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  • £37.95

    Slavonic Rhapsody No.2 - Carl Friedmann

    Estimated dispatch 5-14 working days
  • £32.95

    Ave Maria (No.2) - Franz Schubert

    Estimated dispatch 5-14 working days
  • £49.95

    Pomp & Circumstance No.6 - Edward Elgar

    Estimated dispatch 5-14 working days
  • £54.99

    Mambo No. 5

    Estimated dispatch 5-14 working days
  • £57.50

    March from Jazz Suite No.2 - Dimitri Shostakovich

    Estimated dispatch 5-14 working days
  • £82.10

    Christmas No 1, March of the three Kings

    Estimated dispatch 5-14 working days
  • £90.30

    Herb Alpert Selection No.1 - Wechter-Pisano

    Estimated dispatch 5-14 working days
  • £69.95

    Little Suite for Brass No 2 - Malcolm Arnold

    Estimated dispatch 5-14 working days
  • £57.50

    Scherzo from Symphony No.10 - Dimitri Shostakovich

    The Scherzo is the 2nd movement from Shostakovich's 10th Symphony; a short, brutally fierce movement which is constantly loud and uses some of Shostakovich's most violent musical language. This arangement for Brass Band is a wonderful way to celebrate the centenary of Shostakovich's birth.

    Estimated dispatch 5-14 working days

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  • £35.00

    Symphonic Dance No.3 - Sergei Rachmaninov arr. Phillip Littlemore

    Completed in 1940, the set of Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like outer movements and the focus on individual instrumental tone colours throughout. Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941.This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov's own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement). Duration: 3'45"Diffiuclty: 2nd Section and above

    Estimated dispatch 5-7 working days