Results
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£25.50
Coconut Dance - Traditional - Andi Cook
The Rochdale coconut dance is a traditional Morris dance, often used by the dancers who accompany the rush-cart during the Rochdale rushbearing festival. It probably dates from the 1850s, and though the dancers were said to have half a coconut shell on each knee and in each hand, the term 'coconut' is also used as local slang for the wooden end of a wool bobbin, so nobody can be sure if they were always real coconuts. Written for the Milnrow band's 150th birthday celebrations (1869-2019) this arrangement uses a combination of Caribbean rhythms and a disco groove for a modern take on an old favourite that's impossible to sit still to. Enormously catchy, great fun to play and with something for everyone to enjoy, your audiences will be whistling this one all the way home.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Don't You Want Me (Baby) - The Human League - Gavin Somerset
Originally released in 1981, this single by The Human League took the took the Christmas No.1 spot and has since gone on to sell over 1.5 million copies, making it the 23rd most successful single in British history. The music has easily stood the test of time, with many still seeing the track as a firm favourite for parties. Now for the first time, the work is available for band. This is a great way to show off a brass band's versatility and reach out to audiences of all ages. Something different and a must have.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Jocular Geordie - Various - David White
Every part of the UK, from Cornwall to the outer tips of Scotland has its own local and traditional folk tunes. This playful medley of traditional tunes has come straight from the North East, including popular tunes such as "Cushie Butterfield", "Geordy, Haud the Bairn" and "Keep your Feet Still, Geordie". This toe-tapping piece is a must for all bands, whether performing in a concert hall or a village gala, your audiences can be singing and swaying.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Love Story - Taylor Swift - Gavin Somerset
Released in September 2008, this hit shot Taylor Swift to fame both in the pop and country music industry. The song still holds the record for being the most downloaded country song in history. With words based on a modern day Romeo & Juliet, however this time, with a happy rather than tragic ending. This arrangement by Gavin Somerset remains faithful to the original in every way, with cues and some doubling of parts allowing most levels of bands to perform this work. A perfect piece for younger bands and for summer and gala concerts where this piece shows the younger members of your audiences that Brass Bands are incredibly versatile and even gives the chance to sing along!
In Stock: Estimated dispatch 1-3 working days
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£37.50
The Magic Flute - Mozart - David Kaye
This ever popular overture by the master of classical composers is one that has past the test of time, still being performed and recorded by the worlds greatest orchestras. Composed in 1791, this wonderful arrangement accurately captures the thrill of this, one of the greatest overtures of all time.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Nimrod 'From Enigma Variations' - Elgar - Gavin Somerset
The 'Enigma Variations' by Elgar are musical portraits of his friends and family. The best of these 14 variations is by far, number 9 entitled 'Nimrod'. The variation has become a piece in its own right and is common at funerals and other solemn occasions. Remembrance Day in particular would not be complete without hearing the work and is always performed at the Cenotaph in London on this day. Now, this arrangement by Gavin Somerset remains faithful to the original and with careful scoring throughout, it allows bands of most standards to play this gorgeous piece and still obtain those hair raising moments the audiences have come to expect. A must for every bands library.
