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£134.99
Dreams (Brass Band - Score and Parts)
This composition by Bertrand Moren presents various dreams which could have an effect on a dreamer's life. Its very high level of difficulty provides a great challenge for the conductor and musicians. You will be taken through a living Nightmare, with spine-chilling passages as dissonant chords alternate with aggressive percussion. Daydream is a patchwork of solos with all the brass band soloists playing serene and soft melodic lines with a virtuosic trombone cadenza. Finally, Visions portrays visions of insanity reflected by violent and discordant descending motifs leading to visions of joy presented in a sparkling and cheerful finale. 15:00
Estimated dispatch 7-14 working days
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£59.99
Entry of the Celts (Brass Band - Score and Parts)
Entry of the Celts is a delightful light concert opener. As its title implies, this work features Celtic-inspired music. All the instruments in the band are given the opportunity to display their most beautiful sound colours: from the bass section to the cornets, via the tenor horns, euphoniums/baritones and trombones. Each section plays a solo passage, accompanied by percussion instruments. The solo for soprano cornet leads to a sparkling and impressive finale. A wonderful Celtic work that will enchant and delight your audiences. 04:20
Estimated dispatch 7-14 working days
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£82.95EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip
This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.
Estimated dispatch 7-14 working days
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£25.00Fanfare (from La Peri) (Brass Band - Score and Parts) - Dukas, Paul - Littlemore, Phillip
La Peri is a 1912 ballet in one act by French composer Paul Dukas, about a man's search for immortality and encounter with a mythological Peri (a winged, fairy-like creature). The original music to La Peri was written in 1911 as a Poeme Danse En Un Tableau (Dance Poem in One Scene), and was his last published work. The ballet itself is preceded by this brilliant fanfare which is often performed separately. This arrangement is for full brass band, and would make a good opener for any concert or event. It can also be performed with or without percussion. Duration: 1:40
Estimated dispatch 7-14 working days
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£53.50First Jazz (Brass Band - Score and Parts)
First Jazz, a fine swinging piece, was written by Roland Kernen, who is the composer and arranger of a great deal of successful concert band music. It's a cheerful piece in ABA form for four-part variable instrumentation and additional percussion. It is very suitable for beginners who want to play light music and the swing style will appeal to the musicians as well as the audience. 02:00
Estimated dispatch 7-14 working days
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£54.99
Inter-Pop (Brass Band - Score and Parts)
Five movements in techno-pop style. The work begins with Rock March with a few pithy chords over a driving percussion accompaniment. Feeling Free is a slow ballad. Rockarab is devoted to 'the ship of the desert', the camel. Little Chi Yan is a very charming, romantic song for a sweet little girl. In Disco Lights, we hear the stirring sounds of drums and bass guitar while the lights flash in the crowded discotheque. 05:20
Estimated dispatch 7-14 working days
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£54.99
Pre-Pop (Brass Band - Score and Parts)
Pre-Pop is has is a five-movement work composed for beginner bands and can be played with a minimum of four players (+ percussion). It is of course also suitable for a full beginner band. The five contrasting movements are titled: March of the Planets, Lonely Stranger, Pagode, Lost in the World and Hot Pepper Boogie. Your players are certain to enjoy playing this work of great contrasts.
Estimated dispatch 7-14 working days
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£89.99
Ross Roy (Brass Band - Score and Parts) - De Haan, Jacob
In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.Duration: 9:20
Estimated dispatch 7-14 working days
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£89.95
TRUMPETS OF THE ANGELS (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels was commissioned by the Fodens (Courtois) Band for their centenary concert at The Bridgewater Hall in 2000. It is based on a work written for the BBC Philharmonic and Huddersfield Choral Society in 1998, the starting point of which was a quotation from the Book of Revelation:and I saw the seven angels which stood before God; and to them were given seven trumpetsThus the idea behind the work is dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band, four on-stage, the others off-stage. Six of the solo trumpets eventually join the band, but Trumpet 7 remains off-stage and, indeed, has the most dramatic and extended cadenza representing the words of the seventh angel ...and time shall be no more.The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets, brass band, organ and percussion (deploying 'dark' instruments such as tam-tams, bass drum and two sets of timpani). The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on solo trumpets. In turn, each of the first four solo trumpets play cadenzas and then all four join together, independently playing their own music. The organ enters dramatically with its own cadenza, leading to the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament for humanity, slow music which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At the climax, Trumpet 7 enters playing the opening four-note motif, dramatically extended to almost three octaves. This cadenza (to the partial accompaniment of tam-tams) introduces new material and foreshadows the ensuing scherzo which is fast and aggressive. Despite the somewhat desolate mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.- Edward Gregson
Estimated dispatch 7-14 working days
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£89.95
TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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