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  • £124.95

    Dynasty (Brass Band - Score and Parts) - Graham, Peter

    Dynasty takes the form of a Symphonic Poem, a musical form first introduced to a contest audience at the Crystal Palace in 1913 by Percy Fletcher in his work Labour and Love.Using key passages from the autobiography of Harry Mortimer, On Brass, as the source for the narrative, the work opens with a four-note leitmotif (Harry's theme, "as if descending from the heavens"), and the timeline unfolds as follows:Harry - One's destiny decided at birth "I'll make him the best cornet player in England"War - Why do the nations so furiously rage together? Fred volunteers for military serviceTheatre - And suddenly "I dashed to the rescue like a hero in the silent movies I was about to get to know so well"Journey - Comfort Ye A new life and new challengesTogether - Come unto me "A golden age"Farewell - For behold, darkness "Fred's death surely marked the passing of an era"Amen - The Trumpet shall soundListeners familiar with brass band repertoire will recognise a few pertinent quotes within the piece.In my imagination Harry is joined by Fred on cornet and the euphoniums of Alex and Rex for the quartet cadenza from Sovereign Heritage by Jack Beaver in Together.The Amen section from Handel's Messiah provides the basis for a contrapuntal flight of fancy as the work moves towards a conclusion. Other less overt fragments contribute to the story.Dynasty was co-commissioned by the British Open Brass Band Championships for the September 2019 contest, and the Brass Band Committee VLAMO for the Belgian Brass Band Championships 2019.- Peter GrahamDuration: 17.00

    Estimated dispatch 7-14 working days

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  • £34.95

    The Mansions of Glory (Brass Band - Score and Parts) - Bates, Jonathan

    "A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution. Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God."

    Estimated dispatch 7-14 working days
  • £17.50

    The Mansions of Glory (Brass Band - Score only) - Bates, Jonathan

    "A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution. Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God."

    Estimated dispatch 7-14 working days
  • £68.99

    Suite Symetrique (Brass Band - Score and Parts) - De Haan, Jacob - Haantjes, Menno

    This playful three-part suite is largely based on symmetry. This of course is largely due to the relations of the arrangement of the themes; however, on the other hand, to the larger structures in form. The first part, (Prelude et Scherzo) has a solemn opening. Followed by it a related scherzo with many changes in time, this too is composed in a symmetrical form. In the second movement, Choral Dorian, the theme of the prelude is reversed and used in chorale in Dorian tonality. The suite comes to a close with Rondo d'Avignon. An annual theatre festival in a French city on the Rhone inspired this suite. It is a lively movement, symmetrically bought to a finish with a repeat of the prelude from the first movement.Duration: 5:15

    Estimated dispatch 7-14 working days
  • £68.99

    Suite Symetrique - Jacob de Haan

    This playful three-part suite is largely based on symmetry. This of course is largely due to the relations of the arrangement of the themes; however, on the other hand, to the larger structures in form. The first part, (Prelude et Scherzo) has a solemn opening. Followed by it a related scherzo with many changes in time, this too is composed in a symmetrical form. In the second movement, Choral Dorian, the theme of the prelude is reversed and used in chorale in Dorian tonality. The suite comes to a close with Rondo d'Avignon. An annual theatre festival in a French city on the Rhone inspired this suite. It is a lively movement, symmetrically bought to a finish with a repeat of theprelude from the first movement.

    Estimated dispatch 5-14 working days
  • £9.95

    Euphonium's Amazing Americas Tour - Solo Euphonium (Bass Clef) - LM172 - Alexandra Lehmann

    COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.

    In Stock: Estimated dispatch 3-5 working days
  • £9.95

    Euphonium's Amazing Americas Tour - Solo Euphonium (Treble Clef) - LM169 - Alexandra Lehmann

    COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.

    In Stock: Estimated dispatch 3-5 working days
  • £9.95

    Trumpet's Amazing Americas Tour - Solo Trumpet - LM187

    COMPOSER: Alexandra LehmannTrumpet's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownTrumpetplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Trumpetis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerTrumpetis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Trumpet is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoTrumpetis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Trumpet plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.

    In Stock: Estimated dispatch 3-5 working days
  • £31.66

    March from 'The Love for Three Oranges (Brass Band) Prokofiev arr. Wilkinson

    This thrilling brass band arrangement of the March from 'The Love for Three Oranges' by Prokofiev has been skillfully arranged by Keith M. Wilkinson. This setting captures the essence of the original orchestral work, while showcasing the power and brilliance of the brass band. In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi, L'amore delle tre melarance, adding some additional surrealism to the text. Given Prokofiev's poor English, and Americans unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself. The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella. To view a rolling score video of the work please visit www.youtube.com/watch?v=I136sf8hxlU Duration: Approx. 2.10 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £23.00

    King Lear Fanfare (Brass Band - Score and Parts) - Debussy, Claude - Wilson, Duncan

    King Lear is a tragedy by William Shakespeare. Lear descends into madness bringing tragic consequences for all. Based on a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Its first known performance was in 1607, George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". Originally orchestrated for 2 flutes, 4 horns, 3 trumpets, timpani, side drum, 2 harps, and strings, Debussy wrote five minutes of incidental music for a production of King Lear, produced at the Theatre Mogador Paris in 1904. Duration: 1.30. Suitable for 4th Section Bands and above.

    Estimated dispatch 7-14 working days