In Stock: Estimated dispatch 1-3 working days
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£37.50
Polish Adventures - Gavin Somerset
Composed for the All Saints Wind Band, Sheffield after their trip to Poland in the summer of 2003. This work reflects the different parts of the tour in four continuous movements... PROGRAM NOTES AS THEY APPREAR ON SCORE COVER I don't wish to ramble on with the program notes, do I do believe that if you know the story behind a piece of music, it just puts that extra something into the players performance. In 2002, the All Saints Wind Band, Sheffield, embarked on a 10 day tour of Poland. The group spent 28hrs on a couch packed with instruments, only to arrive finding Poland experiencing its worst summer in 70 years. In 2003, they decided to go back for another go! This time, luxury all the way, no 28hr coach journey, just a 1 1/2hr flight. This piece tells the story of the 2nd tour of Poland in four continuous movements... First the introduction. Early one morning, prepared for the drive to the airport, everyone tired, but excited. A day prior to this, some parents of the children set off in a van driving the instruments to the hotel, some 300 miles away. Bar 13 introduces the "Van" theme. Once arriving at the airport, the movements begin... 1. MORNING FLIGHT A very self explanatory part of the piece, and impressionist in its writing. Flying high over England and the channel, giving a sense of speed we were travelling at (compared to the poor lads in the van somewhere below us!) The Largo before F tells of the short coach journey to the hotel, and settling into what was our new home for 10 days. 2. IN THE STORM The weather was definitely an improvement on last year. So much so, that it became a regular event of the day to go and play rounders in a nearby field. This particular day however, with everyone concentrating hard on the game, it escaped everyone's attention that there was a very large storm creeping over the high mountain range near us. As the title of the movement suggests, the scene involved 25 of us running as fast as we could back to the hotel. Unfortunately, the heavy rain ran faster than us. 3. LAST MEMORIES As most of the people in the band were 18 this year, it was apparent that this would be their last event with the band. Many of the group had grown up together for the last 7 years and so, as the tour came to a close, there was a sense of sadness in the air, but everyone would always have the memories. 4. FINALE & HOME The van and the brave volunteers that went with it, set off the day before the rest of us flew home. This last movement reflect the whole tour, bringing back all the main themes from the different movements before arriving back at the school, just in time to see the van pull up. The "Van" theme makes its presence heard again towards the end. This piece was performed by the Wind Band at the leaving concert of many of the players in the band. I dedicate this piece to the band which is still functioning with new players, and to all those who took part on this tour.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Prelude & Mazurka - Delibes - Barry Strickle
The ballet "Coppelia" was first premiered in May 1870, unfortunately its successful run was interrupted by the Franco-Prussian war. Thankfully, the ballet still went on to become the most performed opera at the Opera Garnier in Paris. The ballet brought Delibes his first taste of success, encouraging him to carry on to other great works such as Lakeme, and Le Corsaire. Arranged by Barry Strickle, the Prelude and Mazurka from Coppelia will be instantly recognizable to most, and features regularly on Classic FM.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Wedding Music (Selections For A Wedding) - Various - Gavin Somerset
With more and more brass bands performing at weddings, having the correct music is essential for the couple's perfect day. With most of the traditional wedding music coming from large overtures & operas etc, this unique pack of music has been specially designed to minimise fuss (all 4 pieces are printed on just one sheet per part) and have just the "famous" bits included. Specially arranged by Gavin Somerset so that the pieces included can be performed from anything ranging from a full brass band to a brass quintet group and with repeats that can be cut or performed to tailor to each event. The pieces areaABRIDAL CHORUS (from Lohengrin) By Richard Wagner"Here comes the bride"aA is the standard march played for the bride's entrance at many formal weddings. The wedding between Elsa and Lohengrin however was almost an immidiate failure!PACHELBEL'S CANON By Johann PachelbelFormally known as the Canon & Gigue in D and originally composed for a string quartet, the Canon part of the composition has become a favorite at weddings, either as an alternative to the Bridal Chorus (above) or used during the signing of the register. The convention in the Baroque era would have been to play a piece of this type in the moderate to fast tempo, however at weddings it has become fashionable to play the work at a slow tempo.WEDDING MARCH (from "A Midsummer Night's Dream") By Felix MendelsshonPopularized by Princess Victoria's wedding to Prince Frederick William of Prussia and coupled with the Bridal Chorus for the entry of the bride, this Wedding March is often for the recessional at the end. Prelude to "Te Deum" By Charpentier Another item now popular in its use during weddings for its bright fanfares. Many composers have written music to the "Te Deum" text (Te Deum being an early Christian hymn of praise, used still regularly in the R.C Church). The prelude by Charpentier is by far one of the most famous
In Stock: Estimated dispatch 1-3 working days
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£34.95
Song of the Night Sky - Christopher Bond
Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea. And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies. Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.
Estimated dispatch 5-10 working days