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  • £80.00

    From the Sea - Geert Jan Kroon

    From the Sea is a three-part work with the theme of land reclamation. The first part (The New Land) expresses the feelings of expectation and tension that come with the brand-new land. The second part (The Old Sea) is a nostalgic look back at the (old) sea. A sea that was sometimes turbulent, but also a source of life. The third part (The Future Land) captures the joy of living on the new land up to the present day. The work was commissioned by the joint music associations of the Noordoostpolder.

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  • £29.95

    Ignition Sequence - Jonathan Bates

    DURATION: 3'00". DIFFICULTY: 1st+. 'Ignition Sequence' was composed for Phoebe Mallinson and Tom Walgate with BD1 Brass for their appearance at the 2021 Wychavon Festival of Brass. The band's programme was inspired by the first British ESA Astronaut Time Peake and this work encapsulates the excitement and tension of a shuttle launch, accompanied by the sound of the countdown from the control centre. The solo parts are virtuosic in nature and show off the players' stylistic and technical abilities in this pseudo-jazz/funk-based short concert work.

    In Stock: Estimated dispatch 1-3 working days
  • £30.00

    A Short Ride in a Brass Machine

    DescriptionA Short Ride in a Brass Machine was written in 2006 to mark the 140th anniversary of the Brighouse and Rastrick Band and first performed in the Central Methodist Church in Brighouse by Brighouse and Rastrick conducted by James Gourlay. The title refers to the orchestral composition A Short Ride in A Fast Machine by the American composer John Adams which provided some of the inspiration for the work. The music is a simple celebratory prelude consisting of two main ideas, an expansive melody full of open fifths (giving the music a slightly "American" feel) and a short fanfare figure. After these are both heard for the first time a brief development of the fanfare material leads to a broader, warm harmonisation of the opening melody and the pulse relaxes a little before tension builds to a reiteration of the fanfare and a final triumphant version of the opening theme.Performance Notes:Percussion instruments required are 4 Timpani, Snare Drum, Bass Drum, 3 Tom-toms, 3 Wood Blocks, Suspended Cymbal, Clash Cymbals, Tubular Bells, Glockenspiel, Tam-tam.Soprano, repiano, 2nd solo cornet, 2nd and 3rd cornets will require metal straight mutes; 2nd and 3rd cornets will require harmon mutes with the tubes removed (indicated by 'TR').Duration approximately 3'30"Follow the score in the preview video below!

    Estimated dispatch 7-14 working days
  • £103.00

    Tornado - Fredrick Schjelderup

    "Tornado" is based on sketches from the Royal Norwegian Naval Forces' Band (SFMK) Composer Workshop with composition students from The Grieg Aacademy in 2012. The working title of the piece, "Workshopping", reflects a young composer on "shopping" for new timbres and effects within the range of instruments and opportunities. The piece starts with a wind from afar (trills and tremolos) which then builds up in block harmony and various fragments that are processed across different keys and harmonies. Tension between chords and dissonances are then pressed up and develops the character and temperament. The title,Tornado, is selected on the basis of the energy and build up, something that can be translated with the weather phenomenon Tornado . Whirl- wind speed translates into the notation with fast tempo, tremolos and technical parts.

    Estimated dispatch 7-14 working days
  • £32.99

    Christmas Day - Gustav Holst arr. J Knight

    This Gustav Holst piece contains three Carols: Good Christian Men, Rejoice, God Rest ye Merry Gentlemen and Come, ye lofty, come, ye lowly, (Old Breton Melody) with a little The First Nowell thrown in for good measure. It has been arranged here for the full brass band and has had light percussion parts added to complement. It starts with the band in full chord and then pairs down to solo instruments playing Good Christian Men monophonically. This piece has all of the essential elements of Holst's harmony and tension while retaining the joy of Christmas. It ends quietly and reflectively and works very well in large acoustics such as a Church building or large town hall.

    Estimated dispatch 5-9 working days
  • £34.95

    Funk Engine (Score and Parts)

    'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"

    Estimated dispatch 7-14 working days
  • £14.95

    Funk Engine (Score Only)

    'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"

    Estimated dispatch 7-14 working days
  • £82.95

    Vivat! (Score and Parts)

    VIVAT! was commissioned by Kapitol for the 2012 National Championship of Great Britain first section final as a celebration of the Queen's Diamond Jubilee. The work is split into three contrasting sections that run continuously, with music derived from elements of Parry's coronation anthem I Was Glad. In Memoriam evokes the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel, euphonium & solo cornet), the music explores themes of grief, sentimentality and hope. Coronation, a fanfare and subsequent theme, is grandiose in style capturing the spirit and excitement of British pomp and ceremony.The closing Jubilate is a celebration of life and family values, Vivat being the Latin for life or long live. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments drawn from throughout the work, forming (for the first time) Parry's majestic I was Glad theme.

    Estimated dispatch 7-14 working days
  • £102.99

    Sinfonietta No. 1 - Marc Jeanbourquin

    Sinfonietta No.1 won first prize in the 2023 Composition Competition organized by the Swiss Brass Band Association. Various melodic themes and rhythmic motifs develop throughout the work. They combine with the numerous dynamic effects to bring a certain unity, from the beginning to the end of this competition piece. The technical and melodic difficulties allow the different soloists to show their virtuosity and musical prowess over five uninterrupted parts. After a first slow and misterioso part, there is a contrast with the following energico sequence based on an ostinato, creatings both a progression and a tension, to drive everything towards the third part mesto (sad), then lento, where some cadenzas and numerous dissonnances can be heard. The energico transition announces the fifth part, a ternary and fast con fuoco. This last part will lead the audience to a final apotheosis.

    Estimated dispatch 5-14 working days
  • £204.00

    Sollicitus for Brass band and Percussion - Fredrick Schjelderup

    The latin title Sollicitus means upset or uneasy is important in terms of the character and form of the work. This work contains several different pcarts, all of them based around a fanfare-like theme which is presented several times. This theme change it's character, form, tonality, rhytmic and tension throughout the piece which triggers the turbulence of the music. Sollicitus is a commission for Midtun Skoles Musikkorps and their conductor Christian Breistein for their participation in the Norwegian Championships for School Bands in 2017. The version for Brass Band was written to Laksevag Musikkforening for their participation at the Norwegian Brass Band Championships 2018.

    Estimated dispatch 5-14 working days