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£60.99
Shalom Alechem - Johan Nijs
The characteristic so typical of Jewish folk music is clearly apparent in this arrangement of the Jewish folk song, Shalom Alechem. It is typical in the sense, in that, in spite of the minor key, songs are often cheerful by nature, Johan Nijs managed to capture this perfectly in this outstanding arrangement.
Estimated dispatch 5-14 working days
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£60.99
Ammerland - Jacob de Haan
Ammerland brings you a vivid impression of this enchanting region by the Zwischenahner Lake (Germany)! The rural landscape of Ammerland combines fields covered with yellow rape blossoms, lush meadows, seemingly endless country roads and an exquisite lake. Let yourself be lured away on a short musical trip to beautiful Ammerland. Enjoy nature, the lake and the brilliant colours of a unique landscape.
Estimated dispatch 5-14 working days
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£154.99From Ancient Times - Jan Van der Roost
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature!
Estimated dispatch 5-14 working days
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£79.99Pulse (Euphonium Solo with Brass Band - Score and Parts) - Doss, Thomas
Pulse is a solo work for euphonium and brass band. As the title suggests, this piece is very rhythmic in nature. Pulse represents life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by the euphonium, the pulse of the timpani continues to beat steadily. Even though the piece stays at a constant tempo, it can be performed at half speed. Duration: 7.15
Estimated dispatch 7-14 working days
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£104.99Friendly Takeover (Brass Band - Score and Parts) - Waespi, Oliver
Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece. Duration: 9.30
Estimated dispatch 7-14 working days
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£22.99
Friendly Takeover (Brass Band - Score only) - Waespi, Oliver
Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux.In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Duration: 9.30
Estimated dispatch 7-14 working days
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£44.95
Joy Through The Ages (Brass Band - Score and Parts) - Evans, Howard J.
This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.
Estimated dispatch 7-14 working days
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£22.50
Joy Through The Ages (Brass Band - Score only) - Evans, Howard J.
This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.
Estimated dispatch 7-14 working days
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£69.95
Transformation (Brass Band - Score and Parts) - Downie, Kenneth
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£34.95
Transformation (Brass Band - Score only) - Downie, Kenneth
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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