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£60.00Suite from 49th Parallel - Ralph Vaughan Williams arr. Phillip Littlemore
Vaughan Williams was in his late sixties when an opportunity to write for the cinema materialised. He was approached by his former pupil Muir Mathieson, the director of music for the Ministry of Information, to write the score for the film 49th Parallel .The plot for 49th Parallel is set in the early part of World War II, when a German U-Boat sinks allied shipping in the Gulf of St. Lawrence and then tries to evade capture by the Canadian Military by sailing up to Hudson Bay. A handful of crew disembark to look for supplies and no sooner have they reached shore when the U-Boat is spotted by the Canadian Armed Forces and sunk. Leaving the shore party stranded in Canada they have no other option but to head for the neutral United States and, as their ill-fated journey unfolds, they meet a variety of characters whom they alienate due to their reprehensible actions. They These include a pacifist in the Canadian wilds played by Leslie Howard, a Hutterite leader, and a French-Canadian fur trapper, played by Laurence Olivier. The film premiered in the UK in October 1941 and in March 1942 for the US, when it was retitled The Invaders .The brass band suite to 49th Parallel, devised by Paul Hindmarsh and arranged by Phillip Littlemore, takes the Prologue from the cinematic score as its starting point. Stretches of pastoral musical themes depict the Canadian landscape before the atmosphere is broken with a menacing rendition, albeit briefly, of the Lutheran chorale Ein Feste Burg depicting the surfacing of the German U-Boat in the Gulf of St. Lawrence. This gives way to the mechanical, jaunty section Control Room Alert with its persistent drive and energy. A brief interlude of The Lake in the Mountains leads into the most recognised piece of music of from the film, the Prelude, which accompanied both the opening and closing credits, and adds a most fitting conclusion to this suite.The suite has been recorded by the Tredegar Town Band, under their musical director Ian Porthouse, on the Albion Records CD Vaughan Williams on Brass
Estimated dispatch 5-7 working days
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£55.00Ancient Airs and Dances - Ottorino Respighi arr. Phillip Littlemore
Ancient Airs and Dances is a set of three orchestral suites written in 1917, 1924 and 1932 respectively. In each, Respighi borrows melodic material from the 16th and 17th centuries, and then applies his own distinct voice to create something at once new and old. This arrangement takes four separate movements from two of the three sets. Balletto detto "Il Conte Orlando" by Simone Molinaro, was a popular piece from the beginning of the 17th century. Its noble rhythmic gestures in the opening and closing sections are answered by a more reflective mood in the middle. Gagliarda, by Vincenzo Galilei (father of the famous astronomer) was originally called Polymnia, after one of the muses of song. Arie di Corte (Courtly Airs), is based on a set of songs by Jean-Baptiste Besard, where sprightlier dances are enveloped by a stately dance. The finale is a clever alternation of two anonymous dances of the late 16th century. There are several variations on a passa-mezzo with interjections of a mascherada. The suite arrives at a brilliant finish with the mascherada's fanfare theme.A recording of this work can be found here: Ancient Airs and Dances.Duration: c. 9'30"Grade: 4th Section and above
Estimated dispatch 5-7 working days
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£40.00Carmen Suite - Georges Bizet arr. Phillip Littlemore
Incredible as it seems today, Bizet's opera Carmen was met with a lukewarm reception at its premiere at the Paris Opera-Comique in 1875; critics condemned its subject matter as lurid and its music overly Wagnerian, and it ran for a mere 37 performances. Bizet died with a few days of it opening at the tragically early age of just thirty-six. Now hailed as the composer's supreme achievement, this colourful, passionate work continues to delight listeners around the world with its emotional, atmospheric music and the originality of its conception. Two orchestral suites were created in the latter part of the 19th Century each containing six pieces.This brass band arrangement brings together three of these pieces, the Aragonaise , the Habanera and Les Toreadors .Duration: c.7'00"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£40.00Carnival of the Animals
Saint-Saens composed The Carnival of the Animals in 1886. He regarded the work as a piece of fun and was adamant that the work would not be published in his lifetime. It was published in the year following the composer's death and the first public performance was given on 25th February 1922. It was well-received and has since become one of Saint-Saens's best-known works.This brass band transcription contains six of the original fourteen movements and opens with Introduction and The March of the Royal Lion a brief, dramatic beginning is followed by a stately march for the 'King of Beasts' that is interrupted from time to time by the lions' formidable roar, depicted by ferocious, low chromatic scales. In The Elephant, a solo B flat Bass sings a doleful song made from melodies 'borrowed' from Mendelssohn and Berlioz without apology. Next comes the relentless descending third of A Cuckoo in The Deep Woods. Fossils are clearly not animals, but some of them undoubtedly were at some point, so Saint-Saens has some fun with the xylophone rattling around like a box of old prehistorix bones. Among some little musical quotes you can listen out for 'Twinkle, Twinkle, Little Star and some references to his own 'Dance Macabre' whilst opera buffs may recognise Rossini's
