Results
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£124.99Metamorphosis (Brass Band - Score and Parts)
The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme.Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material - each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three is the so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.Duration: 17:00
Estimated dispatch 7-14 working days
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£44.95Judd: Themes from New World Symphony
For three years the Czech composer Dvorak lived and worked in America and this, his ninth and last symphony, contains impressions of that continent. This arrangement for brass band follows the scheme of the original in movement order and theme presentation although a certain amount of 'condensing' of material has naturally been inevitable.
Estimated dispatch 7-14 working days
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£89.99Torsion (Brass Band - Score and Parts)
Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass, Manchester, by Leyland Band conducted by Jason Katsikaris. This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time, Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted 'echoes' providing added aural confusion at the points of climax. Although composed as a substantial concert work, Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions. Suitable for Championship Section Bands. Duration: 15.00
Estimated dispatch 7-14 working days
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£59.95Festival Suite (Brass Band - Score and Parts)
This three movement suite for brass band was commissioned by the Solothurnischer Blasmusikverband (SOBV) in Switzerland for their 2009 Festival. The first movement, Energy, is appropriately lively in character. It is dominated by an agitated theme on trombones and cornets, driven by a percussion accompaniment, and complemented by pulsating counterpoint from the rest of the band. The second movement is called Repose and its opening melodious theme on cornets provides a welcome respite from the restlessness and verve of the opening movement. The lyrical nature of the music is sustained throughout. The finale, Suspense, opens with a theme containing more than a hint of foreboding which recurs several times. There are numerous abrupt changes of dynamics, and also a brightening of mood, before everything finishes in a blaze of sound.
Estimated dispatch 7-14 working days
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£59.95Swedish Festival Music (Brass Band - Score and Parts)
This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.
Estimated dispatch 7-14 working days
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£149.99Hymn of the Highlands, Suite from (Brass Band - Score and Parts)
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days
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£10.00Swedish Festival Music (Study Score)
This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.
Estimated dispatch 7-14 working days
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£120.00
Myte - Torstein Aagaard-Nilsen
Commissioned by Radoy Brass for their 20 years anniversary.This version was first performed by Manger Skulemusikklag in 2005.The Work is devided into Five Scenes:1. Sverdet (The Sword) 3:452. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:303. Dragen (The Dragon) 3:004. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:355. Gull - forbannelsen (Gold - The Curse) 2:50Total durata 13:30This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth.1. The SwordThe dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise manRichard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as the dragon passes on its way to the river to drink water.3. DragonThe Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone).4. Warning II - from singing birdsWhile frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling him that Regin will betray him and later kill him. Sigurd then kills Regin instead.5. Gold - the CurseSigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone whotakes it...Myth is a programmatic work where the story is quite clearly illustrated throughout the piece:In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). The chord is also a symbol of the sword.In the second movement the warning from the wise man is expressed in the lyric bass line.The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerful though), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere andstate of mind as the curse infects the obsessed thief.
Estimated dispatch 7-14 working days
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£49.95Adagio and Rondo - and Robert Childs
One of Mozart's best-loved and most performed pieces is the lively 'Rondo Alla Turca' from the Piano Sonata in A minor, K331, written in Paris in 1778. In this arrangement the Rondo is preceded by a little-known adagio, K580a, which existed previously as a fragment scored for solo clarinet and three basset horns. This completed version of the adagio is in sonata form, its main theme closely resembling Mozart's famous motet Ave verum corpus.
Estimated dispatch 7-9 working days
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£40.00The Lord is King! (Score only) - Philip Wilby
The Lord is King! for baritone solo, Chorus, Organ (ad lib.) and brass band was rst performed by the North Yorkshire Chorus with the Grimethorpe Colliery Band in 1999. It is also available with solo trumpet and organ accompaniment. It is made up of three colourful song settings: The Trumpet, Come Down, O Love Divine, and Psalm 96.
Estimated dispatch 7-9 working days