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  • £34.95

    Cloak and Dagger - Jonathan Bates

    DURATION: 4 minutes. DIFFICULTY: 1st+. Cloak and Dagger was composed for the Carlton Main Frickley Colliery Band's 'Murder Mystery' set at the 2018 Brass in Concert Championships. The work acts as a feature for Flugel Horn, Baritone and Trombone, each acting as a suspect in a pseudo musical 'who dunnit?'. Each solo is starkly different in charcter revealing the personality traits of the 3 mysterious suspects!.

    In Stock: Estimated dispatch 1-3 working days
  • £38.00

    Inchcolm (Horn Solo with Brass Band - Score and Parts) - Johns, Terry

    Inchcolm is an island in the Forth estuary first visited by St Columba in 567 and mentioned in Shakespeare's Macbeth. The ruins of Columba's abbey are regularly shrouded in mist and bring with it a flavour of mystery and legend. Composer and distinguished French horn player Terry Johns (Drac to his friends) was commissioned to write this work for Superbrass and their water influenced 2nd album, Brass Taps. Drac requested that he be allowed to write a solo feature with a proper tune for horn. Kingdom Brass in Scotland premiered Inchcolm in its new brass band form and the solo part is playable by either a tenor or french horn player. Duration: 5.00. Suitable for 2nd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £34.95

    Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £17.50

    Gymnopedie No.1 (Brass Band - Score only) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £57.50

    Veni Immanuel (Brass Band - Score and Parts) - Sparke, Philip

    Meditation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £58.60

    CATS Musical Highlights (Brass Band) - Lloyd Webber, Andrew - Smith, Sandy

    Includes: Overture; Macavity: the mystery cat; Skimbleshanks: the railway cat; Old Deuteronomy; Memory; Journey to the Heviside Layer. Grade: Medium

    Estimated dispatch 7-14 working days

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  • £99.95

    HEART OF THE HIDDEN FLAME (Brass Band - Score and Parts) - Mealor, Paul

    I saw the Weaver of Dreams, an immortalshape of star-eyed Silence; and the Weaver of Death, a lovelyDusk with a heart of hidden flame; and each wove with theshuttles of beauty and Wonder and mystery... Come unto me,O Lovely Dusk, though that has the heart of hidden flame.Fiona MacLeond, 'The silence of Amor'.This work is written for standard brass band instrumentation plus timpani and two percussionists.Duration: 15:00

    Estimated dispatch 7-14 working days

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  • £44.95

    HEART OF THE HIDDEN FLAME (Brass Band - Score only) - Mealor, Paul

    I saw the Weaver of Dreams, an immortalshape of star-eyed Silence; and the Weaver of Death, a lovelyDusk with a heart of hidden flame; and each wove with theshuttles of beauty and Wonder and mystery... Come unto me,O Lovely Dusk, though that has the heart of hidden flame.Fiona MacLeond, 'The silence of Amor'.This work is written for standard brass band instrumentation plus timpani and two percussionists.Duration: 15:00

    Estimated dispatch 7-14 working days

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  • £40.00

    Lord of the Rings: The Return of the King (Brass Band - Score and Parts) - Shore, Howard - Harper, Philip

    A spectacular fantasy medley from the third and final episode of the Oscar-winning trilogy The Lord of the Rings. The most poignant and memorable themes from this magical motion picture have been arranged and assembled as a gala concert piece for brass band by Philip Harper. Bring the mystery and excitement of Middle Earth into your repertoire with this piece!Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 6.00

    Estimated dispatch 7-14 working days
  • £30.00

    Inchcolm - Terry Johns

    The island of Inchcolm was visited by St Columba in 567 and is mentioned in Shakespeare's Macbeth. It lies on the stretch of water beyond my balcony, known locally as "Mortimer's deep", and on short winter days, the ruins of Columba's abbey are shrouded in the mists of the estuary and bring a flavour of mystery and legend to my morning coffee. Music comes easily here amidst the crying of the seabirds, and the horn has given its distinctive voice to history, myth and folklore for centuries. Its sound was born in the wide-open spaces and can paint a broad seascape with ease.