Results
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£53.99Dragonheart (Brass Band - Score and Parts) - Edelman, Randy - Bernaerts, Frank
Featuring the main theme "To The Stars" from the motion picture "Dragonheart". Duration: 03:15
Estimated dispatch 7-14 working days
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£54.99Born Free (Brass Band - Score and Parts) - Barry & Black - Bernaerts, Frank
Main theme from the motion picture "Born Free". Duration: 04:00
Estimated dispatch 7-14 working days
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£53.99Cavatina (Brass Band - Score and Parts) - Myers, Stanley - Cortland, Steve
Theme from the motion picture "The Deer Hunter". Duration: 03:20
Estimated dispatch 7-14 working days
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£50.99Shrek, Theme from (Brass Band - Score and Parts) - Gregson-Williams & Powell - Bernaerts, Frank
Main theme from the motion picture series. Featuring the main theme FairytaleDuration: 3:20
Estimated dispatch 7-14 working days
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£89.95
Infinity (Brass Band - Score and Parts) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£44.95
Infinity (Brass Band - Score only) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
Infinity (Brass Band - Study Score) - Redhead, Robert
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£59.95
The Holy War (Brass Band - Score and Parts) - Steadman-Allen, Ray
Inspired by John Bunyan's allegory of the same name, the composer paints a sound picture of spiritual warfare between the forces of good and evil. Martin Luther's Reformation chorale Ein feste Burg (A Mighty Fortress is our God) serves as the rallying point for 'good' forces led by Mansoul. This brilliant score, A Salvation Army epic, serves as an example of marvellous invention, colourful scoring and compact formal symmetry.
Estimated dispatch 7-14 working days
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£29.95
The Holy War (Brass Band - Score only) - Steadman-Allen, Ray
Inspired by John Bunyan's allegory of the same name, the composer paints a sound picture of spiritual warfare between the forces of good and evil. Martin Luther's Reformation chorale Ein feste Burg (A Mighty Fortress is our God) serves as the rallying point for 'good' forces led by Mansoul. This brilliant score, A Salvation Army epic, serves as an example of marvellous invention, colourful scoring and compact formal symmetry.
Estimated dispatch 7-14 working days
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£29.95
The Light of the World (Brass Band - Score and Parts) - Goffin, Dean
Undoubtedly a Salvation Army 'classic', this Dean Goffin piece attempts to create in music Holman Hunt's famous picture of Christ standing outside the heart's door that features the well known hymn tune 'Aurelia'.
Estimated dispatch 7-14 working days
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