Results
-
£69.95Overture to Youth (Brass Band - Score and Parts) - Hughes, Eric
Butlins Mineworkers (Forth Section) test piece 2019Dutch Nationals (Fourth Division) test pieces 2013
Estimated dispatch 7-14 working days
-
£32.95Overture to Youth (Brass Band - Score only) - Hughes, Eric
Butlins Mineworkers (Forth Section) test piece 2019Dutch Nationals (Fourth Division) test pieces 2013
Estimated dispatch 7-14 working days
-
£69.95
Overture to Youth (Score and Parts)
Estimated dispatch 7-14 working days
-
£32.95
Overture to Youth (Score Only)
Estimated dispatch 7-14 working days
-
£38.50
A Slaidburn Festival Overture - Stoll, B
In 1997, all of the students who were undertakingthe BA Band Studies Course atAccrington & Rossendale College, werecommissed by the Slaidburn Band to composea suitable piece of music to mark itscentenary in 1998.As a result, Beverley Ann Stoll wrote theoverture as a tribute to both WilliamRimmer and Joseph Hodgson. The overturebriefly features the musical themes ofthe March "Slaidburn" and the unaffectedpoignant harmonies of the hymn tune"Burn Fell".Youth Band
In Stock: Estimated dispatch 1-3 working days
-
£45.00
Overture for Brass (Score & Parts) - Carlos Franzetti
From symphonies to big band jazz, and from chamber works to Latin American music and film scores, the music of Argentian-born composer and arranger Carlos Franzetti (b.1948) has won many prestigious awards. This exciting six minute overture, Overture for Brass, was arranged by Mark Freeh and has been recorded by the GUS Band, conducted by Bramwell Tovey.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 6 minutes
In Stock: Estimated dispatch 1-3 working days
-
£10.99
Overture for Brass (Score) - arr. Mark Freeh
From symphonies to big band jazz, and from chamber works to Latin American music and film scores, the music of Argentian-born composer and arranger Carlos Franzetti (b.1948) has won many prestigious awards. This exciting six minute overture, Overture for Brass, was arranged by Mark Freeh and has been recorded by the GUS Band, conducted by Bramwell Tovey.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 6 minutes.
In Stock: Estimated dispatch 1-3 working days
-
£39.99Overture for Brass (Brass Band - Score and Parts) - Franzetti, Carlos - Freeh, Mark
From symphonies to big band jazz, and from chamber works to Latin American music and film scores, the music of Argentian-born composer and arranger Carlos Franzetti (b.1948) has won many prestigious awards. This exciting six minute overture, Overture for Brass, was arranged by Mark Freeh and has been recorded by the GUS Band, conducted by Bramwell Tovey.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 6.00
Estimated dispatch 7-14 working days
-
£29.95Adam Zero, Suite from (Brass Band - Score only) - Bliss, Arthur - Childs, Robert
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
-
£19.65
Adam Zero, Suite from (Brass Band - Study Score) - Bliss, Arthur - Childs, Robert
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
View Music
