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  • £30.00

    That Moaning Trombone - Carl D Bethel, Sandy Coffin

    Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    The St Louis Blues - Sandy Coffin, W C Handy

    Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    There and Back - Martyn Brabbins

    An original composition for brass band by Martyn Brabbins.This work was created by Brabbins early in his career and combines his creativity and passion for the sounds of brass bands . It is one of two compositions from that era (the other being Here and There) which have now been given a new lease of life and made available to the general public through The Music Company (UK) Ltd.A fast-paced and lyrical piece lasting just over 2 minutes. It's a piece which can work well across a concert programme - giving flourish as an opener and equally effective if placed between longer content.Available here for brass band and also available orchestral wind, brass & percussion.**Brass Band version for purchase/orchestral wind, brass and percussion version for hire only.Listen InFind out more about Martyn Brabbins, listen in to the fascinating podcast presented as part of the British Bandsman's On The Record series:Apple podcasts:apple.co/3ufSsfXSpotify:spoti.fi/3duqoj5Podbean:bit.ly/3k3B75h

    In Stock: Estimated dispatch 3-5 working days
  • £15.00

    Toreador's March from Carmen - Bizet

    Performance Notes from Andrew Duncan:The main feature of this arrangement is perhaps the wide range of dynamics used. Every dynamic from p through to ffis written and if played will, greatly enhance a performance of the piece.The distinctive style of the piece is also an important element for the players to embrace. Although the original rhythm has been simplified to facilitate ability, it has retained the intended 'feel' of the bravado style and offers a useful development of the players' musical awareness.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.

    In Stock: Estimated dispatch 3-5 working days
  • £20.00

    What's The Matter Horn? - Steve Robson

    Composed by Steve Robson and scored specifically for our Flexi-Collection World Tour Series. Steve has been inspired by fond memories of hearing Alpine Bands and seeing knee slapping dancers performing in Switzerland for this piece. It starts with some off-stage calls (which could even be from an Alpine Horn if one is available), and moves into a lively dance section, ending with a little yodeling! There are various ways to convey the yodeling through instruments, but a bit of vocal yodel practice could be a novel new addition to the band's warm-up routine!Our Flexi-Collection Series:Flexible scoring tailored to your needs - a perfect solution for expanding the repertoire of Junior/Youth brass bands and ensembles. The Flexi-Collection currently offers two series and these will be regularly expanded to offer groups an even wider variation of music. Based on four-part harmony, these collections provide brass groups with the advantage of complete flexibility when may not be balanced.Added Extras:Each part of The World Tour Series also includes rudimentary theory reference sheet andLearn Together Moments(warm-up passages which relate to each of the styles of pieces included in the whole series). The score also includes background/programme notes andCheck It Outideas to encourage the players to find out more about the music style and/or inspiration behind the piece.If players or instruments are missing, the show can still go on! The thoughtful scoring and arranging by Steve Robson now means that groups of all abilities have access to a truly flexible set of music for their needs.Available for Brass Band (with world parts included), pieces included in our World Tour Series offer flexibility in every sense of the word.(Available individually or as part of the completeFlexi-Collection World Tour Series Album).

    In Stock: Estimated dispatch 3-5 working days
  • £57.50

    Erin's Isle - Philip Sparke

    Erin's Isle was commissioned by euphonium player Micah Parsons and premiered by him in June 2024. The idea was to write a slow melody with an Irish flavour and the title is a romantic, 19th century name often used to refer to the island of Ireland itself. The work opens with fluttering, muted cornets, under which a tentative theme appears. This leads to an accompanied cadenza for the soloist, out of which the main theme emerges. This is a long and expansive melody, which winds through several related phrases with a folk-like flavour. A change of key heralds snatches of the theme by the band with interjections from the soloist, leading to a second cadenza. Eventually the band takes up the main theme again, over which the euphonium weaves an elaborate counter melody. The fluttering cornets return to allow the soloist to close the work with a brief and flowery coda.

    Estimated dispatch 5-14 working days

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  • £100.00

    Infinity Forest - Haakon Esplo

    The concert overture "Infinity Forest" draws inspiration from an ancient forest, standing majestically, enveloped in mystery and secrets. Venturing into this forest, one never knows what awaits. It lies dark and quiet, interrupted by clearings where the sunlight breaks through."Infinity Forest" serves as a magnificent opening for any concert and is equally an excellent choice for competition repertoire. The music presents challenges of both technical and musical nature for all instrument groups, offering great opportunities to focus on precision, timbres, and intonation. While the lower parts are designed for easier difficulty, the lead parts present greater challenges.

    Estimated dispatch 5-14 working days

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  • £94.99

    Wigerathorp - Jan de Haan

    Brass Band Gloria Dei, the group that commissioned this work, has its roots in the Frisian town of Gerkesklooster (the Netherlands), where the settlement Wigerathorp used to be. In the 13th century, a monastery was erected here, named Jeruzalem. This inspired the composer to base the work on the well-known melodious hymn Jerusalem by Sir Hubert Parry. Gercke's Overture - the monastery was built by order of landowner Gercke Harkema - is followed by a slow movement in which the founders of the monastery, The Monks of Claercamp, take shape through the Gregorian chant Veni creator spiritus. In the last movement, Monastery Jerusalem, the main theme develops in all its glory.

    Estimated dispatch 5-14 working days

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  • £69.00

    Bella Ciao - Manu Pilas

    Bella Ciao is an Italian battle song, which became popular in Italy during World War II among partisans resisting fascism and national socialism. The song became a global resistance song against oppressive powers. In 2018, the song became known again through the Spanish Netflix series La Casa de Papel, in which the song was used multiple times. Jan van Kraeydonck wrote a skillful arrangement for concert band, fanfare and brass band.

    Estimated dispatch 5-14 working days
  • £154.60

    Three Gentle Giants - Svein H. Giske

    Three Gentle Giantswas commissioned by Grenland International Brass Festival as a test piece for the 2nd division in 2008.Three Gentle Giants. The three giants each have their own monologue which leads into a conversation. They gather recognition and respect from each others views as the dialogue evolves. Eventually they find a more nutual and singular expression to their conversation.The giants are old with a long life behind them. This can be heard through a slow, melancholic waltz. A waltz is dance commonly linked to festiveoccasions, such as weddings, but for the giants it holds much more significance. It gives room to think about people they have met, placesthey have been, and all that life has given them.Quietly it ends, more or less like it began. We hear echoes of the past, before it all fades out.The giants wander off into a new beginning.Svein H. Giske- January 2023 -In Memoriam Thorvald, Finn and Thor Louis

    Estimated dispatch 5-14 working days

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