Results
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£118.99Elegy I (Brass Band - Score and Parts)
Elegy I 'Jealousy' has been named after John Donne's poem of the same name. This English poet (1572-1631) wrote an entire series of elegies, each with its own theme. Jealousy can trigger various emotions, ranging from disappointment, grief, or regret, to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne), a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l'ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to this chanson - sometimes through key notes from the melody that serve as the starting point for new, isolated themes and sometimes through quotations of the original version
Estimated dispatch 7-14 working days
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£74.99
Ever so samba Brass Band (Score & Parts)
The rhythm of the samba was originally created in Africa and brought to Brazil by the slaves . Here it became the national dance. For every festive occasion and especially the carnival festivities (Rio de Janeiro) samba music is played. The World's Fair in New York (1939) was the reason to the biggest spread of the samba. The cornet section gets an opportunity to feature in Ever so Samba. Together with the swinging percussion section they let you enjoy a South American party.
Estimated dispatch 7-14 working days
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£104.99Cantabile - Philip Harper
"As long as we live there is never enough singing." - Martin Luther Philip Harper composed this piece in response to his personal concern about the direction of new music for brass band. His goal with this 5 movementCantabile, was to compose a piece which fully complied with all that is asked of a top-level test in the 21st Century, but also to reconnect with more traditional values such as lyricism in melody and richness of blendedbrass sound. Each of the 5 parts seek to capture this idea.
Estimated dispatch 5-14 working days
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£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£54.99
Inner Space Brass Band (Score & Parts)
Today's society means to many people: bustle, hurry, quick and more ... No wonder that many are looking for (inner) tranquility and balance in their overloaded existence. Listen to music or active music is a way to relax and also to draw new energy. The repetitive motifs in Innerspace provide a relaxing effect. Enjoy and use the strength of your own 'innerspace'. 02:45
Estimated dispatch 7-14 working days
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£54.95SONGS OF THE GREAT WAR A Medley of Popular Songs 1914-1918 (Brass Band) - Wiffin, Rob
Music of the Great War is a five year project to use music of the period to educate and engage schools, colleges, town bands, and the wider public across the UK and the world to learn in a positive way about the events, the experience of the troops involved from all sides, and how music played its part.This year, to commemorate the centenary of the Great War a specially arranged medley Songs of the Great War has been created. The medley has been arranged for bands to rehearse and eventually perform on the 11 November 2015. It brings together some of the most popular tunes played, sung and performed by the men and women of the time - in the trenches and on the various home fronts.With the support of many countries and organisations, on the 11 November the medley will be first played in New Zealand and Australia. It will ripple east across the world being performed in countries like India and Pakistan before hitting Europe and onwards to include performances in Canada and the Caribbean. This could become one of the most played pieces of music in a 24-hour period.In Britain, there will be performances across the country, including some at key events and sites involving a wide range of military and non-military personnel.The medley includes: It's a Long Way to Tipperary; Your King and Country Want You; Good Bye-ee; Oh! It's a Lovely War; Hello! Hello! Who's Your Lady Friend; Take Me Back to Dear Old Blighty; Mademoiselle from Armentieres; There's a Long, Long Trail A-winding; If You Were the Only Girl in the World; Pack Up Your Troubles (In Your Old Kit Bag); Old Soldiers Never Die/Last Post.
Estimated dispatch 7-14 working days
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£44.50Chicago (Highlights from) - Fred Ebb - Iain McKnight
The music from the 1975 musical by Fred Ebb, with lyrics by John Kander, is ranked up there with the best musicals of all time. Whilst the original Broadway production only ran for a couple of years, Chicago was revived in 1996. Following this new lease of life, the show continues to run to this day and has enjoyed over 7,000 performances on Broadway. In the first arrangement of its kind for brass band, this new 'Highlights from Chicago' has been made especially for the Leyland Band to feature on their new upcoming CD. Expertly arranged by Iain McKnight, the work features, 'The Overture', 'And All That Jazz', 'Nowadays' and 'Hot Honey Rag'. Sure to be a hit with all who play it, the music appeals to audiences of all ages and is a great concert item that will suit both outdoor and indoor concert events. Not to be missed.
In Stock: Estimated dispatch 1-3 working days
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£29.50Red Dwarf - Howard Goodall - Andi Cook
Over the years, Howard Goodall has provided the BBC and others with memorable themes for TV shows that have over time, become iconic in stature. The theme tune to 'Red Dwarf' is certainly no exception. The return of the programme with the new series has been welcomed by millions and now, for the first time, the iconic theme tune has been arranged by Andi Cook for brass band. Perfect for use as an opener or general concert item, the arrangement also contains an optional cut to shorten the work if required for and entertainment contest programme. This new release is a must for all bands looking to give their concert programme a boost of energy.
In Stock: Estimated dispatch 1-3 working days
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£29.50Bewitched - Howard Greenfield - Gavin Somerset
In 1964, the pilot to the new American sitcom 'Bewitched' was completed. The original screening used Frank Sinatra's 'Witchcraft' as the music for the opening titles, however, the production company did not want to pay the large fee to use this track and so, Greenfield & Keller were asked to compose an alternative. The foot-tapping swing piece they produced was reduced to an instrumental version with a light orchestra for the opening credits. However, the song has now been recorded several times. The most famous recording by Steve Lawrence was also featured in the film 'Bewitched' released in 2005. Since then, it has also appeared on the X-Factor a number of times. This fantastic swing item now comes arranged for brass band with the option of playing it at the Steve Lawrence song tempo, or the fast, big band instrumental tempo used in the TV Series. An optional, lower pitched part is also included between letters E-F for the cornet section & flugel to make the item more accessible to lower section bands. This item is a great swing number that audiences of all ages will recognize, a great piece for your new program & a must for every band looking to inject some life into their concerts.
In Stock: Estimated dispatch 1-3 working days
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