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  • £40.00

    Wagner - Wagner, R - Round, H

    Includes a full band set (no score)

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    Scenes that are Brightest - Round, H

    In Stock: Estimated dispatch 1-3 working days

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  • £89.95

    Revelation (Score and Parts)

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated dispatch 7-14 working days
  • £44.95

    Revelation (Score Only)

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated dispatch 7-14 working days
  • £28.95

    Coach Ride (Brass Band - Score and Parts) - Wiffin, Rob

    Coach Ride is a manic journey on a bus. This fast and furious little piece in the style of Shostakovitch is a romp of a coach ride during which the nursery rhyme, The wheels on the bus go round and round, makes an appearance.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £189.95

    'The New Christmas Collection' - Full Set March Card Size

    The new Christmas Collection carol books contain all the traditional Christmas Carols, with some new 'pop' music arrangements included to add more variety to your carolling this year.

     

    * Note, these are not compatible with the New Christmas Praise books.

    Full list of works in The Christmas Collection:-

    • A child this day is born
    • A Christmas lullaby
    • A great and mighty wonder
    • All I want for Christmas is you
    • All my heart this night rejoices
    • Angels, from the realms of Glory (Come and worship)
    • Angels, from the realms of Glory (Iris)
    • Angels we have heard on high
    • A starry night
    • As with gladness men of old
    • Auld lang syne
    • A virgin most pure
    • Away in a manger (The manger scene)
    • Away in a manger (Traditional)
    • A winter’s tale
    • Bethlehem
    • Brightest and best (Spean)
    • Brightest and best (Traditional)
    • Calypso Carol
    • Carol for the Nativity
    • Carol of the bells
    • Carol of the drum
    • Child of Mary
    • Christians Awake!
    • Christ is born (Il est né)
    • Christ was born on Christmas Day
    • Come and join the celebration
    • Come, children, come quickly
    • Coventry Carol
    • Deck the hall
    • Ding dong! merrily on high
    • Do you hear what I hear?
    • Frosty the snowman
    • Gabriel’s Message
    • Gaudete
    • Glory in the highest
    • Glory in the highest Heaven
    • God of God, the uncreated
    • God rest you merry, gentlemen
    • Good Christian men, rejoice
    • Good King Wenceslas
    • Go, tell it on the mountain!
    • Happy Christmas (War is over)
    • Hark the glad sound!
    • Hark! the herald angels sing
    • Have yourself a merry little Christmas
    • Here we come a-wassailing
    • How far is it to Bethlehem?
    • Huron Carol
    • Infant Holy
    • In the bleak midwinter (Cranham)
    • In the bleak midwinter (Darke)
    • I saw mommy kissing Santa Claus
    • I saw three ships come sailing in
    • It came upon a midnight clear (Traditional)
    • It came upon a midnight clear (Willis)
    • It’s beginning to look a lot like Christmas
    • It’s the most wonderful time of the year
    • I wish it could be Christmas everyday
    • I wonder as I wander
    • Jesus, good above all other
    • Jingle Bells
    • Jingle bell rock
    • Joy to the world!
    • Last Christmas
    • Let it snow!
    • Little baby Jesus
    • Little children, wake and listen
    • Little Donkey
    • Little Jesus, sweetly sleep
    • Lo! he comes with clouds descending
    • Long, long ago
    • Love came down at Christmas
    • Mary’s boy child
    • Mary’s Child
    • Masters in this hall
    • Merry Christmas everyone
    • Mistletoe and wine
    • Noel
    • O Christmas tree
    • O come, all ye faithful
    • O come, Immanuel
    • O Heaven-sent King
    • O holy night!
    • O little town of Bethlehem (Christmas Carol)
    • O little town of Bethlehem (Forest Green)
    • O little town of Bethlehem (St Louis)
    • Once in royal David’s city
    • Past three o’clock
    • Patapan
    • Personent Hodie
    • Praise ye the Lord
    • Ring the bells
    • Rise up, shepherd!
    • Rockin’ around the Christmas tree
    • Rudolph, the red-nosed reindeer
    • Sans day carol
    • Santa Claus is comin’ to town
    • Saviour’s Day
    • See, amid the winter’s snow
    • Silent Night!
    • Sleigh Ride
    • Softly the night is sleeping
    • So here it is, merry Christmas
    • Stars are shining
    • Still, still, still
    • Stop the cavalry
    • Sussex Carol
    • Sweet chiming bells
    • Sweet chiming Christmas bells
    • The candle song
    • The cherry tree carol
    • The Christmas song
    • The first Nowell
    • The holly and the ivy
    • The infant King
    • The light has come
    • The shepherds’ farewell
    • The stable door
    • The star in the east
    • The twelve days of Christmas
    • The virgin Mary had a baby boy
    • They all were looking for a king
    • Thou didst leave thy throne
    • Three kings’ march
    • Unto us a boy is born
    • Walking in the air
    • We gather round the manger-bed
    • We three kings of Orient are
    • We wish you a merry Christmas
    • What child is this?
    • When a child is born
    • When Santa got stuck up the chimney
    • Whence is that goodly fragrance flowing?
    • When wise men came seeking
    • While shepherds watched (Cranbrook)
    • While shepherds watched (Handel)
    • While shepherds watched (Winchester Old)
    • White Christmas
    • Who is he?
    • Winter Wonderland
    • Worldwide Christmas message
    • Zither Carol
    • A starry night
    • Christmas Joy
    • Christmas Praise
    • Coventry Carol
    • Infant Holy
    • Mid-winter
    • Rudolph, the red-nosed reindeer
    • The everlasting light
    • To celebrate his birth
    • Yuletide Rag

    Estimated dispatch 7-14 working days
  • £69.24

    Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield

    This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £34.61

    Fanfare Prelude on 'Richmond' (Brass Band) Charles Wesley arr. Andrew Wainwright

    Fanfare Prelude on 'Richmond' was written for the inaugural Texas Brass Fest, held at Round Top Festival Institute on 27 May 2023, for the four premier brass bands in Texas - Austin, Dallas, Houston and San Antonio Brass Bands. It is based on the much loved hymn of the church by Charles Wesley, which is also known as 'O For a Thousand Tongues to Sing', the first verse of which reads: O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of his grace! For maximum effect it is suggested that cornets and trombones are staged stood around the band, although if this is not possible then traditional band formation will be acceptable. To view a video of the premiere performance featuring the massed bands of Austin, Dallas, Houston and San Antionio at Texas Brass Fest 2023, please visit www.youtube.com/watch?v=22GJM4A6mbM or the Chicago Staff Band at www.youtube.com/watch?v=Gjp8N_U9U2c PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Cornets 1-5 Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £69.24

    Pyrenean Carol Suite (Brass Band) David Taylor

    This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £30.77

    This is my Father's World (Brass Band) arr. William Himes

    The vibrant hymn of Maltbie D. Babcock (1858-1901) has been linked for more than a century to the English folk melody, Terra Beata. This colourful and climactic setting by William Himes emulates the concept of 'text painting', wherein the music strives to reflect the literal meaning of the lyrics. This is my Father's world, and to my listening ears All nature sings and round me rings the music of the spheres. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days

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