Results
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£40.00
Tie A Yellow Ribbon Round the Ole Oak Tree - Irwin Levine & L. Russell Brown - Inge Sunde
Here is a great opportunity to pay a musical tribute to the 1970s ! "Tie a Yellow Ribbon Round the Ole Oak Tree" was a worldwide hit for the group Dawn, featuring Tony Orlando in 1973.Other artists with cover version; Perry Como, Frank Sinatra and Tony Christie.Another swinging and well-arranged tune in this popular series, with many musical challenges in each of the instrumental parts.Five flexible parts make it approachable by small ensembles, or those with incomplete instrumentation.
Estimated dispatch 7-14 working days
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£59.99High School Musical
Ask any child what their favourite film has been over the past few years and a large number will say High School Musical. The music is full of energy and emotion and has been an essential part of the films success. This fun-filled medley features three songs from the original film: Start Of Something New, Breaking Free and We're All In This Together.
Estimated dispatch 5-14 working days
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£45.00The Sword and the Star
DescriptionThe Sword and the Star was written in 2006 for the Middleton Band at the request of their Musical Director, Carl Whiteoak. The inspiration for the work was the band's badge, which features a medieval archer. The town of Middeton's historical link with the symbol of the Archer came from the English victory at the Battle of Flodden in September 1513, where bowmen from Middleton and Heywood under the command of Sir Richard Assheton played a vital part in crushing the invading Scottish army. Sir Richard captured one of the Scottish commanders and presented the prisoner's sword to the St Leonard's church in Middleton in recognition of the town's contribution. As long time Lords of the Manor, the Assheton family crest was for centuries featured in the coat of arms of Middleton council, and when Middleton became part of the Metropolitan Borough of Rochdale the black star from the Assheton crest was used to represent Middleton in the new borough's coat of arms. Hence the title The Sword and the Star, for a piece which attempts to give an impression of the town as it was then and as it is now.The music is in three short sections - a fanfare, a lament and a bright scherzo - and simply aims to contrast the medieval hamlet of Middleton with the bustling urban centre it has now become. The central lament features a Scottish song called "The Flowers of the Forest", written to mourn the loss of so many of Scotland's young men on the field of Flodden; the song returns in a much more positive form at the end of the piece.
Estimated dispatch 7-14 working days
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£12.00Edward Gregson: The World Rejoicing
DescriptionComposer's NoteIn searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well-known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows: Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.The World Rejoicing is dedicated 'in loving memory of my brother', Bramwell Logan Gregson, who sadly passed away in the Autumn of 2018.Edward Gregson
Estimated dispatch 7-14 working days
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£20.00Edward Gregson: Music of the Angels, for Symphonic Brass and Percussion
DescriptionProgramme NoteMusic of the Angels is a dramatic work of some 16 minute's duration, scored for a large symphonic brass ensemble, including seven trumpets, and percussion. The percussion section deploys 'dark' instruments such as three tam-tams, a bass drum and two sets of timpani.The title of the work is based on a quotation from the Book of Revelations:And I saw the seven angels which stood before God; and to them were given seven trumpetsThus, the idea behind the work is a dramatic one and the composer has emphasised this by the partial spatial arrangement of the ensemble, with six solo trumpets standing centre stage, but behind the main ensemble, and the seventh trumpet off-stage throughout.The work opens with a four-note motif, dominant throughout the work, announced initially by four off-stage horns and answered by fanfare figures on four solo trumpets. Then in turn each of the first four solo trumpets announce their own cadenzas before joining together, independently playing their own music. This reaches an intense climax before subsiding into slow music which might be described as a Kyrie eleison - a lament for humanity - a cantilena for flugel horn and euphonium, accompanied by trombones. The drama soon returns with the entry of trumpets 5 and 6, playing music that is fast, more urgent and foreboding, and describing in musical terms the horsemen of the Apocalypse.At the climax of this section trumpet 7 enters dramatically, representing the words of the seventh angel ... and time shall be no more. The opening four-note motif is here transformed into a cadenza of epic proportions, to the partial accompaniment of three tam-tams (representing the Holy Trinity). The ensuing scherzo, scored for the ensemble, is fast and furious, but despite the somewhat desolate mood of this music (briefly interrupted by the re-appearance of trumpet 7), it slowly moves towards a more optimistic conclusion, transforming the 'lament for humanity' music into an affirmative and triumphant climax.This work has been commercially recorded on a critically acclaimed CD from London Brass on the Chandos label, available HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£44.95Christmas Truce, The - Jonathan Bates
