Results
-
£31.39March from 'The Love for Three Oranges (Brass Band) Prokofiev arr. Wilkinson
This thrilling brass band arrangement of the March from 'The Love for Three Oranges' by Prokofiev has been skillfully arranged by Keith M. Wilkinson. This setting captures the essence of the original orchestral work, while showcasing the power and brilliance of the brass band. In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi, L'amore delle tre melarance, adding some additional surrealism to the text. Given Prokofiev's poor English, and Americans unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself. The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella. To view a rolling score video of the work please visit www.youtube.com/watch?v=I136sf8hxlU Duration: Approx. 2.10 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In stock: Estimated dispatch 1-3 days
-
£35.32Hark! (Brass Band) William Gordon
This celebratory work by American composer William Gordon is a rhythmic play on two well known carols - Hark! The Herald Angels Sing and Angels, We Have Heard On High! Although much of the music is set in 10/8, once the groove is achieved this piece need not be very complicated for the players and will serve as an ideal opener to your band's Christmas concert. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In stock: Estimated dispatch 1-3 days
-
Blue | Gansch arr. John Doyle
A truly stunning piece of music written by the world famous Thomas Gansch of Mnozil Brass, and artfully arranged for Brass Band. The stage performance of this piece includes a Solo septet of three trumpets,tenor horn, two trombones and a tuba. The main band fills in the accompaniment. Trumpet 1 has a tricky part to play, but all other parts are straightforward. First performed by the Leyland Band at Music in Concert 2014, this is a real favourite, and a stunning show piece. Instrumentation: Solo Septet: Trumpets 1, 2 and 3 Solo Tenor Horn Trombones 1 & 2 Bb Tuba Main Band: Soprano, Solo, Repiano, 2nd and 3rd Cornets Flugelhorn 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombone Euphonium Eb and Bb Basses Drum Kit Tambourine Bongos ISMN: 979-0-708127-94-9
-
La Calinda | Delius arr. Leigh Sharpe
Taken from the opera 'Koanga' by Frederick Delius. Koanga is the hero of the opera, an African prince and voodoo priest stolen away and now working as a slave on a Mississippi plantation who falls in love with a fellow slave; Palmyra.This piece is a faithful arrangement of Delius's masterpiece for Brass Band, and features a well loved and catchy lyrical theme. La Calinda is not a simple piece to play, but well worth investing in.An excellent concert piece.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesTimpaniPercussion:1.Tambourine, Floor Tom2.Glockenspiel3.VibraphoneISMN: 979-0-708127-91-8
-
£30.00A Rachmaninoff Prelude - Rachmaninoff
An arrangement by Tim Paton of this Rachmaninoff favourite for brass band.Comments from Tim:I first heard the Rachmaninoff Prelude in G minor when my brother, (Dr) Rod Paton, used to play it on the piano. The martial sound of the opening theme caught my imagination, and I knew then that this piece would sound magnificent if played by a brass band - if you like the music of Rachmaninoff, then you will love this piece! That spectacular sound that we all know, with busy, melodic bass lines, and a middle section in his well known 'romantic' style - I could already hear the euphonium playing those rippling arpeggios. In response to the enthusiasm for this magnificent piece, I have lightheartedly commented that maybe he wrote it for brass band, but there wasn't one available, so he did it for piano instead!Look and Listen (Score-reading digital sound sample):
Estimated dispatch 7-14 working days
-
£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
Estimated dispatch 7-14 working days
-
£35.00Cranborne Chase - Philip Harper
Cranborne Chase was commissioned by the Charles Church Camberley Band in 2011 in memory of solo horn player and life-long member Libby Godden.Libby joined the band in 1966 which marked the start of a long association, during which she progressed to the solo horn position, recruited four family members to play with the band, and had spells on the committee as publicity officer and chairman. Most recently she led the Training Ensemble in her role as Assistant Bandmaster. Libby continued to be active with the band despite a diagnosis of cancer, which finally claimed her life in February 2011.Programme notes from the composer, Philip Harper:The Music: As well as invoking the joyous spirit befitting Libby's approach to life, there are several musical ideas woven into the score. After a brief introduction, the main theme uses the musical letters of Libby's surname: G, O(A), D, D, E, N(G), whilst the harmonic progression here is based on that of the slow movement of Edward Gregson's Partita for Brass Band, one of Libby's favourite passages of music.To further imbue the piece with Libby's persona, the lyrical theme is first introduced as a traditional brass band quartet (two cornets, horn and euphonium), one of her favourite musical genres.After the first rehearsal of the piece the band members, with the composer's blessing, decided on the name Cranborne Chase, which is the name of a place in Dorset with which Libby Godden had a great affinity.Raising Funds for Cancer Research UK. The Music Company (UK) Ltd has been involved in charitable work for many years both nationally and internationally. Through publishing Cranborne Chase, The Music Company is extending its charitable support by helping to raise funds for the Cancer Research UK charity, in memory of Libby Godden (a band-friend since childhood of Clair Tomalin, Business Director of The Music Company (UK) Ltd).A donation will therefore be made by The Music Company (UK) Ltd for every purchased set of this piece. There is a hope that every band in the UK will have Cranborne Chase as part of their library and included in their concert programmes, enabling a significant amount of money to be raised for Cancer Research UK through the enjoyment of music.
Estimated dispatch 7-14 working days
-
£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
Estimated dispatch 7-14 working days
-
£30.00
Presley In Mind 2
"Love me Tender""Wooden Heart""Suspicious Minds"Owing to the resounding success with both bands and audiences, and following several requests, I have produced this second medley. After the introduction, Love me Tender begins as a Flugel solo. When we go into Wooden Heart, it is the turn of the Horn to play it as a solo first time through. Suspicious Minds starts as a solo for Euphonium. The slow section is a Trombone solo, before it speeds up again for a Las Vegas style ending. "All these pieces are attractive and fun and would fit into an entertainment programme". Rodney Newton
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 522 - 525, October 2023
522: Festival March - The Rescuers (Andrew Hedley)This exciting and bright festival march comes from a new contributor to the band journals. Andrew Hedley is a bandsman at Chester-le-Street Corps and a member of the Euphonium Section of the International Staff Band. This work contains inventive harmonic and melodic patterns and we hope this will be the first of many works from this composer to be seen in our journals.523: Moses and Pharaoh (Ralph Pearce)This piece owes its creation to the playing of the Montclair Citadel Young Peoples' Band in the Sunday School assembly every weekend. The song Pharaoh, Pharaoh is extremely popular and is sung with gusto and much movement. The presentation of this song derives for an accompaniment written for the band to play along with the singing. To widen its use, the spiritual Go down, Moses (STTL Vol.7, Part 2) was added to make the present composition. This music should have drive throughout and be played with a sense of fun.524: Lord, to thee (Alan Williams)This is a setting of the tune Hendon (T.B. 249). The piece uses the first verse of Frances Ridley Havergal's commonly associated text 'Take my life and let it be consecrated, Lord, to thee' (S.A.S.B. 623), and from there it takes its title.525: Song Arrangement - This is why (Noel Jones)This music is based on the tune This is why (T.B. 353) by Elisha Albright Hoffman and this two-verse arrangement reflects the great song of testimony Would you know why I love Jesus (S.A.S.B. 912). An associated scripture reference is found in Mark 10:45 'For even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many'. The motif 'Would you know' occurs in the opening bars and is repeated throughout the piece, along with fragments of the first verse. The chorus confirms the hoy that Christians experience knowing that Christ's sacrifice has bought forgiveness for our wrongdoings.
Estimated dispatch 7-14 working days
Watch video
View Music