Results
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£55.00New York. - Nigel Hess
'New York'... or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. This brass band transcription has been made by Phillip Littlemore and provides adriving and punchy 4 minute work for brass band. 'New York' is the third movement of 'East Coast Pictures', originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from NationalWestminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and thepeople.This work has recently been recorded on the CD 'East Coast Pictures' by the Leyland Band, conducted by Michael Fowles, and is available from this site (catalogue number: 0-571-52109-6).
Estimated dispatch 5-14 working days
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£119.99The Lonesome Knight - Saskia Apon
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.
Estimated dispatch 5-14 working days
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£74.99The Shopping Centre - William Vean
Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Estimated dispatch 5-14 working days
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£54.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 5-14 working days
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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£54.99
Hymnus Antverpiae - Jan Van der Roost
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.
Estimated dispatch 5-14 working days
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£104.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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Aldebaran - Maurice Forslund - Maurice Forslund
We are pleased to offer this new piece from our colleague, Maurice Forslund, in Sweden. "Aldebaran" is a traditional-style brass band march, named after one of the brightest and largest stars in the Northern sky. (The star is a red giant over 40 times the size of our Sun). The music starts off in a sombre minor key that turns progressively brighter step by step. This sequence is arrested by a brief section featuring a setting of the hymn tune 'Bangor' which dramatically puts the march firmly back into the minor key before setting it up for progression to the finale. This piece is graded in the range 'easy' to 'intermediate' and is well within the capabilities of most bands.
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£38.95Unity Series Band Journal - Numbers 494 - 497, June 2021
494: March - The angels' song (Alan Williams)This imposing and energetic march is a welcome addition to the Christmas concert repertoire.495: Christmas Rocks! (Mark Feltwell)This exciting work takes the form of a mini-overture and is an ideal opening for Christmas concerts. It features four well-known carols: Unto us a boy is born (C.C. 97); Three kings' march (C.C. 96); While shepherds watched (C.C. 105); Hark! the herald angels sing (C.C. 38).496: Meditation on 'Beechwood' (Kenneth Downie)This wistful arrangement of the hymn tune brings a spirit of wonder at God's love for us.497: Marching in the light (Ralph Pearce)A march in all but name, this piece is based on the popular South African traditional hymn We are marching in the light of God (S.A.S.B. 903) with references to Come, join our army, to battle we go (S.A.S.B. 949).
Estimated dispatch 7-14 working days
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£70.00General Series Band Journal August 2017 Numbers 2170-2173
Praise to the Lord! (Andreas Holmund)A joyful and exuberant setting of the tune 'Lobe den Herren' which will be popular amongst many groups looking for an exciting programme item.Carol of the bells (Warren Brookes)The 'Carol of the bells' is an extremely popular and much used carol. This setting will bring a useful addition to the Christmas repertoire and is arranged by a Salvationist from Australia.Breathe on me (Paul Drury)This work is based on the 'Sing to the Lord' setting by Mark Porter which has proved popular amongst many vocal groups. It is hoped that this developed setting will enhance its popularity.March Cedarlights (Norman Bearcroft)Lt. Colonel Norman Bearcroft provides a march with all his hallmarks of energy and rhythmic and melodic interest. The march was written as a tribute to the International College for Officers and features the tunes 'Joy, joy, joy there is joy in The Salvation Army', 'They shall come from the East' and 'The World for God' reflecting the internationalism of the College.
Estimated dispatch 7-14 working days
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