Results
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£34.95
The Covenanters (Brass Band - Score and Parts) - Downie, Kenneth
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£17.50
The Covenanters (Brass Band - Score only) - Downie, Kenneth
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£44.95
Life Abundant (Cornet Solo with Brass Band - Score and Parts) - Redhead, Robert
Life Abundant is a cornet solo written as a musical biography of the search of soul to find the meaning of life. The music begins with the dawning of life, then the abundant joy of childhood ('My cup is full and running over'), followed by the uncertainty of the youth who longs to say 'I want to live right' but doesn't know how. The answer comes in a meditative setting of the composer's own song 'One life to live, O may I live for Thee', after which the music confidently builds to a climax which expresses the joy of abundant life found in Jesus".
Estimated dispatch 7-14 working days
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£22.50
Life Abundant (Cornet Solo with Brass Band - Score only) - Redhead, Robert
Life Abundant is a cornet solo written as a musical biography of the search of soul to find the meaning of life. The music begins with the dawning of life, then the abundant joy of childhood ('My cup is full and running over'), followed by the uncertainty of the youth who longs to say 'I want to live right' but doesn't know how. The answer comes in a meditative setting of the composer's own song 'One life to live, O may I live for Thee', after which the music confidently builds to a climax which expresses the joy of abundant life found in Jesus".
Estimated dispatch 7-14 working days
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£44.95
Symphony Of Thanksgiving (Brass Band - Score and Parts) - Goffin, Dean
Specially written for the Diamond Jubilee Celebration of The International Staff band in 1951 concluding with 'Praise my soul, the King of Heaven' and a phrase of 'Give to Jesus glory'.
Estimated dispatch 7-14 working days
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£22.50
Symphony Of Thanksgiving (Brass Band - Score only) - Goffin, Dean
Specially written for the Diamond Jubilee Celebration of The International Staff band in 1951 concluding with 'Praise my soul, the King of Heaven' and a phrase of 'Give to Jesus glory'.
Estimated dispatch 7-14 working days
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£53.20
FAMOUS MUSICAL MELODIES (Vocal Solo (Soprano) with Brass Band) - Fernie & Lorriman
Three Movements including: Memory from Cats; I Don't Know How to Love Him from Jesus Christ Superstar; I Could Have Danced All Night from My Fair Lady. Grade: Medium.
Estimated dispatch 7-14 working days
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£32.99
In Praise of Him - Tone Poem Joseph Knight
This original composition is a short reflection on the sweetness of praise to our Lord Jesus. It is my own personal reflection. It starts with a soft sweet melody on horns which is varied and moves throughout the band. The piece is in ternary form and as the melody develops it returns one tone higher, signifying rising praise. It then finishes rousingly with a steadily increasing "Halleluiah" to finish. The piece lasts nearly four minutes and would grace any concert as a character piece.
Estimated dispatch 5-9 working days
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£45.99
Prelude on Laudes Domini - Douglas Court
The opening bars of this piece seek to portray the dawning of each new day, as it continues to flower and unfold before us. Drawing inspiration from the hymn of Joseph Barnby, the composer musically illustrates the text:'When morning gilds the skies,my heart awaking criesmy Jesus Christ is praised'
Estimated dispatch 5-14 working days
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£77.00
General Series Brass Band Journal, Numbers 2242 - 2245, April 2024
2242: Fanfare Prelude - Faithful in every way (Simon Gash)Lord, I come before your throne of grace (S.A.S.B. 378) has become a popular song for Sunday worship. These words of great assurance are married to a strong tune which, unlike many contemporary worship songs, suits the brass band idiom well. Although this piece will work without Percussion, the Snare Drum part, which underpins a lot of the piece, will help drive the music forward.2243: The wonders of thy grace (Norman Bearcroft)Herbert Booth's song Within my heart, O Lord, fulfil (S.A.S.B. 211) was the inspiration behind Lieut-Colonel Norman Bearcroft's three-verse setting of the hymn tune Wareham, with the title being taken from the lyrics of verse two.2244: Trombone Solo - I will wait (Andrew Mackereth)Major Leonard Ballantine has an astonishing gift for contemporary song writing. This song is a brilliant example of this, taking the idea of Jesus waiting patiently for us to accept the fullness of his offer of love.This arrangement was made at the request of Andrew Justice, former Principal Trombonist of The International Staff Band. For many years, Andrew has used this song with piano accompaniment. In making this arrangement, the composers aim was to capture the transparency you can create in piano playing.2245: The battle cry! (David Edmonds)Inspired by Lorne Barry's Trinity (F.S. 599), this piece would be well suited as a concert opener but would work in many settings as a contribution to worship. Its main feature is the driving rhythmic pattern in the Bass and Percussion sections. The music needs to be played with confidence and purpose. As the title suggests, it is a strong, inspiring battle cry, corralling the troops. This is a setting of the song by Stuart Townend and Keith Getty, O Church, arise (S.A.S.B. 819), which has become popular in recent years, not only within The Salvation Army, but also the wider Christian church.
Estimated dispatch 7-14 working days