DURATION: 7'30". DIFFICULTY: 2nd Section+. 'The Christmas Truce' was composed in 2018 for the Strata Brass Band and was used as part of their Christmas programme to mark 100 years since the end of the First World War. On the 24th December 1914, just a few weeks after war broke out, one of the most notable events of the 4-year conflict took place on the front line as the guns from both sides fell silent and soldiers came together on Christmas Eve. This composition for brass band and narrator tells the story of that night, painting a musical picture of the events as they unfolded. Using material from the carols 'In The Bleak Midwinter', 'O Tannenbaum' and 'Silent Night', the music weaves it's way around the events leading upto, during, and directly following the Christmas Truce, before culminating in a grand finale which incorporates the famous "the souls of the righteous are in the hands of God" quote from Eric Ball's 'Resurgam'. . .
In Stock: Estimated dispatch 1-3 working days
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£40.00Last Night of the Proms Medley - Traditional
The quintessential most English of English classical music concerts and the self-styled world's largest and most democratic musical festival". The "Proms", originally known as The Henry Wood Promenade Concerts are an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in London. Founded in 1895, each season now consists of more than 70 concerts in the Albert Hall, a series of chamber concerts at Cadogan Hall, additional Proms in the Park events across the United Kingdom on the last night, and associated educational and children's events. Often held as outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing, this tradition has once again been revived in parks and stately homes not only in the UK, but across the world. The first series of promenade concerts were held indoors at the Queen's Hall in Langham Place. The idea was to encourage an audience for concert hall music who, though not normally attending classical concerts, would be attracted by the low-ticket prices and more informal atmosphere. In addition to "promenading" or "promming"; eating, drinking and smoking was all allowed. Many people's perception of the "Proms" is taken from the "Last Night", although this concert is very different from the others. The concert is traditionally of a lighter vein, with popular classics being followed by a series of British patriotic pieces in the second half of the concert. This second half sequence traditionally includes most of the works included in this medley. Many in the audience use the occasion for an exuberant display of Britishness. Union Jack Flags are carried and waved by the "Prommers", especially during "Rule, Britannia!". Balloons and party poppers are also in abundance.
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£12.00The World Rejoicing (Brass Band - Study Score)
In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well-known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Crger. A number of composers have incorporated this chorale into their music, most famously J.S.Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonization of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows: Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.The World Rejoicing is dedicated 'in loving memory of my brother', Bramwell Logan Gregson, who sadly passed away in the Autumn of 2018.Edward Gregson
Estimated dispatch 7-14 working days
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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£58.70Into the Unknown - From Frozen II - Kristen Anderson-Lopez - Haakon Esplo
Composers Kristen Anderson-Lopez and Robert Lopez have once again written music for Disneys sequel film Frozen II after great success in 2013 with Frozen.Many will probably remember Let it Go which became a big hit from this movie.The new movie continue to follow the main character Elsa, who sings her amazing musical number "Into the Unknown" in Frozen II. The song describes Elsa's inner conflict of choice to leave Arendelle or trace the source of a mysterious voice she continues to hear.The song is originally sung by Idina Menzel and the Norwegian artist Aurora and has elements and motifs inspired by Scandinavian herding calls. As always, the music is both magnificent and captivating and will surely be a hit for many years to come.
Estimated dispatch 5-14 working days
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