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  • £34.00

    River City Suite (Score only) - James Curnow

    Commissioned by the River City Brass Band of Pittsburgh, Pennsylvania, in 1989 and consists of three movements. Though the movements are independent of each other and may even be performed separately, there are some melodic and harmonic relationships between them that serve to give the composion a feeling of unity. The movements are: Intrada, Hymn, and Alleluia.

    Estimated dispatch 7-9 working days
  • £44.00

    River City Suite (Parts only) - James Curnow

    Commissioned by the River City Brass Band of Pittsburgh, Pennsylvania, in 1989 and consists of three movements. Though the movements are independent of each other and may even be performed separately, there are some melodic and harmonic relationships between them that serve to give the composion a feeling of unity. The movements are: Intrada, Hymn, and Alleluia.

    Estimated dispatch 7-9 working days
  • £40.00

    Vortex (Score only) - Robert Simpson

    Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.

    Estimated dispatch 7-9 working days
  • £50.00

    Vortex (Parts only) - Robert SImpson

    Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.

    Estimated dispatch 7-9 working days
  • £60.00

    Antiphonary - Lane, L

    The Berkeley Family antiphonary is a beautiful book of texts and chants dating back to 1457, and this piece traces an historical timeline of Berkeley Castle's history, incorporating Vivaldi arias from an opera discovered at the castle in 2002. The music has moments of hymn-like reflection as well as great triumph and features the flugel horn.1st section + Duration 6 mins This piece exists in three other formats - Symphonic brass, Brass ensemble, and Wind dectet and piano. For details of these orchestrations please visit Composers Edition

    In Stock: Estimated dispatch 1-3 working days

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  • £35.00

    FINALE from Francesca da Rimini - Tchaikovsky, P - Mcknight, I

    Tchaikovsky's symphonic poem Francesca da Rimini: Symphonic Fantasy afterDante, Op. 32, was composed in less than three weeks during his visit to Bayreuthin the autumn of 1876.This fantasia presents a symphonic interpretation of the tragic tale of Francescada Rimini, a beauty who was immortalised in Dante's Divine Comedy. Francescada Rimini, a noblewoman, fell in love with her husband's brother. After the loverswere discovered and killed in revenge by the husband, they were condemned toHell for their adulterous passions. Iain McKnight's arrangement of the exciting Finale was first performed by theLeyland Band at the 2011 Brass in Concert and was used to conclude the band'swinning performance.

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Gopak from Fair at Sorochinsk - Moussorgsky - Byles, D

    Moussorgsky started this work in 1874, seven years before he died at the age of 42. He never completed the work, and three other Russian composers added "their" endings. From The Fair at Sorochinsk, an opera based on an Episode from Gogols, Gopak is in a Russian folk tune style. A very skillful arrangement from David Byles.3rd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Yule Dance - Various - Harper, P

    Remember the impact of Riverdance? Well, Philip Harper has given the same treatment to this stunning arrangement he's called Yule Dance. Featuring:O Little Town of BethlehemIn Dulci JubiloI Saw Three ShipsSussex CarolAs with Riverdance it develops into a spectacular climax. The one to finish the concert!3rd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    On the Inside - Caswell, A - Broadbent, D

    The theme song from the Australian soap opera 'Prisoner: Cell Block H'.This was a huge hit in the late 80s when millions would tune in to watcht he late night show. The theme song written by Allan Caswell and performed by Lynne Hamilton reached number three on the UK singles chart in 1989.

    In Stock: Estimated dispatch 1-3 working days

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  • £77.00

    General Series Brass Band Journal, Numbers 2250 - 2253, December 2024

    2250: Prelude on 'Rhosymedre' (Ralph Vaughan Williams trs. Douglas Engle)The English composer Ralph Vaughan Williams' work Three Preludes (founded on Welsh Hymn Tunes) was published for the organ in 1920. This is a transcription of the second movement of that work. The words associated with the hymn tune are by Samuel Crossman, My song is love unknown (S.A.S.B. 149), and vividly depict the events of Holy Week. The music is gentle and solemn and would be appropriate for a Good Friday service or as a moment of repose in a concert. 2251: Hosanna Shuffle (Sam Creamer)The half-time shuffle groove is a popular feel developed by alternative rock/pop bands of the 1980s. It marries elements of rock and swing styles together to form a new and infectious feel - Hosannah Shuffle being written as a tribute to this fusion of musical styles. Contrary to a swing style, shuffle brings the pulse back onto the beat while maintaining the swung quaver rhythms to create a rock-type rhythmic drive. 2252: Everlasting Love (Keith Manners)This piece was written for the London North East Music School in 2004. The theme of the week was 'Making a stand for Christ', reminding the school that it only takes one person to make such a stand before others follow. The music starts with a lone Solo Cornet playing the melody of Graham Kendrick's song Such Love (S.A.S.B. 199). One by one, other parts join in with the theme.2253: Festival March (Michael Cooper)This piece represents the first published brass composition of Bandmaster Michael Cooper, who is the Bandmaster at Brisbane City Temple Corps. This imposing festival march features the tunes I want to be a soldier (T.B. 683), Lift up the banner (T.B. 90) and My Jesus, I love thee (T.B. 506). These tunes depict the idea that spiritual warfare is an essential component of one's faith, success of which is articulated in the final verse of My Jesus, I love thee (S.A.S.B. 878).

    Estimated dispatch 7-14 working days