Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 45 matches for your search. Order by

Results

  • £12.50

    Someone Cares (Cornet Solo with Brass Band - Score only) - Larsson, John - Steadman-Allen, Ray

    In the mid-1960s, then captains John Larsson and John Gowans (both of whom were later to become Generals of The Salvation Army) combined to write the first in what became a string of Salvation Army musicals, entitled 'Take-over Bid'. This solo features perhaps the most memorable song from that first musical, now arranged as a beautiful slow melody.

    Estimated dispatch 7-14 working days
  • £28.99

    She's Like The Swallow - Flugelhorn Solo arr. Joseph Knight

    This is a fantastic slow melody that has been arranged for flugelhorn, but it could also be played on Bb cornet. This is the Canadian folk song which has been arranged for other ensembles. It is a fantastic show piece for any decent soloist.

    Estimated dispatch 5-9 working days
  • £50.90

    Canzonetta (Tenor Horn Solo)

    Simply an original slow melody for Eb Horn, nothing more!

    Estimated dispatch 7-14 working days
  • £29.50

    Cheer Up, Charlie - Leslie Bricusse & Anthony Newman - Gavin Somerset

    This fresh new cornet solo comes from one of the greatest loved movies of all time. Featuring alongside musical hits such as Pure Imagination and The Candy Man, 'Cheer Up, Charlie' is probably one of the most underrated musical numbers from the film, Willy Wonka & The Chocolate Factory. In the film, the song is sung by Charlie's mother, whilst young Charlie ponders the life he believes lay ahead for him. With a complex chord structure, the band parts remain interesting throughout whilst the lyrical solo line can shine in this beautiful, melodic work. A great 'slow melody' solo item and one that works on both concert and contest stages. To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

     PDF View Music

  • £29.50

    Pie Jesu (From Requiem) - John Rutter - Adam Rutter

    John Rutter's music is known across the world for its simplicity and memorable melodies. The 'Pie Jesu' from his requiem is certainly no exception. First performed in Dallas, Texas in 1985, the 6 movements completed Rutter's setting of the Roman Catholic Mass. The third movement (the 'Pie Jesu') is typical of the composer, featuring a strong melody line with subtle accompaniments. Now arranged for Solo Cornet by Adam Rutter, this slow melody allows the soloist to shine in one of the finest and most famous settings of the work to date. A great addition to any concert & soloists repertoire.

    In Stock: Estimated dispatch 1-3 working days

     PDF View Music

  • £26.95

    Do You Recall? (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    A slow, bluesy solo for trombone with band accompanimentLike many people, I took the opportunity offered by the COVID lockdown in Spring of 2020 to sort through old paperwork. I discovered a lot of songs that had not seen the light of day for many years and were mostly written with just the melody and chord symbols. Some offered the potential of becoming instrumental solos with a combination of heart-on-the-sleeve melodies the like of which I would not write now, together with maybe a greater sophistication in the instrumental writing. I had the notion in the back of my mind that Do you recall?; would work as a trombone solo but it seemed to fight me all the way. However, once finished it has proved to appeal to trombonists and has already been recorded by Brett Baker. It is not intrinsically difficult but needs a sense of the appropriate slow swing style and good control throughout the range.- Rob WiffinDuration: 4.15

    Estimated dispatch 7-14 working days

     PDF View Music

  • £29.99 £29.99
    Buy from Marcato Brass

    Skye Boat Song | Tenor Horn Solo | Trad. arr. Max Stannard

    A different take on a traditional melody for Brass band with solo Tenor horn, the Skye Boat Song begins with a slow, lyrical solo melody on the Tenor Horn, building gradually into full band, before moving into a faster jaunty waltz scherzo section, returning to a slightly slower reiteration of the theme to finish.

     PDF View Music

  • £44.95

    Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

     PDF View Music

  • £87.95

    Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

     PDF View Music

  • £73.00

    Bass Trombone Concerto (Bass Trombone Solo with Brass Band - Score and Parts) - Wood, Gareth

    Written in 2006 for Roger Argente, Gareth Wood brings his considerable experience of writing for brass, and brass bands in particular, to an instrument not often blessed with opportunities for solo exposure. It is scored for soloist accompanied by traditional brass band line-up, including timpani and two percussion, and follows the standard three-movement pattern. In the first movement, the soloist launches straight into the musical argument with a low-lying repeated quaver figure punctuated by the band. A lyrical second subject in the high register is also entrusted to the soloist, and the movement comes to a thrilling conclusion. The slow movement opens softly with the percussion, and a mournful bass line sets the mood for a thoughtful long melody. It reaches a powerful climax, which subsides to a return of the opening mood. In the march-like finale, the soloist is pitted against a number of solo instruments from the band and a driving ostinato carries the momentum through to the blazing ending. Duration: 13.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days