Results
-
Aldebaran - Maurice Forslund - Maurice Forslund
We are pleased to offer this new piece from our colleague, Maurice Forslund, in Sweden. "Aldebaran" is a traditional-style brass band march, named after one of the brightest and largest stars in the Northern sky. (The star is a red giant over 40 times the size of our Sun). The music starts off in a sombre minor key that turns progressively brighter step by step. This sequence is arrested by a brief section featuring a setting of the hymn tune 'Bangor' which dramatically puts the march firmly back into the minor key before setting it up for progression to the finale. This piece is graded in the range 'easy' to 'intermediate' and is well within the capabilities of most bands.
-
Wild Flower Variations - Traditional - Len Jenkins
The theme for this delightful piece is believed to be Spanish and was originally heard in a Mediterranean church over 30 years ago, sung by the local choir accompanied by local musicians. The theme is not stated separately, and the piece begins directly with the First Variation. The following Variations are subtly different from the First, yet both retain the essential warmth of the Mediterranean sun in their harmonic progression. A short Coda rounds off this relaxing and escapist siesta. Time to wake up...The piece is scored to be playable by most Third or Fourth Section bands.
-
Left Bank Two - Wayne Hill - Len Jenkins
In the 1960's, a group of session musicians had some studio time left over and asked if anyone had something they wanted to try. The young vibes player, Wayne Hill came up with this tune, which they recorded on the spot, almost as a 'throwaway' piece. To viewers in the UK, it is best known as the music used in "The Gallery" sequence of 'Vision On', which was a British children's television programme, shown on BBC1 from 1964 to 1976. Tony Hart, artist and co-presenter of the programme, made pictures in a variety of sizes and media, and encouraged children to submit their own paintings to "The Gallery" for display on TV. They did so in their thousands. The piece has been used in a number of adverts including those for Volkswagen, Castrol Oil and Waitrose, and TV programmes such as NBC's America's Got Talent, The X Factor (U.S) and the BBC panel show QI. Left Bank Two features a Vibraphone solo with Brass Band accompaniment. For those bands that do not have a Vibraphone, an alternative solo for a B flat instrument is included.
-
£55.00Triumph Series Brass Band Journal, Numbers 1355 - 1358, November 2023
1355: March Medley - Pardoned Forever (Keith Manners)This collection of Easter-themed melodies should be played with enthusiasm and vigour. Featuring the songs He lives (S.A.S.B. 229), Chris is alive! Let Christians sing (S.A.S.B. 217) and No more! No more! He remembers sins no more (S.A.S.B. 460), the positive message of Easter Sunday is reflected in this bright march style.1356: Selection - I love the sweetest name (Noel Jones)This devotional selection includes three songs that feature the name of Jesus and derives its title from the following lines of those songs; 'How sweet the name of Jesus sounds' (S.A.S.B. 78), 'O, how I love the Saviour's name! The sweetest name on earth' (S.A.S.B. 94) and 'Sweetest name on mortal tongue' (S.A.S.B. 93).1357: Renewal (Harold Burgmayer)Will J. Brand penned the song Renewal (S.A.S.B. 634), with music by Bramwell Coles, for 'Day of Renewal' meetings conducted by General Albert Orsborn in October 1949. It was published in that form in The Musical Salvationist in 1951. Over time these meaningful words of consecration became wedded to an alternative tune, a lovely melody by Oscar Ahnfelt known as Trust in God (T.B. 903). This setting for band is based on a male-voice arrangement, conceived for a time of renewed consecration, sung by massed bands at the Canadian Staff Band's 50th Anniversary Festival in 2019.1358: Groove Hosanna! (Munashe Chikwezvero)This is a funk setting of three well-known melodies associated with Jesus' triumphal entry into Jerusalem. Today, such celebratory processions, and indeed most large gatherings, usually feature rich forms of music-making. Music provides atmosphere and generates excitement, and it is hoped that a funk inspired arrangement of these songs will inspire listeners to 'move to the groove'. The first two songs, Children of Jerusalem (S.A.S.B. 356) and Give me joy in my heart, keep me praising (S.A.S.B. 362) encourage us to sing 'Loud hosannas to our King!'. The words of the third song, When his salvation bringing, remind us that he "smiled to hear their song".
