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  • £24.95

    THIN RED LINE (Brass Band Marchcard) - Alford, Kenneth J.

    Marchcard size.

    Estimated dispatch 7-14 working days
  • £59.80

    The Thin Red Line - Kenneth J. Alford

    Estimated dispatch 5-14 working days
  • £48.00

    Red Vest Man (Brass Band - Score and Parts) - Waterman, Steve

    Red Vest Man was composed as a dedication to cornet player Buddy Bolden, one of the first jazz musicians. He was reputed to always perform wearing a red vest. The piece is a New Orleans funeral march, something Bolden would have been called to do many times in his career. It starts with a slow mournful march, featuring solos from trumpet and trombone and finishes with a joyful 2nd line New Orleans rhythm. Duration: 8.00. Suitable for 2nd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £34.95

    Red Hills of Georgia, The - Jonathan Bates

    DURATION: 4 minutes. DIFFICULTY: Championship. The title of this work comes from a line in Martin Luther King Jnr's famous 'I Have a Dream ' speech, portraying the vast expanses of the plains of Georgia and the notable red hue to the surrounding mountains. This piece is very much influenced by the music of American wind band composers Samuel Hazo and Richard Saucedo, both of which are regularly inspired by the scenery of 'the big country'. This piece was composed for Jaren Hornmusikkforening as part of their programme for the 2018 SIDDIS Championships held in Stavanger, Norway. .

    In Stock: Estimated dispatch 1-3 working days
  • £24.95

    My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score and Parts) - Downie, Kenneth

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £12.50

    My Love Is Like A Red, Red Rose - Euphonium Solo (Brass Band - Score Only) - Downie, Kenneth

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £15.00

    My Love is Like a Red, Red Rose - Helen Douthwaite

    Robert Burns' beautiful melody is brought to life as a euphonium solo with brass band accompaniment in this simple, yet highly effective, arrangement by Helen Douthwaite.Originally arranged by Helen for the Kirkintilloch Youth Band, the piece not only features the soloist with a carefully crafted, accessible solo line, but also enables the rest of the band to shine through the tutti elements.Set includes score and parts for:Solo CornetRepiano Cornet2nd Cornet3rd CornetFlugelhornSolo Eb Tenor Horn1st Eb Tenor Horn2nd Eb Tenor Horn1st Baritone2nd Baritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb Bass (optional)GlockenspielPercussionAdditional world parts also provided include F Horn 1/2/3, Baritone 1/2 in bass clef, Trombone 1/2 in bass clef, Euphonium in bass clef, Tuba.

    In Stock: Estimated dispatch 3-5 working days
  • £14.95

    My Love is Like a Red, Red Rose (Euphonium and Piano)

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £24.95

    My Love is Like a Red, Red Rose (Euphonium Solo Brass Band - Score and Parts)

    An arrangement for Euphonium solo with brass band accompaniment of surely one of the world's greatest melodies. Its wide-ranging intervals and exquisitely shaped climax near the end give it a natural line that is truly memorable.

    Estimated dispatch 7-14 working days
  • £79.95

    Neverland - Christopher Bond

    "All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."

    Estimated dispatch 5-10 working days