Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 74 matches for your search. Order by

Results

  • £64.00

    The Mysterious Bridge - Darrol Barry

    Estimated dispatch 5-10 working days

     PDF View Music

  • £64.00

    MYSTERIOUS BRIDGE, THE (Brass Band) - Barry, Darrol

    Medium/Easy

    Estimated dispatch 7-14 working days

     PDF View Music

  • £58.70

    Into the Unknown - From Frozen II - Kristen Anderson-Lopez - Haakon Esplo

    Composers Kristen Anderson-Lopez and Robert Lopez have once again written music for Disneys sequel film Frozen II after great success in 2013 with Frozen.Many will probably remember Let it Go which became a big hit from this movie.The new movie continue to follow the main character Elsa, who sings her amazing musical number "Into the Unknown" in Frozen II. The song describes Elsa's inner conflict of choice to leave Arendelle or trace the source of a mysterious voice she continues to hear.The song is originally sung by Idina Menzel and the Norwegian artist Aurora and has elements and motifs inspired by Scandinavian herding calls. As always, the music is both magnificent and captivating and will surely be a hit for many years to come.

    Estimated dispatch 5-14 working days
  • £61.00

    How Far I'll Go (From "Vaiana") - Lin-Manuel Miranda - Haakon Esplo

    Walt Disney Pictures movie Vaiana from 2016 tells the story of Vaiana, the strong-willed daughter of the master in a Polynesian tribe. She is elected by the sea to reunite a mysterious relic with a goddess. When a disease affects the island she lives on, Vaiana set sails searching for Maui, a legendary demigod. Her goal is to save her people.The great theme song from the movie, How far I'll go, is magnificent and original and has elements of folk music. The song is nominated for Oscar in the Best original song-category.The modulation in this arrangement is re-written a semitone to make it fit our Young Band Entertainment-series.

    Estimated dispatch 7-14 working days
  • £32.00

    Amaranth (Score only) - Ray Steadman-Allen

    The title of the work refers to a legendary imaginary purple flower, mysterious in that it never fades or dies. In an extended single movement the music explores the colours and textures of the brass band. Duration: 10:00

    Estimated dispatch 7-9 working days
  • £42.00

    Amaranth (Parts only) - Ray Steadman-Allen

    The title of the work refers to a legendary imaginary purple flower, mysterious in that it never fades or dies. In an extended single movement the music explores the colours and textures of the brass band. Duration: 10:00

    Estimated dispatch 7-9 working days
  • £44.00

    Hymns at Heaven's Gate (Score only) - Elgar Howarth

    A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00

    Estimated dispatch 7-9 working days
  • £56.00

    Hymns at Heaven's Gate (Parts only) - Elgar Howarth

    A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00

    Estimated dispatch 7-9 working days
  • £50.00

    Introduction and Allegro on a bass by Max Reger (Score only) - Robert Simpson

    The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00

    Estimated dispatch 7-9 working days
  • £60.00

    Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson

    The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00

    Estimated dispatch 7-9 working days