Results
-
£89.99
Ross Roy (Brass Band - Score and Parts) - De Haan, Jacob
In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.Duration: 9:20
Estimated dispatch 7-14 working days
-
£34.95Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)
This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.
Estimated dispatch 7-14 working days
-
£44.95Festiva Brazilia
Using a variety of Latin American musical influences the piece opens with a bass riff that is to be the prominent feature in this work. Accompanied with lively Latin American Samba Percussion section the work is reminiscent of the music heard at the world famous Rio Carnival. There are lots of Latin 'Riffs' and 'Licks' throughout the piece that keep returning in true samba style. This is a real fun piece to perform and the performing notes below act as a guide to getting the most out of this performance.Performing Notes:There are opportunities for soloists within the piece, particularly Solo Cornet, Soprano and Bongo's.When the Cornet and Soprano soloist play their solo part they have an instruction to stand out at the front to perform. It is at the players and conductors discretion where they would like to stand for their solo line.Obviously the Drum Kit soloist is restricted to their current positioning within the band. However, the other percussionists are quite at liberty to come out to the front of the band to perform their solo at rehearsal figure P at the conductors discretion.NB - At the 5th bar of figure P there is an optional repeat section. Performers can repeat this section over and over to extend the percussion feature. Or even add more players from the band to play percussion. If you do not wish to use this opportunity then dismiss the repeat so that there is a 16 bar section between figure P and figure R.There are also a variety of cameo roles for other soloists and musical sections during the piece. Other players and sections can stand to perform various motifs during the piece again at the conductor's discretion.Festiva Brazilia was composed for performers to have fun and enjoy performing the piece as much as possible. Just like the many Samba festivals around Brazil.
Estimated dispatch 7-14 working days
-
£29.95Island Whirl
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
-
£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
-
£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
-
£30.00Geno - Brass Band - LMAM010 - - David Beal
Any purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refundedCOMPOSER:Kevin Archer, Kevin RowlandARRANGER: David Beal"Geno" is a 1980 single by Dexys Midnight Runners. Written by Kevin Archer and Kevin Rowland, it was the band's second single and their first UK number one, staying at the top of the Singles Chart for two weeks.The song charted at number two in Ireland.Now available for Brass BandAny purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refundedAbout Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
-
£67.00
Vise ved vintersolkverv - Bruvoll/Stangnes - Haakon Esplo
The beautiful song "Song at Winter Solstice" has within short time been highly loved by listeners all around Norway. It's performed by folk-rock band "Hekla Stalstrenga" who released their first album "Hekla Stalstrenga" in 2008. This album was nominated for "Spellemansprisen" (the Norwegian equivalent to Grammy) in the folk music / traditional music category."Song at Winter Solstice" was released as single record in 2013.To the conductor:In this band arrangement you can choose whether to perform with or without repetition of the melody. If you want to use a song soloist, play the piece as is with all the verses that belong. As instrumental you can choose to go straight in the 2nd house to make the song shorter.
Estimated dispatch 7-14 working days
-
£250.00
Continental Divide - Stig Nordhagen
The title is "Continental Divide" and it has nothing to do with tectonic plates, but is another word for "Watershed".It is the place where the the water flows in opposite directions. For example, when you drive up a mountain, the water flows downwards, the same does it when you drive down the other side. On top there is usually a water, and it is in this water, or musical idea if you like,that it is a continental divide. What I intend is that in this piece there are some musical motifs that change character and direction. They can be in the foreground and carry the play, or they may be in the background as a countermeasure. It can also be from horizontal lines to vertical.Or rhythmical patterns that dont find their match until far into the piece.
Estimated dispatch 7-14 working days
-
£59.99Magga - Philip Sparke
The Four Noble Truths was commissioned by the Dutch National Brass Band Championships for their 2003 competition.The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. They concern themselves with Dukkha, which has no exact translation but can mean suffering, stress or sadness etc. Magga is The Noble Truth of the Path Leading to the Cessation of Dukkha - the Fourth Noble Truth - which gives us a description of eight disciplines which can help us eliminate the origins of stress from our lives.
Estimated dispatch 5-14 working days
View Music