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£59.99Perfect - Christopher Bond
Pop singer Ed Sheeran continues to dominate the charts, and this romantic ballad from his third album reached No. 1 in sixteen different countries. Here is a sensitive version for band with flowing melodies and nicely varied orchestration. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Estimated dispatch 5-10 working days
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£34.95Descent, The - Christopher Bond
The Descent takes its inspiration from Victorian author Jules Verne; specifically, his work Twenty Thousand Leagues Under the Sea. In Twenty Thousand Leagues Under the Sea, Professor Arronax finds himself a prisoner of the mysterious Captain Nemo, on a remarkable submarine called the Nautilus. Nemo is one of Verne's most memorable characters. He's a man who has turned his back on the world, and his name - Nemo - means 'No Man.' He has vowed never to set foot on dry land ever again. Verne gives his hero's brilliance and benevolence a dark underside - the man's obsessive hate for Empires and Imperialism. Captain Nemo is a genius, an engineer, an artist, an athlete, sometimes a pacifist, sometimes a righter of wrongs, sometimes an out and out villain, and he invented the Nautilus. The Descent is based on the idea of a descent to the depths of the ocean in the Nautilus with Captain Nemo, with the cornet soloist expressing both the anguish and reflective sides of the character. On one hand, a troubled and agitated figure, juxtaposed with the reflective memories of his homeland, children, mother and father. The work was written for and commissioned by Flowers Band as part of their programme of music at Brass in Concert 2019.
Estimated dispatch 5-10 working days
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£79.95Lost Village of Imber, The - Christopher Bond
The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains. Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order. The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness - a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects - the anvil of the blacksmith; the cowbell of the cattle and the bells of the church. The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life. In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks - sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community - both the centrepiece and pinnacle of a very real story. The work was commissioned by Bratton Silver Band in celebration of the band's 160th Anniversary, with funding from the Arts Council National Lottery Project Grants Fund and the Brass Bands England Norman Jones Trust Fund.
Estimated dispatch 5-10 working days
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£22.00
Clarion Alarum (Score & Parts) - Simon Dobson
Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas.Brass Band Grade 5: 1st SectionDuration: 2.5 minutes
In Stock: Estimated dispatch 1-3 working days
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£125.00
Titan's Progress (Score & Parts) - Hermann Pallhuber
Commissioned by Austria's leading brass band, Brass Band Oberoesterreich, Titan's Progress is a series of descriptive, virtuoso episodes based on the principal character of the novel by Jean Paul. This was also the original subject of Mahler's Symphony No. 1, from which Hermann Pallhuber derives much of his material. The work has proved an exceptionally popular test piece all over the world. Titan's Progress was the selected test piece for the British Open Brass Band Championship, held at Symphony Hall, Birmingham on Saturday 12th September 2009. Brass Band Grade 6: Championship Duration: 17 minutes The score provided with this set is a larger format, B4 size.
In Stock: Estimated dispatch 1-3 working days
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£50.00
Our Flirtations (Score & Parts) - John Philip Sousa
The name John Philip Sousa is no stranger to any brass band aficionado. Our Flirtations has its origins in incidental music written by Sousa for a play of the same name. It was written around 1880, about the time he was appointed Director of the U.S. Marine Band, a position he held until he formed his own civilian band in 1892. Sousa wrote over 130 marches, many of which have been transcribed for brass band.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£55.00
New York - Nigel Hess
For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. New York is the third movement of East Coast Pictures, originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and the people.The bass clef Euphonium parts can be purchased as individual downloads here.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 6 minutes
In Stock: Estimated dispatch 1-3 working days
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£40.00Chorale Prelude
This stately work is very loosely based on the opening chords from 'The Lamb', although there are no direct quotations from that work. The opening chorale is played as gradually more themes are added above in a dignified and legato subject where instruments sustain notes to give a lingering echo effect. Players need to be aware of their role in this to maximise the effect. The second subject increases the intensity until the time signature change introduces a second chorale. Then, a short imitative passage leads to a rising appogiatura theme and the climax of the work, which re-introduces the original chorale in a major tonality. With versions for brass ensemble, brass band, wind orchestra and woodwind orchestra, this work has been placed in concerts when a meaningful, reflective moment is required.
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£40.00Tubilation
A fantastic tuba feature with brass band backing. Driving semiquaver rhythms push this piece forwards whilst remaining away from the centre of attention which is undoubtedly the big old tuba! Full of semiquavers and scales rushing up to the top of the range of the instrument, there can be no doubt that the tuba is the star of the show. The solo part is carefully thought through with enough rests to make it approachable, while the syncopatino in the other parts give the music an energy that is maintained to the very final flourish, instigated by a demisemiquaver scale run on the tuba! Intermediate and above ensemble parts, but the solo tuba part needs a fairly skilled and confident player to get the most out of this piece.
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£29.95Cafe 1719 - Jonathan Bates
DURATION: 2'30". DIFFICULTY: 1st Section+. 'Caf 1719' was composed for the Wantage Silver Band as part of their entertainment contest sets based on the music of Johann Sebastian Bach in 2019. This particular short, jazz-inspired work is composed in tribute to the great French Pianist Jacques Loussier (1934-2019) who received global acclaim for his jazz interpretations of Bach's music, along with many other classical composers. Despite being born in the same year and living in the same country, Bach and Handel never actually met, but what if they had? Cafe 1917 acts as a musical meeting point - in a fictional Jazz Cafe by the Rhine, with the tenor horn section performing a 'Loussier-esque' version of Bach's 'Prelude No.2 in C Minor' whilst on the other side of the cafe, the trombone section follow suit with their take on Handel's 'Bourree from Music for the Royal Fireworks'. Eventually the two meet, share ideas and incorporate them into each other's melodies. Amongst the 2 main featured works by Bach and Handel, the tutti interludes are constructed on music from Bach's 'Toccata and Fugue in D Minor'. .
In Stock: Estimated dispatch 1-3 working days