Estimated dispatch 7-14 working days
-
£34.95Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)
This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.
Estimated dispatch 7-14 working days
-
£34.95Pandemic 1342 (Brass Band - Score and Parts)
'Pandemic 1349' was written during September and October 2016 and received its premiere on Sunday 20 th November at the 40 th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award.'Pandemic 1349' is a concert work that aims to capture the atmosphere of fear and terror as the plague spreads throughout the city. The cries and screams get louder and reach a chaotic climax, before a calmer and reflective passage takes over - although the chaos and fear never totally leaves as the melodic material is played against the backdrop of what has gone before.London lost almost half of its population during the Black Death, making this one of the single most devastating events in the city's dark history. The outbreak not only shaped the number of inhabitants in London but also changed their mind-sets with many turning to religion - even the English language was to be forever altered.
Estimated dispatch 7-14 working days
-
£14.95Pandemic 1342 (Score Only)
'Pandemic 1349' was written during September and October 2016 and received its premiere on Sunday 20 th November at the 40 th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award.'Pandemic 1349' is a concert work that aims to capture the atmosphere of fear and terror as the plague spreads throughout the city. The cries and screams get louder and reach a chaotic climax, before a calmer and reflective passage takes over - although the chaos and fear never totally leaves as the melodic material is played against the backdrop of what has gone before.London lost almost half of its population during the Black Death, making this one of the single most devastating events in the city's dark history. The outbreak not only shaped the number of inhabitants in London but also changed their mind-sets with many turning to religion - even the English language was to be forever altered.
Estimated dispatch 7-14 working days
-
£104.99Friendly Takeover (Brass Band - Score and Parts)
Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Duration: 9.30
Estimated dispatch 7-14 working days
-
£50.00Triumph Series Band Journal November 2015 Numbers 1267 - 1270
No. 1267 March - Following Jesus (Ian Clarke)For more than two thousand years, countless Christians, the world over, have chosen to follow Jesus and try to live by his teachings. The words associated with the three tunes used in this march follow that theme: Sagina (T.B. 498), I will follow thee, my Saviour (T.B. 378) and There's joy in following (T.B.C.S. 206).No. 1268 Cornet Solo - Keep that smile! (Kenneth Ketteringham)This light-hearted, waltz-like solo features an old Army song written by Bandmaster George Marshall and Staff-Captain A.R. Wiggins.No. 1269 Hymn Tune Arrangement - Rockingham (Erik Silfverberg)A four-verse setting of the hymn tune, Rockingham, associated with the song 'When I survey the wondrous cross' by Isaac Watts.No. 1270 Lifted High! (Dean Jones)A bright, joyful arrangement of the song, 'Lord, I lift your name on high' in a Caribbean style.
Estimated dispatch 7-14 working days
-
£45.00Triumph Series Band Journal November 2014 Numbers 1255 - 1258
No. 1255 March - Redemption (Ian Clarke)The words redemption and salvation are synonymous with each other. In theology, the word redemtion is defined as 'delivering from sin' or 'saving from evil'; sentiments that are expressed in some of the words associated with the songs that are featured in this music.No. 1256 Suite - Great Expectations! (Howard Davies)Three songs (written over a period of 25 years) are drawn together in this suite as a reminder of the great expectations rightfully held by every child of God.No. 1257 Cornet Solo - Let me be a light (arr. Mervyn Clarke)A setting for Cornet and band of Major Joy Webb's song, 'Let me be a light'.No. 1258 Meditation - Were you there? (Noel Jones)This meditation on Christ's crucifixion features the song, 'Were you there?', and the chorus, 'He died of a broken heart'.
Estimated dispatch 7-14 working days