the life of John of Leiden, Anabaptist leader and "King of Munster", with the libretto influenced by the works of Voltaire. The 5-act opera deals with love, revenge and tragedy. It was premiered by the Paris Opera at the Salle Le Peletier on 16 April 1849, with audience members including Chopin, Verdi, Delacroix, Charles Dickens and Berlioz.During his life, Meyerbeer was a dominant figure in the world of opera, with Hector Berlioz saying of him 'he has not only the luck to be talented, but the talent to be lucky.' To view a rolling score video of the work please visit www.youtube.com/watch?v=_M4DtUdQzhA Duration: Approx. 3.40 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Also includes alternative parts for horns in F and lower brass in bass clef. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion
In Stock: Estimated dispatch 1-3 working days