Estimated dispatch 5-7 working days
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£55.00First Suite in E flat - Gustav Holst arr. Phillip Littlemore
Although completed in 1909, Gustav Holst's First Suite in E flat received its official premiere 11 years later at the Royal Military School of Music at Kneller Hall, on 23rd June 1920. There are three movements in the suite: Chaconne, Intermezzo and March. Holst himself said "As each movement is founded on the same phrase, the suite be played right through without a break." The Chaconne begins with a ground bass, repeated throughout the ensemble sixteen times as varying instrumental textures and variations of the theme are layered within it. The Intermezzo is light and brisk and features many soloistic passages. The March consists of two themes, the opening is a light march contrasted with a longer, more lyrical second theme. The movement concludes with both themes superimposed on one an another.This brass band arrangement includes the section omitted from the first movement of the Sydney Herbert transcription. Duration: 10'Difficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£60.00Music from the Royal Fireworks - G. F. Handel arr. Don Blakeson
Handel's Music For The Royal Fireworks was composed in 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle and the end of the War of the Austrian Succession. The site chosen was the fashionable upper part of St. James Park, which was becoming known at that time as Green Park. The Green Park 'Machine', which housed the pyrotechnics was an elaborate affair adorned with "statues and other figures, festoons of flowers, and other lustres".It was announced that there would be some 10,000 rockets and other devices to be let off, all culminating in a grand, burning sun with 'Vivat Rex' at its centre. There were also rumours that the event was to be accompanied by an impressively large band of military music and mention was made of "40 trumpets, 20 french horns, 16 hautboys (oboes), 16 bassoons, 8 pairs of kettle drums, 12 side drums, a proper number of flutes and fifes; with 100 cannon to go off singly at intervals". It is unlikely that Handel had ever conceived such forces and it was merely the promoter's hyberbole, not least because it was unlikely that there were sufficient numbers of extra military musicians available that could read music, as most played from memory. It is also likely that Handel, and his publisher, were conscious that future performances would be hindered by such forces. The autographed score lists the instrumentation as 9 trumpets, 9 french horns, 24 hautboys, 12 bassoons, 3 pairs of kettle drums and up to 4 side drums.The work is in five movements, although Handel's original score did not indicate in which order they should be played. However, in this score they are arranged to be played as follows: Overture, Bouree, La Paix, Minuets I & II and La Rejouissance.Duration: c. 19 minutesDifficulty: Suitable ofr all
Estimated dispatch 5-7 working days
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£55.00Perfect Fool, The - Gustav Holst arr. Phillip Littlemore
The music for The Perfect Fool is taken from the comic opera by Gustav Holst, written between 1918 and 1922. The opera received its premiere at Covent Garden, London on 14th May 1923. This arrangement consists of the three dances from the ballet which starts the work: Dance of Spirits of Earth, Dance of Spirits of Water and Dance of Spirits of Fire.Duration: 9'30"Difficulty: 1st Section and above
Estimated dispatch 5-7 working days
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£55.00Second Suite in F - Gustav Holst arr. Phillip Littlemore
Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£119.95The Snowman - Howard Blake arr. Phillip Littlemore
Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of the award-winning cartoon film The Snowman. This version is for narrator, boy soprano and brass band. Please note a keyboard is essential with both piano and strings/harp sounds.A video of this arrangement can be found here: The Snowman (excerpt)Duration: 26 minutesDifficulty: Challenging, but suitable for all.
Estimated dispatch 5-7 working days
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£40.00Three Christmas Portraits - Philip Doe
A delightful suite of three Christmas carols expertly adapted by Philip Doe. This suite of three pieces open with Christmas Day, a dainty and light opening that shows the more delicate aspects of brass playing. The centre piece is a new version of The Coventry Carol, which open with a first verse rendition for quartet before developing a more baroque-style treatment that sits over an ostinato bass line. The movement reaches its climax with flourishes from the cornets leading to a rendition of the carol at fortissimo an d treated with slightly altered harmonies before coming to rest with the opening quartet delivering the tierce de Picardie. The final movement is I Saw Three Ships, with handy interjections of several other carols make for a rousing climax to a enjoyable set of three Christmas portraits.Duration: 6'20"Diffiulty: Suitable for all grades
Estimated dispatch 5-7 working days