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  • £17.50

    The High Council (Brass Band - Score only) - Steadman-Allen, Ray

    This march was written at the request of the then Chief of the Staff, Commissioner Arnold Brown for the welcome meeting of the 1974 High Council, a gathering of The Salvation Army's top leaders from around the world who meet to elect a new General. The scintillating music is filled with many wonderful and surprising shifts of key, rhythm and instrumental colour. Evangeline Booth's song 'The world for God' provides the international reference while at the trio's peak, the composer joins three tunes in impressive counterpoint; 'We're the Army' (cornets), 'A Robe of White' (horns and baritones) and 'Bound for Canaan's Shore' (trombones). The march ends with a dazzling shift into triple time and an impressive molto allargando codetta.

    Estimated dispatch 7-14 working days
  • £59.95

    At The Edge Of Time (Brass Band - Score and Parts) - Steadman-Allen, Ray

    At the Edge of Time is a Sinfonietta of three movements. The first is based on The Head that once was Crowned with Thorns, whilst the second is an eloquently vocal cornet solo. The Finale is the closest that Steadman-Allen gets to the impish tonal humour of Heaton and has a glorious surprise ending and reprise of the opening hymn.

    Estimated dispatch 7-14 working days
  • £29.95

    At The Edge Of Time (Brass Band - Score only) - Steadman-Allen, Ray

    At the Edge of Time is a Sinfonietta of three movements. The first is based on The Head that once was Crowned with Thorns, whilst the second is an eloquently vocal cornet solo. The Finale is the closest that Steadman-Allen gets to the impish tonal humour of Heaton and has a glorious surprise ending and reprise of the opening hymn.

    Estimated dispatch 7-14 working days
  • £44.95

    The Eternal Presence (Brass Band - Score and Parts) - Ball, Eric

    The recurrent theme is the hymn 'Still, still with Thee' with which the composer has blended his own consideration of words from Psalm 139 (verses 7 - 11). In contrast, there are three opposing movements subtitled 'The Imprisoned Spirit', 'The Heart's Grief' and 'Tribulation' while the final section reaffirms 'The Eternal Presence'.

    Estimated dispatch 7-14 working days
  • £22.50

    The Eternal Presence (Brass Band - Score only) - Ball, Eric

    The recurrent theme is the hymn 'Still, still with Thee' with which the composer has blended his own consideration of words from Psalm 139 (verses 7 - 11). In contrast, there are three opposing movements subtitled 'The Imprisoned Spirit', 'The Heart's Grief' and 'Tribulation' while the final section reaffirms 'The Eternal Presence'.

    Estimated dispatch 7-14 working days
  • £44.95

    The Great Salvation War (Brass Band - Score and Parts) - Curnow, James

    James Curnow was inspired to compose this work after reading 'Marching to Glory', a history of The Salvation Army in the USA. The writer of the book, Dr. Edward H. McKinley, was a colleague of Curnow on the faculty of Asbury College and a member of The Salvation Army Student Fellowship Band. The work was written for this band and premiered by them at the Centennial National Congress in 1980 which was held at Asbury College. Curnow has endeavoured to capture the spirit of early day Salvationists as they gave themselves completely to the great salvation war. Three songs support the three-part structure; 1) Stand like the brave 2) In Thee, O Lord, do I put my trust 3) Rescue the perishing.

    Estimated dispatch 7-14 working days
  • £22.50

    The Great Salvation War (Brass Band - Score only) - Curnow, James

    James Curnow was inspired to compose this work after reading 'Marching to Glory', a history of The Salvation Army in the USA. The writer of the book, Dr. Edward H. McKinley, was a colleague of Curnow on the faculty of Asbury College and a member of The Salvation Army Student Fellowship Band. The work was written for this band and premiered by them at the Centennial National Congress in 1980 which was held at Asbury College. Curnow has endeavoured to capture the spirit of early day Salvationists as they gave themselves completely to the great salvation war. Three songs support the three-part structure; 1) Stand like the brave 2) In Thee, O Lord, do I put my trust 3) Rescue the perishing.

    Estimated dispatch 7-14 working days
  • £152.99

    Hymn of the Highlands, Suite from (Brass Band - Score and Parts) - Sparke, Philip

    Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £68.99

    Flying the Breeze (Brass Band - Score and Parts) - Sparke, Philip

    Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage, which leads to a short coda.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £74.95

    Between the Moon and Mexico (Brass Band - Score and Parts) - Sparke, Philip

    Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30

    Estimated dispatch 7-14 working days