Results
-
£90.30Valdresmarsj - Johannes Hanssen
Valdres is a mountain region that lies between Oslo and Bergen. Johannes Hanssen (1874-1967) composed the march for the Valdres Battalion between 1901 and 1904, using the Battalions horn-signal combined with a traditional style folk-tune. The march has been named "one of the greatest marches in the world" on many occasions, and it is a firm favourite with it's national flavor and unusual style. This version is similar to Johannes Hanssens revised version for Wind Band from 1954. However, it is interesting to notice that in Hanssens very first version of the march half a century earlier, the first theme was played by the Eb-Cornet, just like in this arrangement for brassband.
Estimated dispatch 5-14 working days
-
£105.20Under blaful fana - Viktor Widqvist
This march composed in 1916 is arguably one of the finest and most famous marches from the Scandinavian countries.It's composer, and Swedish March King Viktor Widqvist's (1881-1952) most famous composition and it's the official march of all the armed forces in Sweden.The title reflects on the colours of the Swedish flag.-Svein H. Giske-August 2022
Estimated dispatch 5-14 working days
-
£57.50Jubiloso - Philip Sparke
Jubiloso was commissioned by Utsunomiya Brass Society, a talented and versatile group of brass players whom Philip Sparke has conducted on many occasions.When they asked him to compose a 'signature' march to celebrate their 30th anniversary, they asked for a bright and breezy march which they could use to open concerts.Jubiloso is in the same 'Broadway' style as Sparke's Slipstream and The Bandwagon with heavily syncopated melodies and the conventional cantabile trio section but also contains sudden bars with unusual time signatures which trip up the march rhythm.
Estimated dispatch 5-14 working days
-
£59.99Mercury - Jan Van der Roost
Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.
Estimated dispatch 5-14 working days
-
£59.99Orion Brass Band (Score & Parts)
There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called 'slow march'. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant 'pulse' gives this majestic march a noble character 04:25
Estimated dispatch 7-14 working days
-
£59.99Orion - Jan Van der Roost
There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called 'slow march'. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant 'pulse' gives this majestic march a noble character
Estimated dispatch 5-14 working days
-
£45.00isti mirant stella
Descriptionisti mirant stellais based on an extract from the text of the Bayeux Tapestry, which was commissioned by Odo, Bishop of Bayeux, to commemorate the Norman conquest of England in the 11th century. This text relates to the appearance of Halley's Comet in the spring of 1066. King Edward the Confessor died without an heir early on 5 January 1066 and despite his apparent promise of the throne to William, Duke of Normandy, the Anglo-Saxon Witenagemot appointed Harold Godwinson of Wessex as his successor. Just after Harold's hastily arranged coronation the comet appeared, reaching its perihelion on 20 March 1066. In the Middle Ages comets were regarded as evil omens; the tapestry depicts men gazing at the "star" in wonder and Harold himself apparently lost in nightmarish visions of invasion, with ghostly ships in the margins of the tapestry.The music attempts to reflect the mood of this brief but crucial period of English history - the unsettled matter of the royal succession linked in the superstitious medieval imagination to the haunting, spectral apparition of the comet. Medieval composition techniques are employed in places, including the use of a 'tenor', hocketing and a brief isoryhthmic motet. The music attempts to avoid tonal centres and particularly any form of diatonic 'resolution', instead exploring the issue of unresolved dissonance as a musical device in its own right.Performance Notes:All cornets, flugel and solo horn will require bottles filled with water to varying levels to 'tune' them to the correct pitch for the closing section of the piece. Pitches for the bottles are notated in the same transposition as the player's main instrument, so for example a notated D in the bottle part for flugel would sound as a C.All cornets except soprano require harmon mutes; where these are marked 'TR' these should have the tube removed. 'TI' denotes the tube should be left all the way in. Soprano and solo cornet III require metal straight mutes; flugel, all tenor horns, 2nd baritone and both euphoniums require fibre straight mutes. Soprano, all solo cornets and all trombones require cup mutes.The percussion section will require vibraphone (with a suitable bow, preferably a 'cello bow), glockenspiel, tubular bells (low and high E only), concert bass drum, tam-tam and snare drum - the bass drum and tam-tam will require brushes in addition to the normal beaters. In addition 1st horn and 1st baritone are required to play triangles, which should ideally be different pitches if possible.Approximate duration 7'48"NOTE: This set comes with a B4 score. To view a PDF preview click here.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 522 - 525, October 2023
