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£132.00
Abstractions - Torstein Aagaard-Nilsen
Verket ble bestilt av Norges Musikkorpsforbund som pliktnummer til NM for Brass Band 2. divisjon (na 1. divisjon) 1990.Satstitlene er abstraksjoner der synsopplevelser er tenkt gjenskapt som musikk, altsa en abstrakt fremstilling av et motiv, likt et abstrakt bilde der man ikke umiddelbart kan se likheten.1. Aurora Borealis (Lento espressivo) Inspirert av Nordlyset som kan vaere svaert intenst vinterstid.Det er aldri i ro og antar nye fasonger og farger hele tiden mens det farer over nattehimmelen.The first movement is inspired by the northern lights. It constantly changes in colour and shape.2. Rocks (Moderato ben ritmico)I denne satsen er tittelen et ordspill. Ordet "rock" er velkjent i musikken, men er ogsa en enorm stein eller del av et fjell.The title of the second movement is a play with the word "rock" is a well-known word describing a musical genre. But it is also a giant stone or a part of a mountain.3. Seascape (Allegro)I denne satsen forsoker jeg a fange ulike aspekter ved havet, samtidig som satsen samler opp musikalske ideer fra de to foregaende satsene. Denne satsen videreforer, oppsummerer og avslutter verket.The third movement is inspired by different aspects of the sea. It also sums up different ideas that occurs in the two previous movements to round off the whole piece.Tredje utgave - 2015Third Edition - 2015
Estimated dispatch 7-14 working days
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£103.00
Fest - Polonaise - Johan Svendsen - Kjell Olav Martinsen
Johan Svendsen (1840 - 1911) was the first great Norwegian symphonic composer, as well as one of the leading conductors of his time. Next to Edv. Grieg, he was the most prominent figure in Norwegian music life at the end of the 1800's. Although he came from humble beginnings in Chistiania (now Oslo), he was to become a cosmopolitan who felt at home all over Europa. Svendsen spent most of his adult life abroad, living in Copenhagen for 25 years as maestro for the Royal Theatre Orchestra. Nonetheless he retained contact with Norway troughout these years and was a frequent and popular guest in his native country. He wrote his Festival Polonaise for a ball in 1873. This polonaise in a big ABA style
Estimated dispatch 7-14 working days
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£58.00
Bliv kvar hos mig - William Henry Monk - Stig Gustafson
Willam Henry Monk wrote the music to this psalm in 1861. It's among the most popular all over the world and it's regared as one of the most beautiful melodies ever written.
Estimated dispatch 7-14 working days
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£67.00
Mary, Did You Know? - Green-Lowry - John Philip Hannevik
Mark Lowry wrote the lyrics for Mary, did you know in 1984, but the melody was created in 1991, when Marks colleague and friend Buddy Greene composed what turned out to be a modern Christmas Classic.Since then, the song has been recorded by numerous artists from all over the world.
Estimated dispatch 7-14 working days
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£67.00
Angels We Have Heard on High - French Trad. - Fredrick Schjelderup
"Angels We Have Heard" on High is one of the most famous Christmas carols all over the world.Of French origin, it's also entitled Les Anges dans nos campagnes. The Irish bishop James Chadwick has written lyrics to the melody. His lyrics are the most widely used also today.For this Brass Band arrangement there are also optional parts for SATB Choir and Organ.
Estimated dispatch 7-14 working days
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£72.00
Walk on By - Bacharach-David - Haakon Esplo
"Walk on By" is an American song written by Burt Bacharach and Hal David. It was written for Dionne Warwick. Her recording was released in April 1964 to great success.It reached a sixth place on the American Billboard Hot 100 list and a first place at Cashbox 'R & B. The song was a short time on Top 10 on the Billboard Easy Listening List. Warwick also recorded a German version entitled "Geh vorbei".Like many of Warwicks Bacharach-composed songs from the 1960s, many cover versions were made. Some of them with great success all over the world.Solo Options:Vocal | Flute/Oboe | Bb Clarinet | Altosax | Tenorsax | Trumpet/Cornet | Eb-horn | F-horn | Euphonium/Trombone BC | Euphonium/Trombone TC
Estimated dispatch 7-14 working days
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£29.95Rondo Alla Turk - Paul Lovatt-Cooper
Mozart is one of my favourite composers and his Rondo Alla Turk has been a popular concert piece for many performers the world over. This is an arrangement I have done for solo xylophone that shows off the technical dexterity of both the piece and the instrument. Circa 3'10". Soloist: Grade 8 ABRSM.
