Results
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£54.20Prelude, Theme And Variations - Gioacchino Rossini - Roy Newsome
Estimated dispatch 5-10 working days
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£54.20PRELUDE, THEME AND VARIATIONS (Euphonium Solo with Brass Band) - Newsome, Roy
Grade: Difficult.
Estimated dispatch 7-14 working days
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£83.00
Prelude, Theme and Variations - Gioachino Rossini
Estimated dispatch 5-14 working days
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£121.20Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed both in concerts and in competitions and includes solo passages for most instrument groups. Duration 7,5 minutes. Form: Fast slow fast. The piece is built on two themes: Theme 1 (Allegro con spirito) is first presented as a cornet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but is presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from the opening bars. Parts thatare marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 5-14 working days
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£74.99
Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michaelskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 5-14 working days
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£59.99Centennial Prelude (Brass Band - Score and Parts) - Van der Roost, Jan
This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed! It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introduction reoccurs. Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.Duration: 3:30
Estimated dispatch 7-14 working days
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£59.99
Centennial Prelude - Jan Van der Roost
This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed!It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introductionreoccurs.Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.
Estimated dispatch 5-14 working days
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£25.00Prelude 1946
For seventy years, the North West Area Brass Bands Association has been representing bands in the North West of England and surrounding areas. Their members come from Cheshire, Derbyshire, Greater Manchester, Isle of Man, Lancashire, North Wales, Staffordshire and Yorkshire. Prelude 1946 was commissioned to mark this special land-mark year. Taking inspiration from John Williams 1988 Olympic Spirit, the work opens with a heraldic fanfare before moving into its stately main theme, which gradually builds into a triumphant climax. An ideal concert opener for those of you who want to start off a concert with some American-style flair. Duration: 00:03:45 Grade : 3
Estimated dispatch 5-7 working days
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£30.00A Rachmaninoff Prelude - Rachmaninoff
An arrangement by Tim Paton of this Rachmaninoff favourite for brass band.Comments from Tim:I first heard the Rachmaninoff Prelude in G minor when my brother, (Dr) Rod Paton, used to play it on the piano. The martial sound of the opening theme caught my imagination, and I knew then that this piece would sound magnificent if played by a brass band - if you like the music of Rachmaninoff, then you will love this piece! That spectacular sound that we all know, with busy, melodic bass lines, and a middle section in his well known 'romantic' style - I could already hear the euphonium playing those rippling arpeggios. In response to the enthusiasm for this magnificent piece, I have lightheartedly commented that maybe he wrote it for brass band, but there wasn't one available, so he did it for piano instead!Look and Listen (Score-reading digital sound sample):
In Stock: Estimated dispatch 3-5 working days
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£40.00Chorale Prelude
This stately work is very loosely based on the opening chords from 'The Lamb', although there are no direct quotations from that work. The opening chorale is played as gradually more themes are added above in a dignified and legato subject where instruments sustain notes to give a lingering echo effect. Players need to be aware of their role in this to maximise the effect. The second subject increases the intensity until the time signature change introduces a second chorale. Then, a short imitative passage leads to a rising appogiatura theme and the climax of the work, which re-introduces the original chorale in a major tonality. With versions for brass ensemble, brass band, wind orchestra and woodwind orchestra, this work has been placed in concerts when a meaningful, reflective moment is required.
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