Results
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£34.95
Happy Land (Cornet Solo with Brass Band - Score and Parts) - Camsey, Terry
This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today.
Estimated dispatch 7-14 working days
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£17.50
Happy Land (Cornet Solo with Brass Band - Score only) - Camsey, Terry
This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today.
Estimated dispatch 7-14 working days
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£40.00LA FIESTA (Brass Band) - Corea, Chick - Harper, Philip
Chick Corea is an American pianist and composer of Sicilian and Spanish descent, whose long career in jazz music continues to this day. A member of Miles Davis's hand in the 1960s, lie formed his own band Return to Forever in the 1970s before establishing himself as one of the greats of modern jazz. La Fiesta was composed in 1972 and included on Return to Forever's debut album. The music is in one in a bar waltz time and switches between Latin carnival style and jazz waltz, with stand-up solos for cornet, baritone and tenor horn. This arrangement was performed as part 01 the Cory Band's winning Brass in Concert programme in 2012. The publisher of this works suggests that it should be playable by championship section bands.
Estimated dispatch 7-14 working days
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£109.99
The Power of the Megatsunami Brass Band (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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Postman Pat - Bryan Daly - Len Jenkins
The original music for the phenomenally successful Postman Pat series was composed by Bryan Daly (who sadly died in January 2012) and included not only the well-known theme tune "Postman Pat & His Black and White Cat", but also the tuba solo "Walking in Greendale", both of which are now available, arranged for brass, from Wobbleco Music. The theme tune was originally sung by Ken Barrie and was released as a single in the UK where it reached number 44 in the charts in July 1982. The Postman Pat TV series and the later Postman Pat SDS TV series continue to delight and entertain children not least because of the instantly recognizable theme tune. What is less well known is that Bryan was also one of the most sought-after session-musician guitar players of the 1960's and 1970's, a first-call studio musician for the likes of Burt Bacharach, and his performances grace numerous classic hit recordings that have remained radio staples to this day. This "twin-pack" contains 2 arrangements: one of which follows faithfully the original theme and is generally A4 in size, and another which is a march/fete edition and is slightly easier to play. They are printed back-to-back and by folding the parts in half, the march/fete edition becomes lyre-ready.
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£57.50The Gael from Last of the Mohicans - Trevor Jones
Who can forget the epic 1992 movie, The Last of the Mohicans, starring Daniel Day Lewis. The soundtrack was written by Trevor Jones and Randy Edelman with both men on record as saying this soundtrack is one of their greatest pieces of work to date. This scintillating and powerful arrangement of the main theme, The Gael, is one not to be missed and is guaranteed to 'bring the house down' at every performance. A work that no band would want to be without!
Estimated dispatch 5-14 working days
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£109.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 5-14 working days
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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£29.95Judd: Happy Land
This composition is a very challenging one for the soloist and requires the accompaniment to be subservient at all times. The soloist will find it helpful to, generally, adopt a very light and playful style. As a young aspiring cornet player, the composer was influenced by a number of soloists of that day, one being Del Staigers of the Goldman Band in the USA. Many of the musical motifs reflect that influence and it is hoped that this solo will, in turn, inspire the many aspiring cornet players of today
Estimated dispatch 7-14 working days
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£40.00
Quizas, Quizas, Quizas - Osvaldo Farres - Inge Sunde
A fresh, powerful and breathtaking latin chart in the famous flexible series SHOWBLOW!The cha-cha-cha Quizas, quizas, quizas is one of the world most famous, composed by Cuban songwriter Osvaldo Farres in 1947.The first English version, Perhaps, perhaps, perhaps, was with Bing Crosby 1948, then Nat King Cole, and with Doris Day in 1964. The arrangement is for flexible instrumentation in the popular series SHOWBLOW, and it can therefore be played by a clean or mixed quintet, but also by a full brass/concert band.Ensure a steady beat and rhythm, and here we go: one-two-chachacha!
Estimated dispatch 7-14 working days
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