Results
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£24.60HANDS ACROSS THE SEA (Partitur/Score) - Sousa John Philip - Wyss Thomas
Estimated dispatch 7-14 working days
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£49.60
HER MAJESTY, THE QUEEN - Sousa John Philip - Westwood Gary
Estimated dispatch 7-14 working days
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£24.60
HER MAJESTY, THE QUEEN (Partitur/Score) - Sousa John Philip - Westwood Gary
Estimated dispatch 7-14 working days
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£38.60
ROYAL WELCH FUSILIERS - Sousa John Philip - Westwood Gary
Estimated dispatch 7-14 working days
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£19.60
ROYAL WELCH FUSILIERS (Partitur/Score) - Sousa John Philip - Westwood Gary
Estimated dispatch 7-14 working days
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£39.60
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£24.60
SOUND OFF (Partitur/Score) - Sousa John Philip - Westwood Gary
Estimated dispatch 7-14 working days
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£55.50Autumn Dreams (Valse Brillante) (Trombone Solo with Brass Band - Score and Parts) - Zimmerman, Leopold A. - Wilkinson, Keith M.
Leopold A Zimmerman (1866 - 1935) succeeded the legendary Arthur Pryor as trombone soloist in the Sousa Band and, following his predecessor's example as well as that of other soloists in the band, composed several solos to demonstrate his considerable talents. This arrangement was been requested by Brett Baker for a recording with Black Dyke Band.
Estimated dispatch 7-14 working days
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£33.00In Storm and Sunshine (Brass Band - Score and Parts) - Heed, John Clifford - Houlding, Christopher
New Jersey born composer and musician John Clifford Heed, who was born during the American Civil War was as a cornet soloist and arranger in the legendary band of John Philip Sousa. J.C Heed was also known as the "March Wizard". According to local legend in his hometown, it is claimed that Heed possibly wrote "The Stars and Stripes Forever". Chris Houlding's vibrant arrangement of "In Storm and Sunshine" is written in the style of a vibrant circus march, to be performed as quick as possible! Duration: 5.00. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£39.00El Capitan (Brass Band - Score and Parts) - Sousa, John Philip - Wilkinson, Keith M.
El Capitan was originally an operetta which was first produced in Boston in 1896. It was initially very popular and there are occasional revivals even to this day. The march of the same title uses themes from the opera and was also published in 1896. One notable feature - resulting from the use of themes from the operetta - is the abrupt transition from 6/8 to 2/4 half way through the march.This arrangement was prepared for the 2013 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson.
Estimated dispatch 7-14 working days
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