Results
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£14.95Instrumental Album No.3 - Orchestral Music
Includes: Ten tunes for accompanying singing; March - Ever Onward; March - God's true heroes; A Swedish March; Selection - Thoughts from the great masters; Selection - Wonderful Love; Selection - Living waterInstrumentation: 1st & 2nd Violins, Cello & Double Bass, Flute, 1st & 2nd Clarinets, 1st & 2nd Cornets, Euphonium & Piano
Estimated dispatch 7-14 working days
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£35.00Pomp & CIrcumstance March No.1 - Edward Elgar arr. Phillip Littlemore
Elgar's Pomp & Circumstance March No. 1 was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October. It was repeated in London a few days later by Henry Wood at the Promenade concerts and the result was sensational, the audience roared its applause, and refused to allow the concert to continue. In order to restore order, Wood conducted the march three times - the only time in the history of the Promenade concerts that an orchestral item was accorded a double encore in Wood's lifetime.Now a staple of the 'Last Night of the Proms', where it always manages a partial encore, and a fitting item for any such themed concerts. This new arrangement recreates the colour from the original orchestral version.A video of this arrangement can be found here: Pomp & Circumstance March No.1Duration: c.6''00"Diffculty: 3rd Section and above
Estimated dispatch 5-7 working days
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£29.95The Wizard - Phil Lawrence - Christian Jenkins
Having played nearly all the great marches both in the brass band and orchestral repertoire, I was keen to create a cross between the best of brass band marches, and two of the great English orchestral composers of grand marches,...
Estimated dispatch 5-7 working days
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£30.00There and Back - Martyn Brabbins
An original composition for brass band by Martyn Brabbins.This work was created by Brabbins early in his career and combines his creativity and passion for the sounds of brass bands . It is one of two compositions from that era (the other being Here and There) which have now been given a new lease of life and made available to the general public through The Music Company (UK) Ltd.A fast-paced and lyrical piece lasting just over 2 minutes. It's a piece which can work well across a concert programme - giving flourish as an opener and equally effective if placed between longer content.Available here for brass band and also available orchestral wind, brass & percussion.**Brass Band version for purchase/orchestral wind, brass and percussion version for hire only.Listen InFind out more about Martyn Brabbins, listen in to the fascinating podcast presented as part of the British Bandsman's On The Record series:Apple podcasts:apple.co/3ufSsfXSpotify:spoti.fi/3duqoj5Podbean:bit.ly/3k3B75h
In Stock: Estimated dispatch 3-5 working days
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£40.00Euphonium Music (Score only) - Brian Bowen
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes An orchestral version is available on hire.
Estimated dispatch 7-9 working days
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£50.00Euphonium Music (Parts only) - Brian Bowen
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes An orchestral version is available on hire.
Estimated dispatch 7-9 working days
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£37.95Agincourt Song (Score and Parts) - Elgar Howarth trans. Ray Farr
This famous 15th-century song commemorating the English victory at the battle of Agincourt in 1415 has been adapted and arranged by many composers over the years, notably William Walton in his music for the film Henry V and by Ralph Vaughan Williams in his overture for brass band Henry the Fifth. Elgar Howarth originally made this stirring arrangement for 10-piece orchestral brass, and Ray Farr's transcription for British-style brass band employs antiphonal groups to magnificent effect.
Estimated dispatch 7-9 working days
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£25.00A Short Ride in a Brass Machine
DescriptionA Short Ride in a Brass Machine was written in 2006 to mark the 140th anniversary of the Brighouse and Rastrick Band and first performed in the Central Methodist Church in Brighouse by Brighouse and Rastrick conducted by James Gourlay. The title refers to the orchestral composition A Short Ride in A Fast Machine by the American composer John Adams which provided some of the inspiration for the work. The music is a simple celebratory prelude consisting of two main ideas, an expansive melody full of open fifths (giving the music a slightly "American" feel) and a short fanfare figure. After these are both heard for the first time a brief development of the fanfare material leads to a broader, warm harmonisation of the opening melody and the pulse relaxes a little before tension builds to a reiteration of the fanfare and a final triumphant version of the opening theme.Performance Notes:Percussion instruments required are 4 Timpani, Snare Drum, Bass Drum, 3 Tom-toms, 3 Wood Blocks, Suspended Cymbal, Clash Cymbals, Tubular Bells, Glockenspiel, Tam-tam.Soprano, repiano, 2nd solo cornet, 2nd and 3rd cornets will require metal straight mutes; 2nd and 3rd cornets will require harmon mutes with the tubes removed (indicated by 'TR').Duration approximately 3'30"Follow the score in the preview video below!