522: Festival March - The Rescuers (Andrew Hedley)This exciting and bright festival march comes from a new contributor to the band journals. Andrew Hedley is a bandsman at Chester-le-Street Corps and a member of the Euphonium Section of the International Staff Band. This work contains inventive harmonic and melodic patterns and we hope this will be the first of many works from this composer to be seen in our journals.523: Moses and Pharaoh (Ralph Pearce)This piece owes its creation to the playing of the Montclair Citadel Young Peoples' Band in the Sunday School assembly every weekend. The song Pharaoh, Pharaoh is extremely popular and is sung with gusto and much movement. The presentation of this song derives for an accompaniment written for the band to play along with the singing. To widen its use, the spiritual Go down, Moses (STTL Vol.7, Part 2) was added to make the present composition. This music should have drive throughout and be played with a sense of fun.524: Lord, to thee (Alan Williams)This is a setting of the tune Hendon (T.B. 249). The piece uses the first verse of Frances Ridley Havergal's commonly associated text 'Take my life and let it be consecrated, Lord, to thee' (S.A.S.B. 623), and from there it takes its title.525: Song Arrangement - This is why (Noel Jones)This music is based on the tune This is why (T.B. 353) by Elisha Albright Hoffman and this two-verse arrangement reflects the great song of testimony Would you know why I love Jesus (S.A.S.B. 912). An associated scripture reference is found in Mark 10:45 'For even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many'. The motif 'Would you know' occurs in the opening bars and is repeated throughout the piece, along with fragments of the first verse. The chorus confirms the hoy that Christians experience knowing that Christ's sacrifice has bought forgiveness for our wrongdoings.
Estimated dispatch 7-14 working days
-
£29.95Unity Series Band Journal February 2014 Numbers 414-417
No.414 March - Zambia Salute (Paul Drury)In April 2009, a group from Chelmsford Citadel Corps visited Zambia. The purpose of the visit was to assist in the leadership of the Zambian Territorial Music School, held at Chikankata. This march was written to commemorate the event and received its premiere performance at the final festival. The melody featured is the chorus of the song, I know not why Dod's wondrous grace (S.A.S.B. 730).No.415 A Joystrings sing-along (Erik Silfverberg O.F.)This piece represents the first published work since the sudden Promotion to Glory of Bandmaster Erik Silfverberg O.F. The Joystrings made Salvation Army history about fifty years ago, introducing rock music on the Christian music scene. Many of their songs have become classics and have been used as thematic material in our brass music. Here is a selection of three of their songs, to be used either as a band piece or as accompaniment to a sing-along. The three songs are:- 'I want to sing it', 'It's an open secret' and 'Have faith in God'.No.416 Festival Arrangement - At the cross (Martyn Thomas)The well-known song, 'At the cross' (T.B. 580), is given a lively new setting by Martyn Thomas. The rock and swing treatment of this old melody should appeal to many!No.417 Lord of all (Martin Cordner)This piece was written for the 120th Anniversary of Balham corps (London Central Division) in 2011. In terms of a theme, the anniversary occasion prompted the primary thought that the piece should first be a praise-offering to God, acknowledging him for who he is. Therefore songs referenced in the piece are praide songs: 'Lord, reign in me', 'He is Lord', 'All hail the Lamb', along with a song of testimony, 'I'm a soldier bound for Glory' (T.B. 382),which speaks of the Christian hope in Heaven and challenges Salvationists to influence others by living out that hope. There is also a brief reference to the National Anthem of the Democratic Republic of Congo (4 bars before D)- man acknowledgement to the faithfulness of corps soldiers who in recent years have arrived from that country.
Estimated dispatch 7-14 working days
-
£29.95Unity Series Band Journal February 2013 Numbers 402 - 405
No.402 Procession and praise (Andrew Mackereth)Written for an event at Belfast Citadel in November 2011, the tunes included were chosen by the youthful participants themselves!No.403 Suite - Learn, love and Live (Martin Cordner)Written for one of the bands at the 2011 Belfast Temple Music School, the three movements of this suite feature the songs 'Come Fill my cup', 'Such love' and 'Running over' respectively.No.404 Trombone Solo - You can't stop God (Kevin Larsson)Kevin Larsson has take one of his father's tunes and arranged it in the style of a Cuban bolero with the instruction that it is played at 100 beats per minute, or slower!No.405 March - The King's people (Trevor Davis)This march was written for the 125th anniversary of Loughborough Corps and is based on the song 'Come, people of the risen King' which was a particular favourite of the corps.
Estimated dispatch 7-14 working days
View Music