Results
-
£90.30Jubileum - Idar Torskangerpoll
This piece was written as a commission for Vassenden Youth Band in 2009.The piece consists of parts with different moods. It opens with a fanfare which process in to a faster section that has an ever changing 2 or 3- in a bar feel. TheEuphonium is featured as soloist in this section.A calmer section follows with a chamber music style. This section has a descending bassline, as a kind of passacaglia. The piece ends with the repetition of the opening fanfare and a shortcoda.
Estimated dispatch 5-14 working days
-
£137.70Festivitas - Fredrick Schjelderup
"Festivitas" is written as an effective concert opener which fits every occasion.The piece includes fanfares, virtuose passages and hymn tune."Festivitas" is written as the 1st movement of the piece "Festive Fireworks", which also can be performed as a larger concert or contest piece.
Estimated dispatch 5-14 working days
-
£137.70Variations for Brass Band - John Brakstad
"Variations for Brass Band" consists of a chorale and 5 variations of brilliant, lyric and humorous character. The piece also contains several soloparts and elements of ensemble.Each variation has its own title, but the piece should be played in its entirity.The chorale is based on a minor pentachord, and each variation begins with these five notes, with different rhythmical treatment.There is also a little secondary "theme", consisting of five notes which are heard throughout the work (eg. as sixteens/semiquavers in cornets in bar 1).When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 5-14 working days
-
£113.00Mahalageasca - Mahala Rai Banda
Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.
Estimated dispatch 5-14 working days
-
£59.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and powerto this piece, making it sound even more broad and grand.
Estimated dispatch 5-14 working days
-
£57.50Lairg Muir - Philip Sparke
The River Alladale provides the inspiration for this lyrical piece which has a lilting melody with an unmistakeable Scottish feel. The trio of Flugel Horn, Tenor Horn and Baritone provide a wonderful sense of flowing with the river which, as the piece progresses, broadens and grows stronger as it nears the outlet to the sea by the Summer Isles. Bring a touch of Scots magic to your concert with this delightful piece.
Estimated dispatch 5-14 working days
-
£30.00Chanson de Matin - Edward Elgar arr. Phillip Littlemore
Chanson de Matin is typical of Elgar's wistful style which, despite the title, has come to represent a nostalgic view of his native Worcestershire and the Malvern Hills in particular. Elgar presented his publisher with this work, originally written for violin and piano, shortly after the success of his Enigma Variations . In a note to accompany the score Elgar referred to piece as something he had found and dusted off, which thought it would serve as a suitable companion piece to the Chanson de Nuit , written a few years earlier.The orchestral version, from which this arrangement is made, was premiered in September 1901 at the Queens Hall, London alongside that same companion piece, Chanson de Nuit .Duration: 3'50"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
-
£40.00Activate - Matthew Hall
ActivateTop to bottom in less than 2 minutes! Originally composed for Tredegar Town Band under the direction of Ian Porthouse, Activate is a fantastic way to start any programme in a concert or on the contest stage.The original conception of Activate occurred when Tredegar had 18 minutes of a 20 minute contest programme and couldn't find a piece to start the performance to fit in the time slot.With funky bass lines, percussion and melody lines as well as some devilish rhythmical elements in the inner parts, Activate is a sure fire way of getting the audience's feet tapping.The trombone solo in the middle section of the piece can be substituted on to any other Bb instrument should the need occur, and the piece can also be started with a drum kit rhythm rather than straight into the first bar.Activate
Estimated dispatch 5-7 working days
-
Wild Flower Variations - Traditional - Len Jenkins
The theme for this delightful piece is believed to be Spanish and was originally heard in a Mediterranean church over 30 years ago, sung by the local choir accompanied by local musicians. The theme is not stated separately, and the piece begins directly with the First Variation. The following Variations are subtly different from the First, yet both retain the essential warmth of the Mediterranean sun in their harmonic progression. A short Coda rounds off this relaxing and escapist siesta. Time to wake up...The piece is scored to be playable by most Third or Fourth Section bands.
-
Duet For Two Cats - G. Rossini - Len Jenkins
"Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.
View Music