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£42.95March Prelude (Brass Band - Score and Parts) - Gregson, Edward
March Prelude was commissioned to launch the new brass band series by the publisher Novello, in 1968. What makes this little piece different from the usual march is that in the trio section the time signatures change constantly. The main tune of the March is recognisably modal but the harmony surrounding it takes it away from that world.Duration: 3.30
Estimated dispatch 7-14 working days
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£30.00Leviathan - Paul Denegri
Leviathan began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; Whale Nation. At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25-minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase and the ultimate demise of earth's largest mammal.
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£106.30Gallito - Pasodoble Torero - Santiago Lope
Santiago Lope was born in Ezcaray (La Rioja, Spain) on May 23. 1871. He studied violin and composition at the Royal Academy of Music in Madrid. When the city of Valencia organized a municipal band in 1902, Lope was a leading figure. The four pasodobles: Dauder, Gallito, Angelillo and Vito are all dedicated to the star matadors of the time. Gallito is the most performed of the four, and is dedicated to Fernando Gomez Ojeda. Santiago Lope died on September 25. 1906.
Estimated dispatch 5-14 working days
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£99.50Graceful Ghost - William Bolcom
I came to know of this piece when hearing famous Norwegian ragtime pianist Morten Gunnar Larsen playing it at a concert with the Norwegian Navy Band Bergen. I was struck by its melancholic beauty and wanted to arrange it for band.Ragtimes are rarely in a minor key (which this one is) and when you first hear it, you might think it was written around the time when Scott Joplin was the main ragtime composer. But, if you listen more carefully, you notice that some of theharmonies are more advanced than one might expect in traditional ragtime, giving the piece a slightly more contemporary feel. The composer William Bolcom wrote Graceful Ghost in 1970 to honour the memory of his father and it is one of hismost popular pieces.
Estimated dispatch 5-14 working days
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£89.99
Dies Infernus - Bert Appermont
Dies Infernus means 'Day of Hell'. The reason for this title is the dreadful disaster that befell the Dutch village of Kolhorn in 1788, when the whole village went up in flames. Afterwards, a huge appeal was launched to rebuild the unfortunate village. Many people were willing to contribute, resulting in the collection of the enormous sum at the time of eighteen thousand guilders, with which the village could be rebuilt. This work was commissioned by Harmonie De Eendracht in Kolhorn to mark its 110th Anniversary.
Estimated dispatch 5-14 working days
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£59.99Glasnost - Dizzy Stratford
This composition by Dizzy Stratford symbolises the birth of the new Russia in the time of Mikhail Gorbachev with its new openness in public affairs (glasnost) accompanied by political and economic reform (perestroika). Glasnost is a work offering a modern vision of Russian music. Dizzy Stratford has chosen to combine the national hymn of the Soviet Union with two traditional melodies which, with a steady, energetic rhythm portray the wind of change and freedom in Russian society.
Estimated dispatch 5-14 working days
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Bernie's Song - Miller/Leiber/Stoller ver.Mulligan, arr.John Dankworth - Len Jenkins
Bernie's Tune is a 1953 jazz standard with music written by Bernie Miller and lyrics by Jerry Leiber and Mike Stoller. It was popularised through a recording by the quartet of the American saxophonist and composer Gerry Mulligan, and the tune was a popular choice for musicians jamming at the time. Information about the composer is scarce. All that people really know of him is that he was a piano player from Washington DC. Gerry Mulligan's version was subsequently arranged by the late, legendary John Dankworth and this arrangement for brass band has been faithfully based on it to evoke the atmosphere of that golden era.
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Anyone Who Had A Heart - Burt Bacharach and Hal David - Len Jenkins
"Anyone Who Had A Heart" is a song written by Burt Bacharach (music) and Hal David (lyrics) originally for Dionne Warwick in 1963. However, in the UK, Ireland and New Zealand, the cover version by Cilla Black was, and is still, the best loved. Championed by her friends The Beatles, she began her career as a singer in 1963, and her singles "Anyone Who Had A Heart" and "You're My World" both reached number one in the UK in 1964. From the first line, the song has a certain frisson: "Anyone who ever loved, could look at me, and know that I love you." Sadly, Cilla passed away on 1 August 2015 so this is our tribute to a well-loved lady and singer. Our objective has been to interpret the style of the original performance by Cilla, and whilst the time signatures may not be familiar, experience has shown that these are easier to read and play than the alternative using triplets.
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£50.00
King Kong March - Steiner, M - Harper, P
From the original 1933 King Kong movie, this hidden gem of a march is sure to become a big favourite in the band world.Philip Harper has woven Gerschwin's Rhapsody in Blue into the Trio theme to enhance the throwback to the time of the Great Depression in the USA.1st Section +Duration 4 mins Click to listen - Courtesy of Cory Band
In Stock: Estimated dispatch 1-3 working days
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£29.95Judd: Soldiers Of Christ
This march was the second of Marshalls marches to be published and contained the note Revised by the Editor, who at the time was Lt. Colonel Richard Slater. Marshall maintained correspondence with the Colonel as his composing skills developed although this early work already demonstrates melodic charm and effective scoring.
Estimated dispatch 7-14 working days
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