Results
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£105.00
Danceries. Set II - Kenneth Hesketh
Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunesand dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, eachmovement is self-contained, colourful and direct, with its own distinct mood.The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart sEase(movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by agreater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances.Brass Band Grade 5
Estimated dispatch 5-14 working days
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£154.99
REM-scapes - Thomas Doss
Sweet echoes of Beethoven's Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase, however, in which most dreams take place and where the day's events are worked through, we hear other sounds played.With distorted sounds, reminiscent of an old gramophone, the music pulls the listener inevitably ever deeper into the dreamscape, in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment, it seems as if the wakeful urge has won out, before dream's powerful spell is again cast, and there's no escape...
Estimated dispatch 5-14 working days
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Left Bank Two - Wayne Hill - Len Jenkins
In the 1960's, a group of session musicians had some studio time left over and asked if anyone had something they wanted to try. The young vibes player, Wayne Hill came up with this tune, which they recorded on the spot, almost as a 'throwaway' piece. To viewers in the UK, it is best known as the music used in "The Gallery" sequence of 'Vision On', which was a British children's television programme, shown on BBC1 from 1964 to 1976. Tony Hart, artist and co-presenter of the programme, made pictures in a variety of sizes and media, and encouraged children to submit their own paintings to "The Gallery" for display on TV. They did so in their thousands. The piece has been used in a number of adverts including those for Volkswagen, Castrol Oil and Waitrose, and TV programmes such as NBC's America's Got Talent, The X Factor (U.S) and the BBC panel show QI. Left Bank Two features a Vibraphone solo with Brass Band accompaniment. For those bands that do not have a Vibraphone, an alternative solo for a B flat instrument is included.
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£44.95
Desire (Brass Band - Score and Parts)
The premise of this piece is the portrayal of the contrasting nature of our desires. The emotions and images depicted within the music reflect the imperfections of humanity - each one of us.The piece opens with the 'desire' theme, the middle section is prayerfully and almost silently with Move, Holy Spirit! Move in my life! (S.A.S.B. 325) quietly referenced in the closing moments of this section. The piece closes with a united proclamation of this powerful chorus, 'Lord, I give you my heart, I give you my soul; I live for you alone' (S.A.S.B. 397).
Estimated dispatch 7-14 working days
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£29.95
Toccata Fire (Brass Band - Score and Parts)
Toccata Fire combines the contemporary setting of William Booth's hymn Send the fire (S.A.S.B. 326) with the Gowans and Larsson song Burning, Burning (S.A.S.B. 317) in an exciting work.Duration: 3.00
Estimated dispatch 7-14 working days
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£55.00
Triumph Series Brass Band Journal, Numbers 1339 - 1342, July 2022
1339: Fanfare on 'O come, all ye faithful' (Steve Kellner)The music follow the story of the shepherds as told in Luke 2: 8-20. It first portrays the majestic announcement of Jesus' birth by the heavenly host, then the hushed mystery of the manger scene, followed by the shepherds boisterously glorifying and praising God.1340: In his light (Niels Silfverberg)This is a Bozza Nova setting of the song O soul, are you weary and troubled? by Helen Howarth Lemmel..1341: Merrily on high (Craig Stevens)This bright and energetic setting of the well-know and widely used carol will be well-received by many groups who need an attractive and relatively easy piece to prepare for the festive season.1342: March - Promises (William Gordon)This march features two well-known hymns, Standing on the promises of Christ my King (S.A.S.B. 522) and Holy, holy, holy, Lord God Almighty! (S.A.S.B. 31) set to John Bacchus Dykes' melody Nicaea.
Estimated dispatch 7-14 working days
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£90.00
Vienna Nights (Brass Band - Score and Parts)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£12.00
Vienna Nights (Brass Band - Study Score)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£50.00
Triumph Series Band Journal November 2016 Numbers 1279-1282
No. 1279 March - In the fellowship (Stephen Bulla)This march was written at the request of Bandmaster Jamie Hood who commissioned the piece for the 125th Anniversary of his home corps band at Basel 1 Corps. Within the march are two well-loved songs from the SA's Swiss song book, both of which are still sund frequently at the corps.No. 1280 Shout and sing! (Steven Ponsford)This light-hearted, lively piece of music is based on David Fellingham's song 'Shout for joy and sing your praises to the King'.No. 1281 (1) Sweet hour of prayer (trs. Doug Engle)Prayer offers us an opportunity to communicate with the Lord. The words of this hymn invite us to bring our concerns to a God who listens. As you listen to this arrangement, take time to reflect on how God has remained faithful through times of peace and distress.No. 1281 (2) The Lord bless you and keep you (arr. Andrew Wainwright)Peter Lutkin's beloved choral benediction is well known in vocal circles. Here it is given a simple treatment that it is hoped will inspire prayer reflection and renewed confidence in God's protection and guidance.No. 1282 March - I serve a risen Saviour (Noel Jones)This Easter march features the following songs: 'Look, ye saints! the sight is glorious' and 'I serve a risen Saviour'. The motif 'I serve a risen Saviour' is used throughout the first section of this march.
Estimated dispatch 7-14 working days
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£34.95
Elixir of Youth (Brass Band - Score and Parts)
Elixir of Youth (2013) was written for the 2013 Brass for Heroes charity event where it was premiered on 19th October 2013 at St Paul's Hall in Huddersfield under the baton of Philip Harper. The title of the work reflects the nature of the band that was put together for that premiere performance; an all-star youth band comprising a selection of the country's young brass banding talent, with the term Elixir referring here to the everlasting talent seen in young brass players throughout the United Kingdom's brass bands and bands' and teachers abilities to keep producing such high quality musicians for the banding movement.The work, structured in three sections, is a showcase for band with a heroic opening where fanfare-like gestures in the cornets and trombones juxtapose rapid euphonium and baritone runs, alongside sweeping horns and percussion effects. As the piece progresses, a grove is introduced - just in the tubas at first, accompanied by a hi-hat - before spreading through the band, definitely stuff to tap your toes to! The middle, slower section of the work sees both flugel and cornet solos, with additional inputs from the euphonium and solo horn before a climax and return to the tempo and music of the opening section. A rousing close concludes the work where all of the work's themes are interweaved to create a sense of power, unity and grandeur; an Elixir of Youth.
Estimated dispatch 7-14 working days