Results
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£24.50Keep The Rhythm Going - Neil Brownless
Keep the Rhythm Going was written for Abingdon Concert Band during the 2020 Coronavirus pandemic as a tribute to musicians around the world who found ways to play together virtually in order to 'keep the rhythm going'. This exciting piece will be a great opener for any concert or contest programme and is available for both brass band and wind band. When performing the wind band arrangement the Cor Anglais, Eb Clarinet and Alto Clarinet parts are optional and can be omitted without affecting the music. The premiere performance can be viewed here: https://youtu.be/b6f7zRzxI7k The piece was premiered virtually on 19th November 2020 by 109 musicians from around the world from the following musical organisations:Abingdon Concert BandAbbey Brass BandAbergavenny Borough BandAbingdon and District Music SocietyAlnwick PlayhouseConcert BandAlnwick Symphonic Wind EnsembleAnything Goes Swing BandAshby Concert BandAylesbury Concert BandAylesbury Symphony OrchestraBacchus Wind OrchestraBanbury Symphony OrchestraBicester Concert BandBisham Concert BandBlaina Town BandBoobs and BrassBourne Concert Band of WokingBrass for AfricaBucks WindBurford OrchestraCastleton BrassCity of Cardiff Melingriffith Brass Band OrganisationCoquet Concert BandCorpo Bandistico G. Puccini - DLF BolognaDarlington Clarinet EnsembleDidcot Concert OrchestraDragon's Big BandDurham Miners' Association Brass BandEast Grinstead Concert BandGoring & Streatley Concert BandHalifax Concert BandHenley Symphony OrchestraJazz ColossusBig BandJupiter BrassKidlington Concert BrassLangtree SinfoniaNantwich Concert BandThe British Police Symphony OrchestraNew Buckenham Silver BandNottingham Concert BandNottingham Daytime OrchestraNottingham Symphonic WindsPaddock OrchestraPeebles Concert BandPotterspury Big BandReading Concert BandRoyal College of MusicRoyal Welsh College of Music & DramaSalvation Army West Midlands Fellowship BandSalvo BrassSaxophone SundaeSevenoaks and Tonbridge Concert BandShirley BandSlinfold Concert BandSouth Norfolk Youth Symphonic BandStockport Silver BandSuper BoneTewkesbury CamerataThame Concert BandThe Band of The Royal British Legion, LeistonVale Symphonic Wind BandTowcester Studio BandUniversity of Nottingham BlowsocThe University of Trinidad and TobegoWadhurst Brass BandWest Forest SinfoniaWeston BrassWindsor & Maidenhead Symphony OrchestraYorkshire Wind OrchestraYoung Musicians Symphony Orchestra...and some freelancers.
In Stock: Estimated dispatch 1-3 working days
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£59.99Symphony No.9 (Brass Band - Score and Parts) - Dvorak, Antonin - De Haan, Jan
From the New World. Duration: 7.45
Estimated dispatch 7-14 working days
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£44.95Judd: Themes from New World Symphony
For three years the Czech composer Dvorak lived and worked in America and this, his ninth and last symphony, contains impressions of that continent. This arrangement for brass band follows the scheme of the original in movement order and theme presentation although a certain amount of 'condensing' of material has naturally been inevitable.
Estimated dispatch 7-14 working days
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£44.95
NEW WORLD SYMPHONY, Themes from The (Brass Band Set) - Dvorak - Ray Steadman-Allen
For three years the Czech composer Dvorak lived and worked in America and this, his ninth and last symphony, contains impressions of that continent. This arrangement for brass band follows the scheme of the original in movement order and theme presentation although a certain amount of 'condensing' of material has naturally been inevitable.
Estimated dispatch 7-14 working days
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£107.95Symphony in Two Movements (Brass Band - Score and Parts) - Gregson, Edward
This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£57.95Symphony in Two Movements (Brass Band - Score only) - Gregson, Edward
This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£35.62Going Home - Flugelhorn/Trumpet Solo with Brass Band (Dvorak arr. Kevin Larsson)
VIEW SCORE PDF A beautiful setting for flugelhorn/trumpet soloist by Kevin Larsson of the Largo from Symphony No. 9 in E minor, 'From the New World', Op. 95, B. 178, popularly known as the 'New World Symphony'. To view a video of Jens Lindemann performing the solo with the Canadian Staff Band, please visit: https://www.youtube.com/watch?v=fobUFG5QorQ PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Flugelhorn/Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£37.50
Brass Monkey's Classical - Gavin Somerset
This release from the 'Brass Monkeys' series introduces your training band to some of the best-loved classical music around. Each piece contains a different challenge and something new to learn. With an opening from Clarke, marches from Tchaikovsky & Elgar, a lullaby from Brahms and memorable music from Dvorak & Holst, this is the perfect way for your learners to start playing some of the world's most famous melodies. The music in this publication is also a great way for your training band to join in on concerts with the senior band. This final item, 'Jupiter' from Holst's 'The Planets' has as well as the main melody, an optional, slightly more difficult section so the players have something to work towards even after conquering the main bulk of the work. Music included isaATRUMPET VOLUNTARY (Prince Of Denmark's March)MARCH SLAVEGOOD EVENING, GOOD NIGHT (Brahms' Lullaby)LARGO (From The 'New World Symphony')POMP & CIRCUMSTANCE No.1 (Land Of Hope & Glory)JUPITER (From 'The Planets')
In Stock: Estimated dispatch 1-3 working days
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£58.99Classical Gold (Brass Band - Score and Parts) - Barry, Darrol
Including: Notebook For Anna Magdalena Bach, Toreador March, In The Hall Of The Mountain King, Trumpet Voluntary, St. Anthony Choral, Can-Can, Mozart's Symphony No. 40, William Tell Overture, Hungarian Dance No. 5, Carmen Overture, Largo From New World Symphony, Toccata In D Minor, Finale From New World Symphony & Beethoven's Symphony No. 9. Duration: 06:45
Estimated dispatch 7-14 working days
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£44.00Ceremonial Fanfare (Brass Band - Score and Parts) - De Meij, Johan
The Ceremonial Fanfare was originally written for orchestral brass and percussion, commissioned by The Orchestra Osaka Symphoniker from Osaka, Japan. The world premiere performance took place on April 12, 2005 at The Symphony Hall in Osaka, conducted by maestro Heiichiro Ohyama.In April 2009, the combined brass sections of the New York Philharmonic and the Royal Concertgebouw Orchestra gave an impressive performance in New York City. The concert commemorated the Henry Hudson Quadricentennial and 400 years of friendship between The United States and The Netherlands. This version for brass band was written at the request of EBBC, the European Brass Band Contest 2012in Rotterdam, to serve as the opening fanfare of the festival.Duration: 4.30
Estimated dispatch 7-14 working days
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