Results
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£87.99Sunday in the Park (Tenor Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.Duration: 7:00
Estimated dispatch 7-14 working days
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£34.95
March Of The Hours (Brass Band - Score and Parts) - Soderstrom, Emil
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£17.50
March Of The Hours (Brass Band - Score only) - Soderstrom, Emil
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£35.00Magic Flute Overture, The (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip
Mozart's The Magic Flute is a two-act opera composed in 1791, the year of his death. It was the culmination of a period of increasing involvement by Mozart with Emmanuel Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. The Magic Flute is noted for its prominent Masonic elements; both Schikaneder and Mozart were believed to be Masons and also lodge brothers. Much of Mozart's Masonic music is written in the key of E flat. This key, with 3 flats is indicative of Masonic symbolism. There are other examples of the number three in the opera as well. The opening chords of the introduction sound three times, which also happens during the Temple scenes. Also represented in threes are the three temples of Wisdom, Reason and Nature. Tamino tries to open the three doors of the temple. There are three ladies, the attendants to the Queen of the Night, and three boys who serve as guides to Tamino and Papageno. Duration: 6:30
Estimated dispatch 7-14 working days
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£19.95As The World Falls Apart... - Jonathan Bates
DURATION: 4 minutes. DIFFICULTY: Moderate. 'As The World Falls Apart' was composed for David Maxted as part of the programme for his BMus Final Recital at the RNCM in May 2017. The work was composed in a time of real political and social divide, with chaos only ever seeming minutes away, and the base of the piece is one of serenity and traniquility amongst the bedlam which is occurring around us all. Originally, the work was planned to be a totally free unaccompanied work for solo horn, however I wanted to make use of the vast space the RNCM concert hall can offer with the surround-sound speakers and decided to utilise a short sound effect track to enhance the feeling of chaos as the music reaches it's peak in dynamic and intensity. AUDIO FILE AVAILABLE FROM COMPOSER - [email protected]. . . .
In Stock: Estimated dispatch 1-3 working days
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£44.00
Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes
"Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!
Estimated dispatch 7-14 working days
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£34.95
MARCH OF THE HOURS (Brass Band Set) - Emil Soderstrom
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£30.00Joy to the World - George Frideric Handel
"Joy to the World" is a popular Christmas Carol with words by Isaac Watts. As of the late 20th century, "Joy to the World" was the most published Christmas hymn in North America. The words of the hymn are by the English writer Watts are based on Psalm 98, 96:11-12 and Genesis 3: 17-18. The version of this carol usually heard today is from an edition by Lowell Mason and is named "Antioch" and attributed as "arranged by Handel". This tune has the first four notes in common with the chorus "Lift up your heads" from the Messiah and the third line recalls "Comfort ye" from the same work. But this resemblance is often dismissed as a chance resemblance by Handel scholars today. Another theory is its similarity to a tune called "Comfort" and associated with Charles Wesley's hymn "O Joyful Sound", which was written some three years earlier than Lowell Mason's "Antioch" in 1833. This carol has been recorded by many artists such as Andy Williams, The Supremes, Bing Crosby, Ella Fitzgerald, Johnny Cash, Nat King Cole, Perry Como, Vic Damone and Mariah Carey.
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£24.95Prelude- The truth from above - Ralph Vaughan Williams
In hisPrelude - The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from theFantasia on Christmas CarolsandThe Oxford Book of Carolsare skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting,Prelude - The Truth from Abovemay be performed separately, or as the first of two preludes, preceding Paul's arrangement ofRhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer & Bell.
Estimated dispatch 5-14 working days
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£87.99Sunday in the Park - Philip Sparke
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present.Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.
Estimated dispatch 5-14 working days
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