Results
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£29.95Under the Cover of Night - Jonathan Bates
DURATION: 3 minutes. DIFFICULTY: 3rd+. 'Under the Cover of Night' was composed for BD1 Brass as part of a set of music inspired by the fairytale of Robin Hood and Maid Marian. . In BD1's adaption of the fairytale, Maid Marian is held hostage by the evil Sheriff of Nottingham and it is up to Robin Hood and his band of Merry Men to rescue her from captivity. This mysterious bluesy feature for Flugel, Drum Kit and Euphonium & Baritone section paints the picture of the group quietly creeping around in their attempt to rescue Marian. Within the music, there is opportunity for staging, with the Merry Men (Euphoniums & Baritones) moving around the band to reach Marian (Flugel) on the other side of the hall.
In Stock: Estimated dispatch 1-3 working days
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£29.95The Battle of Sherwood Forest - Jonathan Bates
DURATION: 3 minutes. DIFFICULTY: 2nd+. 'The Battle of Sherwood Forest' was composed for BD1 Brass as part of a set of music inspired by the fairytale of Robin Hood and Maid Marian. . In this section of the story, we are transported to the infamous Sherwood Forest in Nottinghamshire where Robin Hood does battle against the evil Sheriff of Nottingham - a crooked and corrupt officer of the law employed by King Richard to tak the poor and provide for the rich. The battle ends in a stalemate, but Maid Marian (an ally of Robin's) is captured during the conflict by the Sheriff's man and escorted far, far away into solitary confinement.
In Stock: Estimated dispatch 1-3 working days
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£119.99
The Lonesome Knight Brass Band (Score & Parts)
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds. 11:30
Estimated dispatch 7-14 working days
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£119.99The Lonesome Knight - Saskia Apon
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.
Estimated dispatch 5-14 working days
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£66.00
Fairytale of New York - Finer-MacGowan - Idar Torskangerpoll
Once upon a time a band set out to make a Christmas song. Not about snow or sleigh rides or mistletoe or miracles, but lost youth and ruined dreams. A song in which Christmas is as much the problem as it is the solution. A kind of anti-Christmas song that ended up being, for a generation, the Christmas song.With the recording of "Fairytale of New York", The Pogues and Kirsti MacColl (1959-2000) created a modern Christmas Classic
Estimated dispatch 7-14 working days
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£104.99
Theme Park Fun! Brass Band (Score & Parts)
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and (moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon! 14:30
Estimated dispatch 7-14 working days
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£104.99
Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challengedto visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions,it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to theexit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon!
Estimated dispatch 5-14 working days
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£66.00
Eventyr-Suite - Oystein Sjovaag Heimdal
Fairytale-Suite is an original work for beginning band. The name of the movements are taken from well-known themes from Norwegian fairytales.The music may not tell a story itselv, but it may be a good base for an exciting fairytale on a concert?This piece gives challenging parts to every player and it's a good choice to showcase the entire band.To the conductor:It's several doublings of the voices. This makes it possible to omit certain instruments or parts. The Drum Set part may be split and played by several players.
Estimated dispatch 7-14 working days
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£11.99
Fanfare La Perie Score Only
In 1911 the Russian impresario Diaghilev commisioned Paul Dukas to compose music for the famous ballet fairy-tale 'La Perie'by Jean Coralli.Fokine was to make a new choreography, so that the Russian ballet company 'Ballet Russes' would be able to perform the piece in Paris that same year. Due to a quarrel between Diaghilev and Dukas about who should dance the title-part, however, the ballet was not performed by the 'Ballet Russes'but by another company in 1912.The ballet 'La Perie' is Dukas' last symphonic work. In 1911 gaf de Russische impresario Diaghilev Paul Dukas opdracht om muziek te componeren voor het beroemde ballet sprookje 'La Perie' van Jean Coralli. Fokine was gevraagd om een nieuwe choreografie te maken, zodat het Russische balletgezelschap 'Ballet Russes' in staat zou zijn om het stuk in Parijs op te voeren in datzelfde jaar. Door een ruzie tussen Diaghilev en Dukas over de vraag wie de hoofdrol mocht dansen, werd het ballet in 1912 echter niet uitgevoerd door het 'Ballet Russes' maar door een ander gezelschap. Het ballet 'La Perie' is het laatste symfonische werk van Dukas. 02:15
Estimated dispatch 7-14 working days
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£59.99Fanfare La Perie - Paul Dukas
In 1911 the Russian impresario Diaghilev commisioned Paul Dukas to compose music for the famous ballet fairy-tale 'La Perie'by Jean Coralli.Fokine was to make a new choreography, so that the Russian ballet company 'Ballet Russes' would be able to perform the piece in Paris that same year. Due to a quarrel between Diaghilev and Dukas about who should dance the title-part, however, the ballet was not performed by the 'Ballet Russes'but by another company in 1912.The ballet 'La Perie' is Dukas' last symphonic work. In 1911 gaf de Russische impresario Diaghilev Paul Dukas opdracht om muziek te componeren voor het beroemde ballet sprookje 'La Perie' van Jean Coralli. Fokine was gevraagd om een nieuwe choreografie te maken, zodat het Russische balletgezelschap 'Ballet Russes' in staat zou zijn om het stuk in Parijs op te voeren in datzelfde jaar. Door een ruzie tussen Diaghilev en Dukas over de vraag wie de hoofdrol mocht dansen, werd het ballet in 1912 echter niet uitgevoerd door het 'Ballet Russes' maar door een ander gezelschap. Het ballet 'La Perie' is het laatste symfonische werk van Dukas.
Estimated dispatch 5-14 working days
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