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  • £50.90

    FOR THE FIRST TIME (Soprano Cornet with Brass Band) - Fernie, Alan

    Soprano Cornet Solo & Brass Band. Grade: medium

    Estimated dispatch 7-14 working days

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  • £50.90

    HAVE I TOLD YOU LATELY (B flat Cornet or Flugelhorn/Brass Band) - Morrison, Van - Wormald, Christopher

    B flat Cornet or Flutelhorn Solo & Brass Band. Grade Easy

    Estimated dispatch 7-14 working days
  • £57.50

    HEJRE KATI (Freeh) (Cornet/Brass Band) - Freeh, Mark

    Cornet Solo Brass Band. Recorded on Polyphonic QPRL237D Master Brass Vol.24. Duration: 3:00 Grade: Medium

    Estimated dispatch 7-14 working days

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  • £59.99

    Honneur (Brass Band - Score and Parts)

    This march attempts to portray the role of Honour as a quality of character using highly energetic rhythms and strong melodic lines. The opening themes, together with those developed in the first section, perfectly reflect this significant human quality. A short bridge passage consisting of a series of sonorous chords played by the higher instruments in the band is soon taken up by the lower sections. The main theme appears in the second part of this march and is a melodic duet for Eb soprano cornet and solo cornet. 04:45

    Estimated dispatch 7-14 working days

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  • £50.90

    I KNOW HIM SO WELL (Soprano Cornet/Brass Band) - Barry, Darrol

    Soprano Cornet Solo & Brass Band. Grade: easy/medium

    Estimated dispatch 7-14 working days

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  • £57.50

    ONCE UPON A TIME IN THE WEST (Soprano Cornet/Brass Band) - Morricone, Ennio - Duncan, Andrew

    Soprano Cornet Solo & Brass Band. Duration: 3:00 Grade: Medium

    Estimated dispatch 7-14 working days

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  • £42.95

    ONE FINE DAY(Soprano Cornet/Brass Band) - Puccini, Giacomo - Richards, Goff

    Soprano Cornet Solo & Brass Band. From "Madama Butterfly"

    Estimated dispatch 7-14 working days
  • £57.50

    PRAYER OF ST GREGORY (Cornet/Brass Band) - Hovhaness, Alan - Stowell, David

    Cornet Solo & Brass Band. Duration: 5:00 Grade: Medium

    Estimated dispatch 7-14 working days
  • £72.99

    Dreamsong (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo cornet and flugel horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza.Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £44.95

    Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth

    Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.

    Estimated dispatch 7-14 working days

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