Estimated dispatch 5-7 working days
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£70.00
Macbeth - Peter Meechan
Commissioned by the Scottish Brass Band Association for the 2007 Scottish Open Championship, Macbeth takes itsa inspiration from the Shakespeare play of the same name. Character portraits (Of the three witches as well as Macbeth himself), abstractions (The lament), and scenes (Macbethas final battle with Macduff) make up the nine sections of the piece.i: WitchesThe prophecies of the three witches are an integral part of the play, and in this opening section, these mysterious characters are represented by three different sections of music that introduces the listener to the musical material of the piece.ii: DaggerMacbethas aIs this a dagger I see before theea speech, where an imaginary dagger leads him to contemplate the pending murder, builds in intensity before the bell tolls at itsa conclusion - a sign from Lady Macbeth that Duncan is now alone.iii: General MacbethA character portrait of Macbeth - a fearless General who has led his armies to defeat foes from all over Europe. His ambition and flair that make him such a great General are also the characteristics that lead to his eventual downfall.iv: Contemplations of Lady MacbethAlone and mad, Lady Macbeth ponders all that has gone, before taking her own life.v: LamentAlthough the play tells of Macbeth not feeling the pain of his wifeas death, this lament ponders not only her death, but the tale as a whole.vi: Tomorrow and tomorrow and tomorrowIt is in this final soliloquy that we see the ultimate tragedy of Macbeth - the realisation that his life is ultimately worthless.vii: A spell still castThis acts as an prologue to section eight, restating the original awitchesa music, before heading into Macbethas final battle.viii: Final BattleMacbethas final battle, where he locks swords with Macduff.ix: Not of woman bornMacbethas realisation that the witches have misled him comes all too late, as Macduff beheads Macbeth, fulfilling the last prophecy.
Estimated dispatch 12-14 working days
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£60.00
Manchester Concertino - Peter Meechan
Manchester Concertino is a concertino in three movements for trumpet or cornet. It was written in late summer/early autumn in, as the title suggests, Manchester, UK.The first movement, Fanfare, was written for Belgian cornetist Harmen Vanhoorne, and explores the main musical idea behind the piece, a minor third. The loud fanfare gives way to a cadenza over a timpani roll, before a reprise of the opening fanfare.The second movement, Dream, was commissioned by Keith Johnson and is dedicated to Jess Tredrea. It is a slow, lilting, movement - almost as if the listener was hearing the piece through a summer haze.The final movement is simply titled Finale and is dedicated to Roger Webster. New material is fused with the fanfare from the opening movement leading to a climatic finish to the work.
Estimated dispatch 12-14 working days
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£70.00
Milestone - Peter Meechan
Milestone is a concerto commissioned by Mark Wilkinson (with funds provided by the Arts Council England) to celebrate 21 years as Principal Cornet with Fodens Band. In three movements, the work is intended to not only demonstrate the soloistas virtuosic skills, but also his ability to communicate to the audience.The first movement, titled Milestone, combines sections of driving rhythms (intended to represent Markas years of continuing hard work), in the accompaniment with long legato phrases from the soloist interspersed with dexterous, virtuosic, passages.The second movement, Song, features a simple chord sequence, over which the soloist asingsa a melody, each time varying and each time becoming more expressive, leading to an emotional climax.The final movement, Twenty One, is a quasi-celebratory dance. Opening with the band clapping, the soloist weaves their way through the various textures in the band. Occasionally making both a musical and metaphorical nod to the industrious nature of the first movement, the chord sequence of the second movement also re-appears, before a brief coda takes us to the conclusion of the work.
Estimated dispatch 12-14 working days
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