Results
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£50.90
Macushla (Tenor Horn Solo with Brass Band - Score and Parts) - MacMurrough, Dermot - Smith, Sandy
Duration: 3.00
Estimated dispatch 7-14 working days
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£50.90
Ave Maria (Flugel Horn and Euphonium Duet with Brass Band - Score and Parts) - Schubert, Franz - Lorriman, Howard
This beautiful classic is the perfect opportunity to feature your Flugel Horn (or Cornet) and Euphonium players.
Estimated dispatch 7-14 working days
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£42.60
Russian Album (Flexible Ensemble - Score and Parts) - Fernie, Alan
4 Part Flexible Ensemble and PercussionContains:Stenka RasinSwing of the Volga BoatmenCasatchokPosnya Pet (Kalinka)
Estimated dispatch 7-14 working days
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£79.95
Corineus (Brass Band - Score and Parts) - Bond, Christopher
Regionals 2024 - 3rd Section test piecePremiered by Cory Band at the 2018 Festival of Brass, Manchester. Selected as the set-work for the Championship Section at the 2019 National Youth Championships of Great Britain.Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.Duration: 11.00
Estimated dispatch 7-14 working days
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£42.60
Strictly Italian! (Flexible Ensemble - Score and Parts) - Fernie, Alan
4 Part Flexible Ensemble and PercussionContains:Arrivederci RomaFuniculi-FuniculaSanta Lucia
Estimated dispatch 7-14 working days
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£48.70
Latin Fever (Flexible Ensemble - Score and Parts) - Fernie, Alan
8 Part Flexible Ensemble and PercussionIncludes:La CucarachaEl Cumanchero
Estimated dispatch 7-14 working days
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£54.20
A Postcard from Russia (Brass Band - Score and Parts) - Smith, Sandy
Duration: 5.30
Estimated dispatch 7-14 working days
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£44.95
Cross-Rhythms (Brass Band - Score and Parts) - Ponsford, Steven
'Cross-rhythms' was commissioned for the 2016 Bolsover International Brass Band Summer School, and tries to portray the contrasting emotions of the Easter story. The music features three Easter-based hymns against various contrasting rhythms. References to the tune 'Rockingham' are heard, to which the words of Isaac Watts are associated 'When I survey the wondrous cross', along with Bramwell Coles' much-loved 'Here at the cross' and John Stainer's triumphant 'Cross of Jesus'.
Estimated dispatch 7-14 working days
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£34.95
Glory, Hallelujah (Brass Band - Score and Parts) - Larsson, Kevin
This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me Glory, Hallelujah!'
Estimated dispatch 7-14 working days
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£29.95
Shine (Brass Band - Score and Parts) - Gott, Barrie
This is another work in a series of swing pieces which began in 1986 with Light-walk (F.S. 462). Shine was written to commemorate 30 years since Light-walk's conception at Star Lake Music Camp. As such, there are brief references to it within the piece. A good understanding of swing style is essential and the articulations should be observed as much as possible. The martellatos should be short and accented. This music should be played with a sense of fun and audience participation is encouraged.
Estimated dispatch 7-14 working days