Estimated dispatch 7-14 working days
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£25.00Ariel
DescriptionAll hail, great master! Grave sir, hail! I comeTo answer thy best pleasure, be 't to fly,To swim, to dive into the fire, to rideOn the curled cloud. To thy strong bidding, taskAriel and all his quality.- William Shakespeare: The Tempest, Act 1, Scene 2Ariel was written for the Hammonds Band to open their programme at the 2019 Brass in Concert Championships at The Sage Concert Hall in Gateshead, where it received its premiere. The title is taken from the character in Shakespeare's play 'The Tempest'. Ariel is an immensely powerful "air spirit" or demon bound to serve Prospero, the exiled Duke of Milan, after being released by Prospero from imprisonment in a tree. In the play Ariel's magical abilities are used to help Prospero revenge himself on his enemies and reclaim his dukedom, whereupon Ariel finally regains his freedom.You can hear an audio preview and follow the score below:Performance notes:The cornets and horns are split into two "choirs" to be placed left and right of the band. It may be possible for the choirs to play their opening flourish offstage, and the optional repeated sections in the opening are to accommodate stage movement if required. Trombones form a third "choir" which should ideally stand centrally between basses and percussion, and the euphoniums and baritones should sit in front of the basses. The work requires four percussionists, although if four are not available the 2nd part may be omitted.Percussion 1: Kit - bass drum, snare, 3 x toms, hi-hat, suspended cymbal - and 3 x temple blocksPercussion 2: Tam tam and orchestral bass drum.Percussion 3: Glockenspiel and timpaniPercussion 4: Tubular bellsSoprano, solo cornets and 3rd cornets require cup mutes. Solo trombone requires a cup mute, second trombone requires a metal straight mute.
Estimated dispatch 7-14 working days
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£25.00Ring'd with the Azure World
DescriptionRing'd with the Azure World was commissioned by the Harmonia Brass quintet for their final recital at the University of Huddersfield in 2016.He clasps the crag with crooked hands;Close to the sun in lonely lands,Ring'd with the azure world, he stands.The wrinkled sea beneath him crawls;He watches from his mountain walls,And like a thunderbolt he falls.- The Eagle by Alfred, Lord TennysonThe music was inspired by Tennyson's poem reproduced above; it seeks simply to reflect the spirit of the poem. It opens in sparse, lonely mood as the eagle surveys the world beneath. The work quickens in three bursts using metrical modulation to disguise the actual moment of acceleration, reflecting the lazy energy stored in the circling raptor before concluding dramatically in a fall 'like a thunderbolt'. Tennyson's poem, although brief, has inspired much analysis and writing, and is notable for being written in the (then somewhat unfashionable) iambic tetrameter, indicating a foursquare emphasis reflected in the main theme of the music. This is heard first in an octatonic version and later in a purely tonal (if somewhat modal) version. The instrumentation reflects that of Harmonia Brass, a quintet composed of brass band instruments (two B flat cornets, an E flat tenor horn, tenor trombone and E flat tuba). However the music is also available for the more conventional brass quintet of two trumpets, french horn, trombone and tuba.To listen to an audio export preview and follow the music, click play on the video below!Performance Notes1st cornet/trumpet requires a cup mute, ideally with an adjustable cup (the marking "tight" denotes that the cup should be adjusted closer to the bell), and a harmon mute with the tube removed (denoted by "TR" in the score). 2nd cornet/trumpet requires a fibre straight mute and a harmon mute with the tube removed. Tenor horn require a fibre straight mute and a practice mute (any sort) - in the orchestral brass version the french horn requires a stop mute. Trombone requires a cup mute (only). Tuba requires a fibre straight mute and a practice mute (of any sort).Metronome marks should be closely observed - starting either too fast or too slow will have a disproportionate effect on the tempi later in the piece due to the metrically controlled tempo changes.
Estimated dispatch 7-14 working days