Results
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£87.95Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£100.00Cantabile (Brass Band - Score and Parts) - Harper, Philip
As long as we live there is never enough singing. - Martin Luther. Philip Harper composed this piece in response to his personal concern about the direction of new music for brass band. His goal with this 5 movement Cantabile, was to compose a piece which fully complied with all that is asked of a top-level test piece in the 21st Century, but also to reconnect with more traditional values such as lyricism in melody and richness of blended brass sound. Each of the 5 parts seek to capture this idea. Duration: 16.00
Estimated dispatch 7-14 working days
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£35.00A-Wassailing (Brass Band - Score and Parts) - McKenzie, Jock
The English custom of 'Wassailing' is the seasonal act of singing carols door-to-door and wishing good health. The singers and dancers (often very poor) would do this in the hope of being offered a drink from the 'wassail bowl' - a warm broth of hot ale, fruit and spices; good sustenance for those who were cold and often homeless. It is thought that this carol (composer unknown) was composed c.1850. Duration: 2.30
Estimated dispatch 7-14 working days
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£32.95Nurserytime (Brass Band - Score and Parts) - Wiffin, Rob
This selection of well-known nursery rhymes and children's songs was made for the 2006 Party at the Palace. It includes Here we go round the Mulberry Bush, Incy Wincy Spider, Half a Pound of Tuppenny Rice, Three Blind Mice, Singing Polly Wolly Doodle, Old MacDonald had a Farm, One Man Went to Mow a Meadow, and Oh Dear What Can the Matter Be amongst others (Ring-a-ring a-roses, Hickory-dickory dock, Row, row, row your boat, Skip to my Lou)Duration: 5.00
Estimated dispatch 7-14 working days
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£44.95
Images Of Praise (Euphonium Solo with Brass Band - Score and Parts) - Downie, Kenneth
This solo was written for Derick Kane and consists of two sections. The first is built on an original, lyrical melody which is introduced immediately by the soloist while the second is more virtuosic in style and features a tune by the late Keith Prynn, 'I feel like singing all the time'. The solo is jaunty and light-hearted, with a fine sense of style, and not without a dash of humour.
Estimated dispatch 7-14 working days
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£22.50
Images Of Praise (Euphonium Solo with Brass Band - Score only) - Downie, Kenneth
This solo was written for Derick Kane and consists of two sections. The first is built on an original, lyrical melody which is introduced immediately by the soloist while the second is more virtuosic in style and features a tune by the late Keith Prynn, 'I feel like singing all the time'. The solo is jaunty and light-hearted, with a fine sense of style, and not without a dash of humour.
Estimated dispatch 7-14 working days
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£29.95
Spirit Of Joy (Brass Band - Score and Parts) - Rive, Herbert
Herbert Rive contributed just two compositions to Salvation Army music, the other being the festival march The King's Command. Spirit of Joy was awarded first prize in the 1953 70th Anniversary March Competition in New Zealand. Rive uses a short syncopated motif based on the first few notes of the Salvation Army tune If you keep singing to tie all aspects of this march together.
Estimated dispatch 7-14 working days
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£14.95
Spirit Of Joy (Brass Band - Score only) - Rive, Herbert
Herbert Rive contributed just two compositions to Salvation Army music, the other being the festival march The King's Command. Spirit of Joy was awarded first prize in the 1953 70th Anniversary March Competition in New Zealand. Rive uses a short syncopated motif based on the first few notes of the Salvation Army tune If you keep singing to tie all aspects of this march together.
Estimated dispatch 7-14 working days
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£24.95
Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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