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£30.00Will You Love Me Tomorrow
This haunting song from the early 1960's was sung by The Shirrelles, and is better remembered as "Will you still love me tomorrow".Tim Paton writes:This arrangement features the Tenor Horns and Baritones, although there is still plenty to do for the rest of the band. Also, I have made sure that, if your band were unfortunately missing a 2nd Horn or/and 2nd Baritone, I have cued any important parts elsewhere so that they are covered.
Estimated dispatch 7-14 working days
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£15.00My Love is Like a Red, Red Rose - Helen Douthwaite
Robert Burns' beautiful melody is brought to life as a euphonium solo with brass band accompaniment in this simple, yet highly effective, arrangement by Helen Douthwaite.Originally arranged by Helen for the Kirkintilloch Youth Band, the piece not only features the soloist with a carefully crafted, accessible solo line, but also enables the rest of the band to shine through the tutti elements.Set includes score and parts for:Solo CornetRepiano Cornet2nd Cornet3rd CornetFlugelhornSolo Eb Tenor Horn1st Eb Tenor Horn2nd Eb Tenor Horn1st Baritone2nd Baritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb Bass (optional)GlockenspielPercussionAdditional world parts also provided include F Horn 1/2/3, Baritone 1/2 in bass clef, Trombone 1/2 in bass clef, Euphonium in bass clef, Tuba.
Estimated dispatch 7-14 working days
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£29.50
Masquerade - Carl Nielson - Bill Willis
The opera, Masqurade, plot revolves around Leander and Leonora, two young persons who meet fortuitously at a masquerade ball, swear their undying love for each other and exchange rings. The following day, Leander tells a servant of his newfound love. He soon becomes distraught when informed by the servant that his parents have betrothed him in marriage to a neighbour's daughter. Things get complicated when Leonard, the neighbour whose daughter is the other part of the previously unknown arrangement, comes complaining to Leander's father that his daughter is in love with someone she met at the masquerade last night. In the third act, all is resolved when the various parties slip off to the night's masquerade, where all is revealed to everyone's mutual satisfaction. The overture is a stunning work, very entertaining for audiences and players alike.
In stock: Estimated dispatch 1-3 days
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£29.50Bring Him Home - Claude-Michel Schonberg - Andi Cook
This publication needs very little introduction as it has, for over thirty years, been a firm favourite across the globe as one of the stand out numbers from the musical, 'Les Miserables'. This brand new arrangement has been done for the Grimethorpe Colliery Band and their Soprano Cornet player, Kevin Crockford, who has recorded the work for the band's new upcoming CD to be released later this year. Andi Cook has given us a faithful recreation of the original that both soloists and audiences will love. A must for all Soprano Players.
In stock: Estimated dispatch 1-3 days
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£24.50Christmas Lullaby - French Traditional - Lynda Nicholson
Based upon the French Christmas Carol, 'Whence Is That Goodly Fragrance?', this moving arrangement by Lynda Nicholson really allows a band to show off their soft and lyrical playing. In a time where Christmas concerts are awash with the traditional and festive tunes we all know and love, this item gives the chance for something beautiful and different. Giving moments for all sections of the band to enjoy, the big climax near the finale is a great way to treat your audience to something new this year.
In stock: Estimated dispatch 1-3 days
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£29.50Haven't Met You Yet - Michael Buble - Gavin Somerset
This smash hit was the first single to be released by Canadian singer Michael BublA(c). Released on his forth album "Crazy Love", the singer co-wrote the song for his fiancA(c)e Luisana Lopilato. The song has had world-wide success, reaching No.1 in the Canadian charts and the U.S aswell as enjoying success here in the UK charts reaching No.5. The piece is a fantastic light-hearted swing number that both players & audiences will enjoy, with an optional feature in the middle that Soprano cornet players (or brave Solo cornet players!!!) will relish! A must for every bands library.
In stock: Estimated dispatch 1-3 days
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£17.50The Mansions of Glory (Score Only)
"A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: 'My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.' This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God." 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.2. I love thee because thou hast first lovd me,And purchased my pardon on Calvary's tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, 'tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, 'tis now.4. In mansions of Glory and endless delight,I'll ever adore thee and dwell in thy sight; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. William Ralph Featherstone
Estimated dispatch 7-14 working days
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£49.95Fire in the Blood
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£19.95Fire in the Blood (Score Only)
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£35.26Love Divine (Blaenwern) (Brass Band) William Rowlands arr. Kenneth Downie
This delightful setting for brass band by Kenneth Downie is based on the much loved hymn Love Divine, All Loves Excelling, alternatively known as Blaenwern. An optional organ part which will enhance the last verse is included. Kenneth Downie writes: 'It has been a delight to work on this wonderful Welsh hymn tune called Blaenwern, a tune which perfectly suits the majestic words by Charles Wesley, 'Love divine, all loves excelling'. This hymn is all about a big, expansive, all-embracing God, and I have tried to capture this aspect of the words. The rising interval in the introduction is an important feature in developing the notion of a 'big God', and its reappearance near the end is intended to be very significant. The hymn is full of memorable phrases which will hopefully inspire players, singers and conductors as they contemplate the text in preparation for any performance. 'Joy of Heaven, to earth come down', 'Enter every longing heart', 'Finish then thy new creation', and then the last amazing four lines: 'Changed from glory into glory, Till in Heaven we take our place, Till we cast our crowns before thee, Lost in wonder, love and praise'. The addition of the organ in the last verse, by special request of Peggy and Scott Thomas who commissioned the arrangement, should add to the majesty of the music, but of course, it is not fundamental to any performance. May this music bring honour to our amazing God!' To view a video of the Melbourne Staff Band playing the piece please visit www.youtube.com/watch?v=BUszRQh40lQ A rolling score video can be viewed here: www.youtube.com/watch?v=y4dM0fZaVug Sheet music available from www.brassband.co.uk Difficulty Level: 4th Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2 Organ (optional)
In stock: Estimated dispatch 1-3 days
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