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  • £24.50

    Tournament Gallop - L.M.Gottschalk - Adam Rutter

    All performers love a showpiece, and if there isn't one available, they write their own. American born Louis Moreau Gottschalk was a child prodigy and became famous for writing and performing his own piano compositions. Now it's the turn of your band to show off to the crowds with a performance of the 'Tournament Gallop'. Arranged by Adam Rutter, the piece is largely marked 'Presto', though in reality, the idea was that Gottschalk would perform the work as fast as humanly possible! An entertainment special and one audiences will love.

    In Stock: Estimated dispatch 1-3 working days

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  • £24.50

    Three Little Maids - Arthur Sullivan - Bill Willis

    The well-known aria from Gilbert & Sullivan's ninth operatic collaboration together, Mikado, is now available for band as a jolly, light-hearted cornet trio. Most people will instantly recognise the opening stanza as performed by the cornet trio, but the work holds much more. With some great detail in the inner band parts, this arrangement ensures that the work is not only a great piece for the players, but one that the audiences will love and soloists can enjoy. A must for all band's libraries.

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    God Rest Ye Merry Gentlemen - Andi Cook

    Starting off in the traditional way, the melody we all know and love, before bursting into life with this amazing "Big Band" swing style arrangement that is sure to get your audiences foots tapping. There's work for the entire band, cornet stabs, walking bass parts and of course, a jazz chord finish. A perfect new addition to your Christmas program, very high in entertainment value.

    In Stock: Estimated dispatch 1-3 working days
  • £29.50

    Haven't Met You Yet - Michael Buble - Gavin Somerset

    This smash hit was the first single to be released by Canadian singer Michael BublA(c). Released on his forth album "Crazy Love", the singer co-wrote the song for his fiancA(c)e Luisana Lopilato. The song has had world-wide success, reaching No.1 in the Canadian charts and the U.S aswell as enjoying success here in the UK charts reaching No.5. The piece is a fantastic light-hearted swing number that both players & audiences will enjoy, with an optional feature in the middle that Soprano cornet players (or brave Solo cornet players!!!) will relish! A must for every bands library.

    In Stock: Estimated dispatch 1-3 working days
  • £29.50

    Well Did You Evah! - Cole Porter - Gavin Somerset

    This fantastic, high-energy, showcase of a piece was originally composed by Cole Porter for the musical 'Du Barry Was A Lady'. However, it was not until it was performed by Bing Crosby & Frank Sinatra in the film 'High Society' that the piece shot to fame in 1956 and then again in 2001 when Robbie Williams performed the duet with Jon Lovitz on his album 'Swing When Your Winning'. Your band can now faithfully recreate Crosby & Sinatra's clever, comic on screen interaction in this arrangement by Gavin Somerset that is scored as a duet for any two Bb instruments to take the spotlight, or an Eb & Bb instrument. An entertaining piece for the entire band and one your audiences will love! To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £77.00

    General Series Brass Band Journal, Numbers 2250 - 2253, December 2024

    2250: Prelude on 'Rhosymedre' (Ralph Vaughan Williams trs. Douglas Engle)The English composer Ralph Vaughan Williams' work Three Preludes (founded on Welsh Hymn Tunes) was published for the organ in 1920. This is a transcription of the second movement of that work. The words associated with the hymn tune are by Samuel Crossman, My song is love unknown (S.A.S.B. 149), and vividly depict the events of Holy Week. The music is gentle and solemn and would be appropriate for a Good Friday service or as a moment of repose in a concert. 2251: Hosanna Shuffle (Sam Creamer)The half-time shuffle groove is a popular feel developed by alternative rock/pop bands of the 1980s. It marries elements of rock and swing styles together to form a new and infectious feel - Hosannah Shuffle being written as a tribute to this fusion of musical styles. Contrary to a swing style, shuffle brings the pulse back onto the beat while maintaining the swung quaver rhythms to create a rock-type rhythmic drive. 2252: Everlasting Love (Keith Manners)This piece was written for the London North East Music School in 2004. The theme of the week was 'Making a stand for Christ', reminding the school that it only takes one person to make such a stand before others follow. The music starts with a lone Solo Cornet playing the melody of Graham Kendrick's song Such Love (S.A.S.B. 199). One by one, other parts join in with the theme.2253: Festival March (Michael Cooper)This piece represents the first published brass composition of Bandmaster Michael Cooper, who is the Bandmaster at Brisbane City Temple Corps. This imposing festival march features the tunes I want to be a soldier (T.B. 683), Lift up the banner (T.B. 90) and My Jesus, I love thee (T.B. 506). These tunes depict the idea that spiritual warfare is an essential component of one's faith, success of which is articulated in the final verse of My Jesus, I love thee (S.A.S.B. 878).

    Estimated dispatch 7-14 working days
  • £49.95

    Fire in the Blood

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £19.95

    Fire in the Blood (Score Only)

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1355 - 1358, November 2023

    1355: March Medley - Pardoned Forever (Keith Manners)This collection of Easter-themed melodies should be played with enthusiasm and vigour. Featuring the songs He lives (S.A.S.B. 229), Chris is alive! Let Christians sing (S.A.S.B. 217) and No more! No more! He remembers sins no more (S.A.S.B. 460), the positive message of Easter Sunday is reflected in this bright march style.1356: Selection - I love the sweetest name (Noel Jones)This devotional selection includes three songs that feature the name of Jesus and derives its title from the following lines of those songs; 'How sweet the name of Jesus sounds' (S.A.S.B. 78), 'O, how I love the Saviour's name! The sweetest name on earth' (S.A.S.B. 94) and 'Sweetest name on mortal tongue' (S.A.S.B. 93).1357: Renewal (Harold Burgmayer)Will J. Brand penned the song Renewal (S.A.S.B. 634), with music by Bramwell Coles, for 'Day of Renewal' meetings conducted by General Albert Orsborn in October 1949. It was published in that form in The Musical Salvationist in 1951. Over time these meaningful words of consecration became wedded to an alternative tune, a lovely melody by Oscar Ahnfelt known as Trust in God (T.B. 903). This setting for band is based on a male-voice arrangement, conceived for a time of renewed consecration, sung by massed bands at the Canadian Staff Band's 50th Anniversary Festival in 2019.1358: Groove Hosanna! (Munashe Chikwezvero)This is a funk setting of three well-known melodies associated with Jesus' triumphal entry into Jerusalem. Today, such celebratory processions, and indeed most large gatherings, usually feature rich forms of music-making. Music provides atmosphere and generates excitement, and it is hoped that a funk inspired arrangement of these songs will inspire listeners to 'move to the groove'. The first two songs, Children of Jerusalem (S.A.S.B. 356) and Give me joy in my heart, keep me praising (S.A.S.B. 362) encourage us to sing 'Loud hosannas to our King!'. The words of the third song, When his salvation bringing, remind us that he "smiled to hear their song".

    Estimated dispatch 7-14 working days
  • £44.95

    Sweet Name (Flugel Horn Solo with Brass Band - Score and Parts)

    The music was written at the request of Richard Woodrow of The International Staff Band in 2018. It is a big band setting of William Henry Rudd's melody The Saviour's name (T.B. 119), to which we associate the following words by Frederick Whitfield (S.A.S.B. 94):There is a name I love to hear,I love to sing its worth;It sounds like music in mine ear,The sweetest name on earth.O how I love the Saviour's name!The sweetest name on earth.

    Estimated dispatch 7-14 working days