Results
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£59.99Mood Romantic (Brass Band - Score and Parts) - Nijs, Johan
Duration: 3.15
Estimated dispatch 7-14 working days
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£42.95HOMECOMING, The (Romantic) (Brass Band) - Richards, Goff
Estimated dispatch 7-14 working days
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£93.50The Seventh Night of July (Brass Band - Score and Parts)
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 7-14 working days
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£64.95New Beginnings (Brass Band - Score and Parts) - Schjelderup, Fredrick
New Beginnings was commissioned by the National Youth Brass Band of Great Britain and was first performed by The National Children's Brass Band of Great Britain in August 2021.It describes in sonic terms the effect that energy can create, both musically and emotionally. Here, in a burst of vibrant rhythmic patterning, and dedicated to the young players of this famous brass band, New Beginnings is born.There are three sections:From the start, it is driven by the percussion section, who push the energy through a sequence of mysterious and joyous moments.After a sonorous climax, the music subsides to a slower, romantic middle section where the earlier rhythmic energy is transformed into melodic playing from the brass.As the Finale begins, earlier themes are combined, first with a fugato which passes the melodies around the band and then unites in a recapitulation that brings the whole composition to a rousing finish as the romantic hymn makes a final appearance.Duration: 10.00
Estimated dispatch 7-14 working days
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£74.99
On the Movieset Brass Band (Score & Parts)
Glitter and glamour, good-looking people, a lot of Bling Bling and fast cars - images like these will cross our minds when we think of the movie world. However, reality proves to be different : as a rule, a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making, and he incorporated them into 'On the Movie Set' . In the first part, 'The Clapboard', a 'director's assistant' is supposed to shout "Quiet on the set'" and "Action!", as is done before a real scene is shot. Subsequently, in order to create the right atmosphere, the clacking of a 'Clapboard' should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background, so romantic music is of course heard in the next part, 'Love Scene'. At the end of a long working day 'It's a wrap' is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of 'On the Movie Set'. A red carpet and a glamorous reception should give your audience the feeling they are attending a real 'opening night'! 09:30
Estimated dispatch 7-14 working days
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£10.00Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£35.62E lucevan le stelle (Cornet/Euphonium Duet with Brass Band) Puccini arr.Bushnell
Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon's invasion of Italy. Some of Puccini's best-known arias can be found in Tosca. The opera is based on Victorien Sardou's dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 - although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote "I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." It took four years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner's leitmotif concept to identity different parts of the opera. Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the stars shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as "another tenor classic, both tragic and beautiful." This arrangement (for cornet and euphonium duet with brass band) includes alternative parts for horns in F and lower brass in bass clef. A recording of the original song can be found here: www.youtube.com/watch?v=EAqHQMX7GHY
In Stock: Estimated dispatch 1-3 working days
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£51.46Euryanthe Overture (Brass Band) von Weber arr. Barrie Gott
This expert arrangement for brass band by Barrie Gott of Carl Maria von Weber's popular overture, 'Euryanthe' will be a terrific addition to concert programmes.'Euryanthe' is acknowledged as one of Weber's most important operas and is based on the 13th-century French romance L'Histoire du tres-noble et chevalereux prince Gerard, comte de Nevers et la tres-virtueuse et tres chaste princesse Euriant de Savoye, sa mye.Only the overture, an outstanding example of the early German Romantic style (heralding Richard Wagner), is regularly played today.This transcription for brass band attempts to realise the orchestral score as closely as possible. There are many technical challenges that will provide opportunities for the expert level of player and ensemble. It will be and exciting addition to a concert programme. To view a follow-the-score video of the work please visit https://www.youtube.com/watch?v=wMePX1rVigk PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In Stock: Estimated dispatch 1-3 working days
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£42.95In Memoriam R.K (Brass Band Set - Score and Parts) - Howarth, Elgar
All England National Brass Band Championship 2007. Recored on Polyphonic QPRL226D Master Brass Volume 18, QPRL056D National Brass Band Championship 1992 played by Black Dyke.Composer's NoteRudolph Kempe, the German conductor, was much admired for this interpretations of late romantic music, particularly Mahler and Strauss. No such music exists in the brass band repertoire and this piece, deliberately written in pastiche style, serves both to fill the gap and as my own small tribute to one of the greatest musicians I have known.
Estimated dispatch 7-14 working days
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£35.62In the Bleak Midwinter (Brass Band) Holst arr. Mack Wilberg trs. Barrie Gott
A transcription for brass band of Mack Wilberg's popular setting of the much loved carol In the Bleak Midwinter, as sung by The King's Singers and The Choir of King's College, Cambridge at Carols from Kings in 2020. This is a reflective and beautiful arrangement of the classic Gustav Holst Christmas carol and remains faithful to the Wilberg choral setting. The arrangement underpins the well-loved melody with luscious, romantic harmonies, including moments of exquisite chromaticism. To view a rolling score video please visit www.youtube.com/watch?v=t2DbgNgezAQ PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 5.10 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb
In Stock: Estimated dispatch 1-3 working days
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