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  • £69.95

    SEASCAPES (Brass Band - Score and Parts) - Steadman-Allen, Ray

    Seascapes was commissioned for the National Brass Band Championships of Great Britain in 1988.Seascapes takes its inspiration from the poem 'Cargos' by John Masefield. In the first movement, a gentle lyric theme, set against a pulsating background is contrasted with a dance. The dance reaches its climax and the music concludes with a quiet theme. The second movement has something of the nature of a sarabande, with a central section, which is a little lighter but retains a Spanish flavour. The composer adds a whimsical thought of his own that there may also have been a party of monks aboard. A variety of ingredients blend in the third movement: the coaster engines, the sea, some jovial shanty-music and the storm element through which the coaster steadily chugs.Suitable for Championship Section bands.

    Estimated dispatch 7-14 working days
  • £34.95

    SEASCAPES (Brass Band - Score only) - Steadman-Allen, Ray

    Seascapes was commissioned for the National Brass Band Championships of Great Britain in 1988.Seascapes takes its inspiration from the poem 'Cargos' by John Masefield. In the first movement, a gentle lyric theme, set against a pulsating background is contrasted with a dance. The dance reaches its climax and the music concludes with a quiet theme. The second movement has something of the nature of a sarabande, with a central section, which is a little lighter but retains a Spanish flavour. The composer adds a whimsical thought of his own that there may also have been a party of monks aboard. A variety of ingredients blend in the third movement: the coaster engines, the sea, some jovial shanty-music and the storm element through which the coaster steadily chugs.Suitable for Championship Section bands.

    Estimated dispatch 7-14 working days
  • £85.00

    The Alchymist's Journal (Brass Band - Score and Parts) - Hesketh, Kenneth

    The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band conducted by Bramwell Tovey. This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing were required to use.Suitable for 1st Section Bands and aboveDuration: 12 minutes

    Estimated dispatch 7-14 working days
  • £82.95

    THEME AND CO-OPERATION (Passacaglia for Brass) (Brass Band - Score and Parts) - Horovitz, Joseph

    Commissioned for the Premier Division Finals of the Boosey & Hawkes National Brass Band Championships of Great Britain with funds provided by the Co-operative Union Limited on the occasion of the 150th anniversary of the Co-operative Movement. Published in 1994. Recorded on Polyphonic DPRL901D Joseph Horovitz (The Brass Band Music of)

    Estimated dispatch 7-14 working days
  • £37.95

    THEME AND CO-OPERATION (Passacaglia for Brass) (Brass Band - Score only) - Horovitz, Joseph

    Commissioned for the Premier Division Finals of the Boosey & Hawkes National Brass Band Championships of Great Britain with funds provided by the Co-operative Union Limited on the occasion of the 150th anniversary of the Co-operative Movement. Published in 1994. Recorded on Polyphonic DPRL901D Joseph Horovitz (The Brass Band Music of)

    Estimated dispatch 7-14 working days
  • £37.95

    TOCCATA from Organ Symphony No.5 (Brass Band) - Widor, Charles-Marie - Sparke, Philip

    Recorded on Polyphonic QPRL056D National Brass Band Championships of Great Britain and Gala Concert - 1992, Polyphonic QPRL040D Pageantry

    Estimated dispatch 7-14 working days
  • £154.99

    VARIETY OF SKILLS (Brass Band) - Pallhuber, Hermann

    Commissioned for the 2012 Dutch National Brass Band Championships as the set test piece for the championship section. Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £59.95

    Un Vie de Matelot (Brass Band - Score and Parts) - Farnon, Robert

    A Sailor's Life. Theme and Variations for Brass BandThis work was specially composed as the test piece for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 11th October, 1975Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £29.95

    Un Vie de Matelot (Brass Band - Score only) - Farnon, Robert

    A Sailor's Life. Theme and Variations for Brass BandThis work was specially composed as the test piece for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 11th October, 1975Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £79.95

    The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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