Results
-
£9.95
Sanctus (From German Mass D.872) (Brass Band - Score Only) - Schubert, Franz - Downie, Kenneth
Franz Schubert's so-called German Mass, D. 872 is one of his last works of sacred music and was written in 1827. The work was commissioned by Professor J P Neumann of the Polytechnic School of Vienna who provided the texts for the nine short sections. It was Neumann's idea that the work be as musically simple as possible and able to be performed by amateurs. This arrangement of the Sanctus seeks to preserve the simplicity of the original, allowing the sheer beauty of the melodic lines to have prominence.
Estimated dispatch 7-14 working days
-
£24.95
The Great Parade (Brass Band - Score and Parts) - Downie, Kenneth
This piece is intended to be a bright, sparkling concert march and features the spiritual 'I got a robe'. The quick tempo is to encourage a performance of sparkle and wit and, at the same time, to reflect the mood of celebration in the spiritual. The song was sung by slaves to encourage them to remember that, although they might be deprived of even basic items like robes in their present plight, one day, when they get to heaven, 'all God's children got a robe'.
Estimated dispatch 7-14 working days
-
£12.50
The Great Parade (Brass Band - Score Only) - Downie, Kenneth
This piece is intended to be a bright, sparkling concert march and features the spiritual 'I got a robe'. The quick tempo is to encourage a performance of sparkle and wit and, at the same time, to reflect the mood of celebration in the spiritual. The song was sung by slaves to encourage them to remember that, although they might be deprived of even basic items like robes in their present plight, one day, when they get to heaven, 'all God's children got a robe'.
Estimated dispatch 7-14 working days
-
£29.95
To Regions Fair (Brass Band - Score and Parts) - Bearcroft, Norman
Clive Bright, in his score note when To Regions Fair was originally published in 1958, predicted that the march would 'have a good run'. In retrospect, this turned out to be something of an understatement as this march (and many other Bearcroft marches) remains vibrantly active fifty years after its original publication. The title is derived from the song 'Meet in bliss' which is featured in the trio section.
Estimated dispatch 7-14 working days
-
£14.95
To Regions Fair (Brass Band - Score only) - Bearcroft, Norman
Clive Bright, in his score note when To Regions Fair was originally published in 1958, predicted that the march would 'have a good run'. In retrospect, this turned out to be something of an understatement as this march (and many other Bearcroft marches) remains vibrantly active fifty years after its original publication. The title is derived from the song 'Meet in bliss' which is featured in the trio section.
Estimated dispatch 7-14 working days
-
£44.95
Trailblazers (Brass Band - Score and Parts) - Mackereth, Andrew
This overture draws its inspiration from the story of the first Household Troops Band. It tells the story of the 1887 band, the subsequent lull of nearly a hundred years and the re-awakening of the Troops phenomenon in 1985. It was originally written in 1995 and featured prominently by the band on its North American tour of 2002. Given the history of the Household Troops Band, it is fitting that this composition is preoccupied with marching. It begins with a marching song played by a solitary muted cornet, symbolic not only of the call to bandsmen to join the evangelical effort but also a muso-dramatic device to indicate the steady increase in members and technical ability! The music quickly develops into stirring versions of 'A robe of white' and 'Storm the forts of darkness' with two early day Salvation Army tunes crucially adding to the narrative; 'Marching on in the light of God' and 'Soldiers of our God, arise!' The second section is a reflective setting of the Herbert Booth song, 'The penitent's plea'. This song serves to represent the many people who were 'saved' during those early day campaigns. The expressive music transports the listener through a period of uncertainty and angst until finally reaching the song, 'There is a message, a simple message, and it's a message for us all'. The final section deals first with the emergence from the annals of history with the muted cornet figure again before, symbolically, the present day band bursts forth with an emphatic statement of 'Would you be free from your burden of sin? There's power in the blood'. The stirring climax represents a fitting tribute to those gallant pioneering musicians and their equally impressive and dedicated contemporaries.
Estimated dispatch 7-14 working days
-
£22.50
Trailblazers (Brass Band - Score only) - Mackereth, Andrew
This overture draws its inspiration from the story of the first Household Troops Band. It tells the story of the 1887 band, the subsequent lull of nearly a hundred years and the re-awakening of the Troops phenomenon in 1985. It was originally written in 1995 and featured prominently by the band on its North American tour of 2002. Given the history of the Household Troops Band, it is fitting that this composition is preoccupied with marching. It begins with a marching song played by a solitary muted cornet, symbolic not only of the call to bandsmen to join the evangelical effort but also a muso-dramatic device to indicate the steady increase in members and technical ability! The music quickly develops into stirring versions of 'A robe of white' and 'Storm the forts of darkness' with two early day Salvation Army tunes crucially adding to the narrative; 'Marching on in the light of God' and 'Soldiers of our God, arise!' The second section is a reflective setting of the Herbert Booth song, 'The penitent's plea'. This song serves to represent the many people who were 'saved' during those early day campaigns. The expressive music transports the listener through a period of uncertainty and angst until finally reaching the song, 'There is a message, a simple message, and it's a message for us all'. The final section deals first with the emergence from the annals of history with the muted cornet figure again before, symbolically, the present day band bursts forth with an emphatic statement of 'Would you be free from your burden of sin? There's power in the blood'. The stirring climax represents a fitting tribute to those gallant pioneering musicians and their equally impressive and dedicated contemporaries.
Estimated dispatch 7-14 working days
-
£59.99
Christmas Joy (Brass Band - Score and Parts) - De Haan, Jan
In this festive medley Jan de Haan brings together a selection of the most famous Christmas songs from around the world. It features: O Come, O Come Emmanuel, God Rest Ye Merry, Gentlemen, Deck the Halls, and Praise God, Ye Christians Everywhere. Jan de Haan has created a work that will bring all the joy and happiness of the season to your Christmas concert.Duration: 4:00
Estimated dispatch 7-14 working days
-
£42.95
Blue Jeans (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
In 2008 the trombonist, Chris Jeans, was invited to be a featured soloist at a British Trombone Society event. He contacted Stan Kitchen at Studio Music Company to see if he had any new material for trombone. Stan then got in touch with me, as I had already written a piece for another trombone player, Brett Baker. This piece, Shout! was programmed for the same event so we needed to find something new for Chris.The title 'Blue Jeans' came to my mind, thus linking a blues-style piece with the obvious reference to Chris's surname. I spoke to Chris and he liked the sound of it so then I had to go away and write a solo to match the title!I managed to get a version with piano accompaniment done in time for Chris to perform at the trombone event and have now had a chance to complete the band version.Chris is a great chap, a good friend and a wonderful trombone player so I hope people enjoy listening to this solo that bears his name.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
-
£40.00
London Eye (from New London Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
London Eye is an incredibly large rotating wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of that view. This piece is the second movement of Nigel Hess's New London Pictures which represents elements of London in the 21st Century. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days